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The Most Movie Moment: Aiyana-Lee on Getting a Surprise DM from Spike Lee and Filming Her First-Ever Movie Scene with Denzel Washington
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
HBO’s Zennial Comedy “I Love LA” Lets Rachel Sennott Navigate Life, Love, and Influence
“The Witcher” Changes Its Face and Loses Some Of Its Magic in Season 4
Apple TV Sends Ruth Wilson and Emma Thompson “Down Cemetery Road” in Stylish Fashion
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
CIFF 2025: The Beauty of the Donkey, The Eyes of Ghana, Below the Clouds
CIFF 2025: “Wind, Talk to Me,” “Brand New Landscape,” “The Girl in the Snow”
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
Season 2 of Netflix’s “Nobody Wants This” Keeps the Formula With Some Improvements
CIFF 2025: The Stranger, Franz, Kontinental ’25
11 Times That D’Angelo Made a Movie Better with his Music
The 11 Best Body-Swap Movies, Ranked
William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
In the Third Season of “The Diplomat,” It’s All Upsides and Distances, Darling
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
CBS Wants Your Sitcom Time to Be Spent at the “DMV”
You Play Well: Diane Keaton (1946-2025)
Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama
Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
Your Life Matters: Jane Goodall (1934-2025)
Criterion’s “The Wes Anderson Archive” is the Blu-ray Box Set of the Year
Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
“Borderlands 4” Invites Gamers to Spend Months in Its Chaotic World
Fantastic Fest 2025: CAMP, Bad Haircut, Theater is Dead
Fantastic Fest 2025: Mārama, Mother of Flies, Bulk
Marvel Animation’s “Marvel Zombies” Doesn’t Have Enough Flesh On Its Shambling Bones
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
Fantastic Fest 2025: Night Patrol, Dolly, Dinner to Die For
Fantastic Fest 2025: Primate, Bride of Re-Animator
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
The Golden Boy: 11 of Our Favorite Robert Redford Performances
11 Baseball Movies that Hit it Out of the Park from Make Me Commissioner’s Jane Leavy
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: The Tale of Silyan, Love+War, The Balloonists
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
Hulu K-Drama “Tempest” Grapples with the Inevitability of War and the Dream of Peace
“Only Murders in the Building” Tackles Changing World by Staying the Same
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Motor City, I Swear, Canceled: The Paula Deen Story
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: Lost in the Jungle, Ask E. Jean, Everywhere Man: The Lives and Times of Peter Asher
An Ode to the Unanswered Questions in “Agnes of God”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
The Best American Actor of His Generation: David Strathairn on “A Little Prayer”
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
Prime Video Prequel Series “The Terminal List: Dark Wolf” Fills In (But Doesn’t Fire) Blanks
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
The Most Significant Movie Ever Made
LIFE AFTER LIFE: 4 Films at IANDS Conference in Chicago August 27-31
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Second Season of “Sausage Party: Foodtopia” is Much Tastier Than the First
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
San Diego Comic-Con 2025: Aliens and Activations
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
Netflix’s “Leanne” is Predictable Southern Comfort
Second Season of Peacock’s “Twisted Metal” is Faster and Funnier
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
All 8 Netflix “Trainwreck” Documentaries of 2025, Ranked
Life is Like a Piano: Tom Lehrer (1928-2025)
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Book Excerpt: That Very Witch: Fear, Feminism, and the American Witch Film by Payton McCarty-Simas
Once Failed by Hollywood Blockbusters, “Superman” Lets Edi Gathegi Shine
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
“The Hunting Wives” Takes No Chances
