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Blog Posts That Mention Adam


Living Forward: Adam Elliot on “Memoir of a Snail”

The Atlas of Cinema: In Praise of Adam Driver

Love Yourself: Sebastian Stan, Adam Pearson, and Aaron Schimberg on “A Different Man”

Adam Wingard Focuses on the Monsters

Netflix’s The G Word with Adam Conover Shows the Best and Worst of Government

Adam Scott Leads Brilliantly Original Workplace Drama Severance

Pure Imagination: Adam Wingard on Godzilla vs. Kong

Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson

Bright Wall/Dark Room June 2020: Just in Time: Finding True Companionship Before Sunset by Adam Membrey

Benny and Josh Safdie on Uncut Gems, Collaborating with Adam Sandler, Furby Bling and More

Cannes 2019: Young Ahmed, Portrait of a Lady on Fire, Adam

Sundance 2019: The Wolf Hour, Selah and the Spades, Adam, Premature, Sister Aimee

Steve Carell on Vice, Playing Donald Rumsfeld, Working with Adam McKay and More

Lightening the Load: Miles Teller, Jason Hall & Adam Schumann on “Thank You For Your Service”

Adam West: 1928-2017

Confusion and carnage: an interview with film critic Adam Nayman about the films of Ben Wheatley

People Are Smart: Adam McKay on “The Big Short”

The Comedy Process: Adam Scott on “The Overnight”

The Unlucky Ones: Dan Stevens, Adam Wingard and Simon Barrett on “The Guest”

Adam McKay Returns to Comedy Spotlight with “Anchorman 2: The Legend Continues”

Adam Sandler’s house of cruelty

Netflix Unpacks One of Chicago’s Most Infamous Unsolved Mysteries in “Cold Case: The Tylenol Murders”

Cannes 2025: Table of Contents

Cannes 2025: Splitsville, Love Me Tender, Nino

Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything

Though Uneven, ‘Overcompensating’ Is a Promising New Comedy

The 2025 TCM Classic Film Festival

The Florida Film Festival: An Oasis for Creative Souls

Your Guide to Ebertfest 2025: Day 2, April 24th

Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More

The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”

The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)

Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival

SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners

The Idealist’s Journey

HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet

International and Indie Cinema on the Rise: A Report from the 97th Academy Awards

Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival

What to Watch on Netflix: March 2025

A Preview of the 2025 Rendez-Vous with French Cinema

February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More

A Look at Every Oscar-Nominated Short This Year

“Anora,” “Shōgun” Win Big with Critics Choice Awards

Sundance 2025: All That’s Left of You, Magic Farm, Didn’t Die

January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More

Morris Chestnut is Wasted on Inferior “Watson”

Oscar Nominations Predictions 2025

Apple TV+ Misses the Mark With Conspiracy Thriller “Prime Target”

Meet the Writers: Zachary Lee

Frustrating Second Season of “Severance” Gets Off to a Rocky Start

The Great Craft of 2024

The Great Performances of 2024, Part Two

2025 Sundance Film Festival Announces Ambitious Program

“The Brutalist” Leads Chicago Film Critics Association Nominees

Lost Souls: Bringing Out the Dead at 25

Prime Video’s “Cross” Adaptation is Killer

Let the Game Begin: “Saw” at 20

Iowa City Celebrates with Enriching Pair of Festivals

London Film Festival 2024 Preview

The Unloved, Part 130: Hollow Man

The Registers of Fear: Samara Weaving on “Azrael”

Netflix’s “Nobody Wants This” Sadly Lives Up To Its Title

Fantastic Fest 2024: The Fall, The Birthday, Wake in Fright

TIFF 2024: A Canadian Perspective on This Year’s Festival of Festivals
