Nine to Five
Screenplay by
Higgins
Higgins
Higgins Movie Reviews
Blog Posts That Mention Higgins
Bright Wall/Dark Room December 2018: An Essay on A Ghost Story, Certain Women and Food by Marissa Higgins
Sundance 2026: Birds of War, One in a Million, Silenced
Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
The Great Performances of 2024, Part One
Home Entertainment Guide: October 2024
A Man Goes to the Movies: An Appreciation of Roger Ebert’s Top 10 Lists
Even More Magical Than We Thought: Kristin Marguerite Doidge on Her New Biography of Nora Ephron
As Far Back as I Can Remember: Ray Liotta (1954-2022)
Sundance 2022: God’s Country, Emily the Criminal, Resurrection
Video: Smithsonian’s History Film Forum Panel on It’s a Wonderful Life featuring Nell Minow
SXSW 2021: Here Before, Our Father
Diana Rigg: 1938-2020
Preview of Film at Lincoln Center’s Horror Festival, Scary Movies XII
SXSW 2019: Run This Town, Extra Ordinary
If I Had an Emmy Ballot 2018
Margot Kidder: 1948-2018
Chinese New Year: Man’s Best Friend
NBC Tries to Reignite Must-See TV with Their Best Comedies
A Family Thing: Omar Epps & DC Young Fly on “Almost Christmas”
2016 Fall Movie Preview: 50 Movies That’ll Prove Film Isn’t Dead
“Dear White People”: A Review by Kinnedy Broughton
Short Films in Focus: “The Junky’s Christmas”
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Film Independent: Justin Simien
TV Review: ABC Launches Romantic Comedy Hour with “Manhattan Love Story,” “Selfie”
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The President of Ireland eviscerates Tea Partiers as ignorant wankers
The 2013 Santa Barbara International Film Festival (by way of Oklahoma)
MoMA: Images on ice
Jumping the snark: The Juno backlash (backlash)
Catherine O’Hara: Queen of Comedy
TIFF: Short cuts
“America is not a country, it’s a business.”
Introduction to Memo from David O. Selznick
Robert Mitchum: “How high are we?”
‘Juno’ is bad because the people who made it are too old? Ellen Page too?!
