Jakubowicz handles these threads with coherence and vigor.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An excerpt from a new book about director Céline Sciamma, as published by Seventh Row.
A collection of the reviews given our highest possible grade in 2019.
Chaz Ebert interviews Robert Shaye, founder of New Line Cinema and Unique Features about directing his third film, "Ambition."
The latest on streaming and Blu-ray, including Captain Marvel, Gloria Bell, and a Criterion edition of Blue Velvet.
A tribute to Stanley Donen.
The transcript and video of Roger Ebert's onstage conversation with Donald O'Connor at Ebertfest 2003.
An interview with actress Lana Wood about her experience making John Ford's masterpiece, "The Searchers."
My dinner with Michael Cimino; Emily Ratajkowski's naked ambition; When Disney got trippy; Filmmakers are fans of TCM; Diversity ignores the disabled in Hollywood.
A preview of the 2016 New York Asian Film Festival, including Sammo Hung's "My Beloved Bodyguard" and Yee-sum Luk's "Lazy Hazy Crazy."
A review of Woody Allen's new film, which just premiered at the 2016 Cannes Film Festival.
An appreciation for Prince's 1986 directorial debut and "Purple Rain" follow-up, "Under the Cherry Moon."
An article reflecting on 25 years at the movies by Roger Ebert.
A review of "In the Company of Legends" by Joan Kramer and David Heeley.
A Berlin report on the circus surrounding Fifty Shades of Grey and the quality of Peter Greenaway's Eisenstein in Guanajuato and Alex Ross Perry's Queen of Earth.
A feature on Bing Crosby, including an interview with the director of a special "American Masters" about the legendary actor.
Jana Monji responds to our Movie Love Questionnaire.
Nell Minow responds to our Movie Love Questionnaire.
The King of Comedy and Ms. 45; The one good Wayans brother movie; Looking back at the Richard Boone Show; Manny Farber and James Agee; A review of God's Not Dead.
The completion of our countdown of twelve great Chirstmas-set scenes from the movies. Check out #4–#1.
The love and sex Gore Vidal dared not speak; critic Sam Adams is a (James) Franco-phile; the national conversation about sexual assault; a brilliant pop culture quiz; eleven Colorado counties angling to secede.
Tom Shales looks at "Carson on TCM," a weekly series of shows culling great Carson interviews.
Peter Bogdanovich's movie musical "At Long Last Love" developed one of those reputations as a career-killing stinker, but in hindsight, it's a pretty darn good mix of 1930s tunes with the slightly more realist sensibility of later musicals. And it's a project with a crazy history. Now that it is out on Blu-Ray, it deserves another look.
With the passing of Andy Williams, I keep imagining his golden tenor singing Henry Mancini's "Moon River." The song talks about crossing life in style. "Breakfast at Tiffany's" is all about fashionable cafe society and love; in an adult fairy tale, you can have both even if you are two drifters.
The director Gregory Nava once commented, "Whenever any question of style or taste in dress comes up, I simply ask myself, 'What would Fred Astaire have done?'" Audrey Hepburn is Astaire's female equivalent: sophistication mixed with fizzy fun.
For those of us who missed our calling as jet setters, socialites or fashion models along comes the edifying, spritely documentary "Versailles '73: American Runway Revolution" to show us how much work it is to be spontaneously fabulous.
Nearly 40 years ago, in late November of 1973, something rather momentous happened at the Opéra Royal on the grounds of the King's old digs outside Paris. In the course of a fashion show that Women's Wear Daily dubbed "The Battle of Versailles," boldly assertive American runway models -- many of whom were what we now call African-American -- wore sporty, comfortable American designer clothes with such, well, panache that the absolute supremacy of French haute couture was dented for good.