The Big Sleep
Philip Marlowe
Humphrey Bogart
Humphrey Bogart
Humphrey Bogart Movie Reviews
The Big Sleep
Blog Posts That Mention Humphrey Bogart
100 Great Moments in the Movies
John Huston’s “Beat The Devil”
Shocking! Attend the hair of Sweeney Todd
How “In a Lonely Place” Changed Noir’s Direction
Christy Lemire Bids a Fond Farewell to RogerEbert.com
The Great Performances of 2025
A Chicago Star: A Conversation with Michael Madsen
A Woman Without Peers: Gena Rowlands (1930-2024)
Bright Wall/Dark Room July 2024: No, Captain, My Captain: Crimson Tide and the Perils of Mutiny by Bryan Miller
30 Minutes On: Dune Part One
The Roaring Twenties Joins the Criterion Collection
The Throwaway Scene That Gives Blazing Saddles Its Warm Heart
In AMC’s Brilliant Monsieur Spade, Even the Detectives Come Hard-Boiled
A Goodbye to Shaft, Hollywood’s First ‘Bad’ Black Man: Richard Roundtree (1942-2023)
Ten Christmas Movies You Need to Add to Your Holiday Viewing List
Image is Happiness: Jean-Luc Godard (1930-2022)
Some Idea of Me: On the 10th Anniversary of Ruby Sparks
Sidney Poitier and the Slap That Shook the World
Home Entertainment Guide: October 2021
Jean-Paul Belmondo: 1933-2021
The Cruelest Month, Part 1: Hurricane Bettye
Bonded and Unbound: Sean Connery, 1930-2020
Chadwick Boseman: 1976-2020
Enter Laughing: Carl Reiner, 1922-2020
An Ode to Supernatural
Preview of Noir City Chicago 2019
Spotlighting Ebertfest’s Festival Director and Audience Members
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
The Ten Best Films of 2018
Leonard Maltin on His New Book, Hooked on Hollywood: Discoveries from a Lifetime of Film Fandom
Out of the Past: Noir City: Chicago is Back for 10th Year
Book Excerpt: It’s Okay With Me: Hollywood, The 1970s, and the Return of the Private Eye by Jason Bailey
The Woman Trapped: The Lens of Ida Lupino
Blade Runner 2049 and the Disposability of Virtual Females
Loving Her Unconditionally: Jamie Bell on “Film Stars Don’t Die in Liverpool”
The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater
30 Minutes on: “Elevator to the Gallows”
30 Minutes on: “Baby Driver”
Amy Heckerling on “Fast Times at Ridgemont High,” “Clueless” and more
Robert Osborne: 1932-2017
Interlopers in a Foreign Land: “Beat the Devil” Returns to Theatres
Book Review: “Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936”
Molly Haskell on feminism, censorship, screwball comedy, and life after Andrew Sarris
Shot Across the Bow: Paul Schrader on “Dog Eat Dog”
Writer Profiles: Christy Lemire
Telluride 2016: A Cinematic High
The Top 11 Female Film Characters of All Time
A Sneak Peek at Noir City: Chicago 8
Home Entertainment Consumer Guide: May 12, 2016
Share Your Love: Author Danny Peary on “Cult Movies”
Bette Davis: Cinematic Medusa
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
Who’s Who In Reviews: Peter Sobczynski
Who’s Who In Reviews: Christy Lemire
If It’s A Good Picture, It’s A Miracle!: An Interview with Joe Dante
Beyond Narrative: The Future of the Feature Film
Robert Altman’s Lost Classics Finally on Blu-ray
The Lonely Road: Hilary Swank on the Feminist Western “The Homesman”
Thumbnails 11/7/14
Thumbnails 8/21/14
Lauren Bacall: 1924-2014
From “Rio Bravo” to “The Insider”: The Western Roots of Michael Mann’s Film on Its 15th Anniversary
Thumbnails 5/22/2014
Meet the Writers: Christy Lemire
Philip Seymour Hoffman, 1967–2014
Meet the Writers: Peter Sobczynski
Mondo Meyer: Critic and Author Irv Slifkin talks about Russ Meyer
Dark Horse and the Samurai Tradition
A little black dress makes the world go round
Ebert’s Best 10 Movies of 2005
Not too hard on the eyes
AFI list is full of talent but empty of meaning
Who the Devil Made It is a feast of memories, history and tall
100 great movie moments
Ten Greatest Films of All Time
African Queen Still Reigns
Two or three things we know about Jean-Luc Godard
Dead of (Election) Night: Terrifying tales of campaign narratives run amok!
What we think we think we know (about movies)
Intimate connections
Who do you read? Good Roger, or Bad Roger?
Telluride #3: Mickey in the limelight
A ‘Silence’ sweep?
Schrader: Indies are scavenger dogs, scouring the planet for scraps
Bill Paxton doesn’t monkey around
The last of the old lions
Robert Mitchum: “One of the greatest movie stars was Rin Tin Tin. It can’t be too much of a trick.”
Elegant Role Model Could Not Be Typecast
‘Casablanca’ gets colorized, but don’t play it again, Ted
Woody Allen and the Purple Rose of Cairo
In Memory: Howard Hawks
Play Scoobie-Doobie-Doo for Me
John Huston: “It’s as bad to be ahead of your time as behind it.”
Robert Mitchum: “Bring me a Miltown, sweetheart.”
Interview with Bob Hope
Beauties in black and white
When a sigh is not just a sigh
Movie Answer Man (04/23/2000)
Movie Answer Man (08/23/1998)
