Soundtrack to a Coup d’État
Self (archive footage)
Nina Simone
Nina Simone Movie Reviews
Blog Posts That Mention Nina Simone
Sundance 2015: “What Happened, Miss Simone?,” “ The Bronze,” “The Royal Road”
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
Sundance 2025: It’s Never Over, Jeff Buckley; Heightened Scrutiny; Third Act
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Berlin Film Festival 2024: Demba, The Strangers’ Case, Black Tea
Sundance 2024: Black Box Diaries, Never Look Away, Soundtrack to a Coup d’Etat
Hollywood & The March on Washington: When Fame Overcame Fear
Cannes 2023: Last Summer, Perfect Days, La Chimera, The Old Oak
Angelo Badalamenti (1937-2022)
The Ebert Fellows on Ebertfest 2022
No More Blue Tomorrows: David Lynch’s Inland Empire Returns to Theaters
The Ten Best Films of 2021
Chicago Humanities Festival 2021 Highlights Include Jazz Vocalist Tammy McCann
CANCELLED: Chicago Humanities Festival to Present Ron and Clint Howard in Conversation with Chaz Ebert
TIFF 2021 Preview: 20 Films We Can’t Wait to See
The New Black Film Rebellion
Meet the Writers of Black Writers Week 2021
Profiles in Courage: Kahil El’Zabar
The Cruelest Month, Part 3: Sorry-Grateful
Bright Wall/Dark Room June 2020: Just in Time: Finding True Companionship Before Sunset by Adam Membrey
Upholding Black Voices: An Annotated Table of Contents
True/False 2020 Dispatch 2: The Giverny Document (Single Channel), malni – towards the ocean, towards the shore
Tyler Perry, Crystal Fox, Bresha Webb, and Phylicia Rashad on Making Netflix’s Tyler Perry’s A Fall From Grace
Minty, Harriet, Moses: Kasi Lemmons on Bringing Harriet Tubman’s Life to the Big Screen
How the Image of Black Women Has (and Hasn’t) Changed in the Last Two Decades
True/False Film Festival 2017
Leonard Cohen: 1934-2016
Sometimes It Snows in April: Images of Prince
Thumbnails 3/11/16
TIFF 2015 Interview: Julie Delpy on “Lolo”
Who’s Who In Reviews: Brian Tallerico
Three-Star Reviews of 2015
