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Palm Springs Film Festival Announces 2026 Lineup
Short Films in Focus: Off the Face of the Earth (with Michael Pantozzi)
Starz Returns to Form With Brutal and Brilliant Spin-Off “Spartacus: House of Ashur”
“Stranger Things” Sets Up Its Endgame with Quartet of New Episodes
Actors Superbly Channel Siskel and Ebert Onstage in Chicago
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
“Dispatch” is a Superhero Drama Equally Mighty and Emotional
Swan Song: Udo Kier (1944-2025)
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
Felt More than Heard: Nathan Johnson on Composing his Third “Knives Out” Movie, “Wake Up Dead Man”
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
Tokyo Film Festival 2025: “Demon Pond” and Japanese Yokai Culture
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
From Chicago to the World: On the 50th Anniversary of Siskel & Ebert
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
Tokyo Film Festival 2025: Mamoru Oshii on “Angel’s Egg”
“Landman” Might Be the Dumbest Fracking Show on TV
It’s Important for a Film to Wake an Audience Up: Ira Sachs on “Peter Hujar’s Day”
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
No Other Land: Surviving a Crushing Machine
“My Undesirable Friends: Part I – Last Air in Moscow” Announced as Winner of the 2025 Indie Film Site Network Advocate Award
Tokyo Film Festival 2025: “Sato and Sato,” “Blue Boy Trial,” “Poca Pon,” “Blonde”
A Duo Unlike Any Other: On the Fiftieth Anniversary of “Siskel & Ebert”
Hard Places: Max Walker-Silverman on “Rebuilding”
Siskel & Ebert at the Movies Celebrates its 50th Anniversary
Can Movies Save the World?
Vince Gilligan’s Riveting “Pluribus” Is the Television Event of the Year
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
Adaptation is About Subtraction: James Vanderbilt on “Nuremberg”
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
Flying with Her Angels: Diane Ladd (1935-2025)
Two Thumbs Up to Siskel & Ebert’s 50th Anniversary: “Eve’s Bayou” Kicks Off Film Series
The Most Movie Moment: Aiyana-Lee on Getting a Surprise DM from Spike Lee and Filming Her First-Ever Movie Scene with Denzel Washington
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
HBO’s Zennial Comedy “I Love LA” Lets Rachel Sennott Navigate Life, Love, and Influence
“The Witcher” Changes Its Face and Loses Some Of Its Magic in Season 4
Apple TV Sends Ruth Wilson and Emma Thompson “Down Cemetery Road” in Stylish Fashion
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
CIFF 2025: The Beauty of the Donkey, The Eyes of Ghana, Below the Clouds
CIFF 2025: “Wind, Talk to Me,” “Brand New Landscape,” “The Girl in the Snow”
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
Season 2 of Netflix’s “Nobody Wants This” Keeps the Formula With Some Improvements
CIFF 2025: The Stranger, Franz, Kontinental ’25
11 Times That D’Angelo Made a Movie Better with his Music
The 11 Best Body-Swap Movies, Ranked
William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
In the Third Season of “The Diplomat,” It’s All Upsides and Distances, Darling
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
CBS Wants Your Sitcom Time to Be Spent at the “DMV”
You Play Well: Diane Keaton (1946-2025)
Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama
Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
Your Life Matters: Jane Goodall (1934-2025)
Criterion’s “The Wes Anderson Archive” is the Blu-ray Box Set of the Year
Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
“Borderlands 4” Invites Gamers to Spend Months in Its Chaotic World
Fantastic Fest 2025: CAMP, Bad Haircut, Theater is Dead
Fantastic Fest 2025: Mārama, Mother of Flies, Bulk
Marvel Animation’s “Marvel Zombies” Doesn’t Have Enough Flesh On Its Shambling Bones
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
Fantastic Fest 2025: Night Patrol, Dolly, Dinner to Die For
Fantastic Fest 2025: Primate, Bride of Re-Animator
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
The Golden Boy: 11 of Our Favorite Robert Redford Performances
11 Baseball Movies that Hit it Out of the Park from Make Me Commissioner’s Jane Leavy
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: The Tale of Silyan, Love+War, The Balloonists
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
Hulu K-Drama “Tempest” Grapples with the Inevitability of War and the Dream of Peace
“Only Murders in the Building” Tackles Changing World by Staying the Same
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Motor City, I Swear, Canceled: The Paula Deen Story
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: Lost in the Jungle, Ask E. Jean, Everywhere Man: The Lives and Times of Peter Asher
An Ode to the Unanswered Questions in “Agnes of God”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
