In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

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Office Christmas Party

Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…

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Harry Benson: Shoot First

The filmmakers are themselves too celebrity besotted to comment in a meaningful way on how Benson’s career balanced depictions of the rich and famous with…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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"Mahogany," Diana Ross and me; Nathan Rabin on John Green; Hidden plight of child grooms; 10 tips on turning your short film into a feature; Variety critics list best festival films of 2014.

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Opening Night: Cannes Report, May 15, 2013

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Power is rarely discussed at Cannes, and it’s ostensibly all about art, although careers can hang on critics’ approval, and whether films are sold here, and to how many regions of the world. The annual jury press conference on the opening day is the first and foremost love-fest in which the concept of competition is downplayed and jurors find novel ways to sidestep the question of comparing one film to another in order to award the Palme d’Or in ten days.

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Between Two Ferns: The Oscar buzz edition, Part 2

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What delights me is, those are the real actors. They must be complely sick of Dreaded Hotel Room Interviews.

Between Two Ferns: Oscar Buzz Edition Part 1 from Zach Galifianakis

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Outguess Ebert? I may have them all right

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This year's Outguess Ebert contest seems a little like shooting fish in a barrel. For the first time in many a year, maybe ever, I think I've guessed every one correctly.A few years ago, I came across an article about the newly identified psychological concept of Elevation. Scientists claim it is as real as love or fear. It describes a state in which we feel unreasonable joy; you know, like when you sit quiet and still and tingles run up and down your back, and you think things can never get any better.

I tried applying it to that year's Oscar nominees. Did it work any better than any other approach? You need Elevating nominees. An example of Elevation would be when the bone morphs into a space station in "2001." Did I feel Elevation in making any of my Guesses this year. That doesn't mean it was a bad year at the movies. Harvey Weinstein, accepting his achievement award from the Producers' Guild, said he thought 2012 was the best in 90 years. Maybe he felt Elevation when he gazed upon the Weinstein Company's box office figures.

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Faster, Quentin! Thrill! Thrill!

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Rating: Four stars

Consider now the curious character of Dr. King Schultz. He is an itinerant dentist who works from his little wagon, traveling the backroads of the pre-Civil War South. As Quentin Tarantino's "Django Unchained" opens, we see a line of shackled slaves being led through what I must describe as a deep, dark forest, because those are the kinds of forests we meet in fairy tales. Out of this deepness and darkness, Schultz (Christoph Waltz) appears, his lantern swinging from his wagon, which has a bobbling tooth on its roof.

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Django Unchain my heart (and set me free)

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Quentin Tarantino has found his actor in Christoph Waltz -- someone who can speak Tarantinian fluently and still make it his own. When Waltz uses a self-consciously ostentatious word like "ascertain" (as in, "I was simply trying to ascertain..." -- the kind of verbiage QT is as likely to put in the mouth of a lowlife crook as a German dentist, or a Francophile plantation slavemaster, for that matter), it sounds right. As someone to whom Tarantino's dialog often sounds cliche-ridden and cutesy, it's a pleasure to hear Waltz saying the words in character rather than simply as a mouthpiece for the writer-director.

Oh, stop. This isn't sounding the way I want it to.

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Django America

Quentin Tarantino's "Django Unchained" (2012) is a very good Tarantino movie. Save for "Pulp Fiction," I tend to appreciate and respect Tarantino movies more than I enjoy them. "Pulp Fiction," however, was so entertaining that I did not want it to end. Such were my feelings with "Django Unchained." As a mash of bloody pulp cinema with great aspirations, it is as entertaining as anything I have seen from Tarantino. For Tarantino diehards it is as Tarantino-esque as everything else from him.

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#145 December 5, 2012

Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...

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