"The Congress" is a roll call of the orgiastic pleasures and bountiful comforts that art provides, and, a reminder of what waits for us when…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report on the atmosphere at the 2014 Jerusalem Film Festival and its best film, "Maidan."
Writer/director Gillian Robespierre and star Jenny Slate discuss their edgy romantic comedy Obvious Child, a festival hit at Sundance and SXSW.
Jason Bateman talks about directing, working with kids, and shaking up his nice-guy image for an R-rated comedy.
Eric Kohn attends the Oscars; The economical realities of being an actor in Hollywood; Product placement at the Oscars; A woman confronts her critics; Remembering the Laser Age.
Highlights of the 86th Annual Academy Awards.
A continuously updated list of the winners of the 86th Annual Academy Awards, announced on March 2, 2014.
The calculation of odds is finished. The campaigning is done. Erik Childress predicts the winners of the Oscars.
Links to all the essays about our picks for who deserves Oscars during this week-long event. Updated daily.
A career view on Bill Murray; Personally connecting to Her; An editor from The New Yorker waxes poetic on aging, intimacy and death; Long takes on television; and a Hollywood desert land.
Nell Minow makes the case for Best Original Screenplay for Spike Jonze's "Her."
The Producers Guild, the Writers Guild and the Directors Guild have all weighed in. How good are they as predictors of the Oscars?
Sam Fragoso ranks all 22 films he saw at the 2014 Sundance Film Festival.
Sam Fragoso on two films at the Sundance Film Festival.
What were the surprises, snubs and twists of today's Oscar nominations?
The nominations from the Producers Guild, Screen Actors Guild and the Writers Guild have announced their nominations, and the Oscars race is starting to come into focus.
An exhaustive list of Top 10s by RogerEbert.com contributors.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
The National Board of Review selects "Her" as best picture; is Jennifer Lawrence the new Anne Hathaway?; Melissa Anderson considers Barbara Stanwyck; how to defend your high school musical; Afghanistan returns to the movies.
MIchel Gondry's new documentary about Noam Chomsky fits into Gondry's body of work, if you look at his whole body of work and not just the most popular films.
Spike Jonze's "Her" is a warm and intelligent consideration of our continually evolving relationship with technology.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
My mom, the criminal; two new books that want to be the next Lolita; heart disease cut in half, but we're not cheering; how to take care of your smartphone battery; remembering the actress Elizabeth Hartman; R. Crumb's rejected gay marriage New Yorker cover; the most popular movies outside the United States
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
• "The Outer Limits" (original series) is available on Netflix (DVD), Hulu Plus and Amazon Instant Video. • "In Cold Blood" is available on Netflix (DVD and Blu-ray) and Amazon Instant Video. • "Cool Hand Luke" is available on Netflix (DVD and Blu-ray) and Amazon Instant Video. • "American Beauty" is available on Netflix (DVD and Blu-ray) and Amazon Instant Video. • "Road to Perdition" is available on Netflix (DVD and Blu-ray).
by Jeff Shannon Eyes Wide Open: A Single Artist's Vision
Ask anyone who's devoted their life to the study and appreciation of movies and they can probably tell you exactly when they were "bitten by the movie bug," that moment of personal epiphany that sparked an all-consuming passion for what is arguably the greatest, most powerful medium of artistic expression.
In my case, it was Stanley Kubrick's "2001: A Space Odyssey" that literally changed my life. That's an influential milestone I share with many cinephiles who came of age in the 1950s and '60s, especially those "movie brats" (among them James Cameron, George Lucas and Steven Spielberg) who were drawn to imaginative visions of the future. Because I'd spent most of my childhood outdoors or casually enjoying Disney films and other kid-friendly fare, I didn't see Kubrick's visionary masterpiece until it played a return engagement at Seattle's glorious Cinerama Theater, in 1971, when I was nine years old.
(With its huge, curved Cinerama screen, the Cinerama is still the only theater in Seattle capable of showing "2001" as Kubrick intended. It exclusively hosted the film's original 77-week Seattle run beginning in April 1968, and the fully restored 70-millimeter print of "2001" had its world premiere there, appropriately enough, in 2001, two years after the aging cinema was purchased and beautifully renovated by Microsoft co-founder Paul Allen. It's now one of only three theaters in the world -- along with the Cinerama Dome in Los Angeles and the Pictureville Cinema in Bradford England -- equipped to exhibit three-panel Cinerama, requiring three synchronized projectors for the only seven films created in the three-strip Cinerama process, including 1956's "This Is Cinerama" and 1962's "How the West Was Won." Starting this week [Sept. 30th] and running through mid-October, Seattle's Cinerama is hosting a "70mm Festival" of 15 films, including "2001," that originally premiered there.)
Like no other film before it, "2001" opened my eyes to the power of a single artist's vision and led me to understand the supremacy of a great director. I didn't know it then, but I'd discovered the basis of auteur theory, and while it would be foolish to deny that film is (to echo that award-acceptance cliché) the most collaborative of all art forms, it's no contradiction to embrace the Kubrick quote that greets all visitors to kubrickfilms.com, Warner Bros.' authorized Kubrick website: "One man writes a novel. One man writes a symphony. It is essential for one man to make a film." (Disregard "man"; Kubrick would've been the first to include female filmmakers in his statement.)