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TIFF 2025: The Tale of Silyan, Love+War, The Balloonists
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
Hulu K-Drama “Tempest” Grapples with the Inevitability of War and the Dream of Peace
“Only Murders in the Building” Tackles Changing World by Staying the Same
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Motor City, I Swear, Canceled: The Paula Deen Story
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: Lost in the Jungle, Ask E. Jean, Everywhere Man: The Lives and Times of Peter Asher
An Ode to the Unanswered Questions in “Agnes of God”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
The Best American Actor of His Generation: David Strathairn on “A Little Prayer”
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
Prime Video Prequel Series “The Terminal List: Dark Wolf” Fills In (But Doesn’t Fire) Blanks
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
The Most Significant Movie Ever Made
LIFE AFTER LIFE: 4 Films at IANDS Conference in Chicago August 27-31
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Second Season of “Sausage Party: Foodtopia” is Much Tastier Than the First
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
San Diego Comic-Con 2025: Aliens and Activations
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
Netflix’s “Leanne” is Predictable Southern Comfort
Second Season of Peacock’s “Twisted Metal” is Faster and Funnier
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
All 8 Netflix “Trainwreck” Documentaries of 2025, Ranked
Life is Like a Piano: Tom Lehrer (1928-2025)
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Book Excerpt: That Very Witch: Fear, Feminism, and the American Witch Film by Payton McCarty-Simas
Once Failed by Hollywood Blockbusters, “Superman” Lets Edi Gathegi Shine
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
“The Hunting Wives” Takes No Chances
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
“Star Trek: Strange New Worlds” Bears the Franchise Flagship Proudly in Season 3
KVIFF 2025: Awards and Wrap-Up
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
American Badass: Michael Madsen (1957-2025)
Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season
The Lonely Landscapes of “Materialists” and “The Worst Person in the World”
Sex and Threads: The Major Works of Takashi Miike
59th Karlovy Vary International Film Festival to Honor Stellan Skarsgård, Vicky Krieps, Dakota Johnson and Peter Sarsgaard
AMC’s “Nautilus” Gives Us Indiana-Jones Worthy Adventure with Imperialist Villains
The Great and Magical Creation of This Reality: Mariana Treviño on “Stick”
FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
Death Stranding 2: On the Beach is a Touching Story about Love and Loss
Ossie Davis and Ruby Dee
The Glorious Year of Morgan Freeman
Blood and Soap Bubbles on the Surface of Netflix’s “The Waterfront”
Transformative Third Season of HBO’s “The Gilded Age” Dazzles and Delights
“Zola,” “Anora,” and the DEI Mirage
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Just Wasn’t Made for These Times: Brian Wilson (1942-2025)
Cannes 2025 Video #9: Wrap Up
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
Dancing With Death: Mike Flanagan on “The Life of Chuck”
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Renowned Film and Television Critic Richard Roeper Joins RogerEbert.com
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
Cannes 2025 Video #8: Award Winners
Cannes 2025: Our Coverage of Neon’s Remarkable Six-Film Palme d’Or Streak
Cannes 2025: Put Your Soul on Your Hand and Walk, Militantropos, Imago
