The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An overview of the films that will be theatrically released in the 2015 fall season.
Meet the critics attending Ebertfest 2015.
Jana Monji reports live from the Golden Globes.
The best television programs of 2014.
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including "Snowpiercer," "Maleficent," "Nightbreed," "F For Fake" and "La Dolce Vita."
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Clever, fun, twisted, and wildly entertaining in the way that fans of not just "Fargo" but all of the Coens’ work hoped it would be.
Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at io9.com.
Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...
When I watched "The Ides of March" (2011) early in this year, it took me back to my memories with Mike Nichols' "Primary Colors" (1998), which already told us almost everything the former wanted to tell. When I watched it in 1999, it looked like a sarcastic story inspired by Bill Clinton's first presidential election campaign in 1992, but now the movie looks more like a timeless political comedy drama which understands a lot about how politicians alternatively dazzle and disappoint us with their better and worse sides.
On Netflix Instant
Robert Duvall's "The Apostle" (1997) is the story of a preacher who believes he has unique permission to phone call the Divine. As is the case with such preachers, the rules of goodness and morality seem to apply to everyone else before they apply to him. Meaning, he is above the law until he gets frightened for breaking the law. So, his combination of impious exhilaration, impatient devotion, and self-righteous rage reveals a man in sunglasses, open palms, and fiery sermons, who plants trees while burning bridges. I love this movie as much as I despise its central character. This movie exists only because of its central character.
Marie writes: Once upon a time, a long time ago and in a childhood far, far away, kids used to be able to buy a special treat called a Frosted Malt. Then, with the arrival of progress and the subsequent destruction of all that is noble and pure, the world found itself reduced to settling for a frosty at Wendy's, at least where I live. Unable to support a "second rate" frosted malt for a second longer, I decided to do something about it!
HAPPY BELATED BIRTHDAY TO THE EBERT CLUB!
Marie writes: I recently heard from an ex-coworker named Athena aka the production manager on an animated series I'd painted digital backgrounds for. She sent me some great photos she'd found on various sites. More than few made me smile and thus inspired, I thought I'd share them with club members. I've added captions for fun but if you can come up with something better, feel free to submit your wit by way of posted comment. Note: I don't know who the photographers are; doesn't say. (Click pics to enlarge.)
"I want a peanut for every photo you took of me..."
Sometimes ordinary people becoming evil are more frightening than Dr. Hannibal Lector or Frank Booth. Villains like them are downright scary, but they are basically outsiders with a monstrous nature beyond our common sense. In contrast, the characters in Sam Raimi's crime thriller "A Simple Plan" (1998) are nice, ordinary people we can identify with, at least in the beginning. We can recognize their human wishes, desires, and motives. We can understand why they are driven into the plot while it's getting bloodier and more complicated. As a result, it is frightening to observe them doing horrible things, and one question immediately pops up in our minds - what would I do if I were in their circumstance?
"I realize that most of the turning points in my career were brought about by others. My life has largely happened to me without any conscious plan. I was an indifferent student except at subjects that interested me, and those I followed beyond the classroom, stealing time from others I should have been studying. I was no good at math beyond algebra. I flunked French four times in college. I had no patience for memorization, but I could easily remember words I responded to. In college a chart of my grades resembled a mountain range. My first real newspaper job came when my best friend's father hired me to cover high school sports for the local daily. In college a friend told me I must join him in publishing an alternative weekly and then left it in my hands. That led to the Daily Illini, and that in turn led to the Chicago Sun-Times, where I have worked ever since 1966. I became the movie critic six months later through no premeditation, when the job was offered to me out of a clear blue sky."Visit "I was born inside the movie of my life" to read the opening pages from Roger's forthcoming memoir to be published September 13, 2011.
Marie writes: this past Monday, the Chicago Sun Times updated "Movable Type" - a program used to create blogs. Roger's journal for example. Other newspapers might use "Word Press" instead; same idea though. Any-hoo, it's hosted on the "new" server at the Sun-Times and as is customary, you have to login to use it. It's online software. Meaning you're totally at the mercy of any freakiness that might be going on.I mention this because there was indeed some weirdness earlier (server choked) and that, plus the fact Movable Type does things differently now, put me behind schedule. So I don't really have anything for the front page. I can go look, though! Meanwhile, just continue reading and if I find anything interesting, I'll let you know....Ooo, clams...
This is a special free sample of the Newsletter members receive weekly. It contains content gathered from several past issues and reflects the diversity of what you'll find inside the Ebert Club. For Roger's invitation to the Club, go HERE.
"There is a stubbornness about me that can never bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me." - Jane Austen, Pride and Prejudice
The Grand Poobah's report from the Michigan woods: I'm still out here flashing back for my memoirs. We drove to nearby Sawyer to load up on groceries for one of my recipes for The Pot; we're having the neighbors in for dinner. It is impossible to visit Sawyer without my assistant, Carol Iwata, visiting the soda fountain at Schlipp's Pharmacy. Here she's just finished slurping up a chocolate milk shake made with chocolate ice cream. If you look hard you can see the pharmacist in the mirror.
(click to enlarge)
Q. Having been a fan of the short-lived and vastly underrated animated series "The Critic," the episode "Siskel & Ebert & Jay & Alice" never ceases to make me laugh. Having also been a fan of yours, I wondered three things: 1. How did getting you and Gene Siskel on the show occur? 2. Did you have any say-so in your lines? 3. Were you a fan of the show?
NEW YORK — Heath Ledger was found dead today at a downtown Manhattan apartment, and police said drugs may have been a factor. The Australian-born actor was 28. Police said Ledger was naked in his bed with an unknown number of sleeping pills near the body.
Gene Siskel and I came back from our vacations and went to a screening the next morning -- for a movie named "Fargo." We knew nothing about it. Sounded like a Western. After the lights came up after that great film, we gasped at the credits: Written and directed by Joel and Ethan Coen.
The movies are full of drunks, from literary drunks ("Factotum") to frat-boy binge drinkers ("Beerfest"). Some of these drunks are funny ("Arthur," "Bad Santa," W.C. Fields), some are tragic ("Ironweed," "Leaving Las Vegas") and some are not meant to be thought of as drunks, but as alcoholics, subjects for treatment ("28 Days," "When a Man Loves a Woman"). Like the prostitute, the drug addict and the mentally or physically challenged, the drunk has provided actors with fabulous opportunities to chew the scenery (quite tasty with a single-malt scotch) and win awards (pop open the champagne!).