Imagine an "R" rated "Lassie" by way of "Spartacus." That's Kornél Mundruczó's "White God," a brutal but stirring fantasy about street dogs rising up against…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A preview of Ebertfest 2015.
Table of contents for our coverage of the 2014 New York Film Festival.
A special edition of the Home Entertainment Consumer Guide on Blu-ray releases for 9/23/14, including "Ida," "The Innocents," "Macbeth," "Neighbors," "The Rover" and more.
Our NYFF 2014 coverage kicks off with an interview with the Director of the fest, Kent Jones.
A tribute to Leonard Maltin by RogerEbert.com's writers, on the occasion of his reference book Leonard Maltin's Movie Guide ceasing publication after 45 years.
"Only Lovers Left Alive" is Top 5 Jim Jarmusch for sure; a long, warm bath in sensuality, with flashes of Wong-Kar Wai amid the ennui. In its deliberate slowness, it also ends up feeling like requiem for 20th century film storytelling, and for the pre-digital world.
10 social media tips for filmmakers; Why "Game of Thrones" isn't medieval; Nick Pinkerton on "We Are the Best!": Sam Mendes's advice for directors; How to opt out of Facebook snooping.
Sheila writes: I came across a funny video with human re-enactments of moments from Disney films that would seem totally creepy removed from the Disney context. I think my favorite is the Lion King moment, but there are some other really good ones. Enjoy!
Walter Biggins defends Armond White, the City Arts critic and editor who was recently expelled by the New York Film Critics Circle, as a provocative but necessary voice in movie criticism.
An exhaustive list of Top 10s by RogerEbert.com contributors.