Sway
Sway Movie Reviews
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Blog Posts That Mention Sway
Writing Her Way: Marya E. Gates on Her New Book
The Great Craft of 2024
House of the Dragon Returns with a Captivating Yet Convoluted Second Season
How Will Dakota Johnson Survive Madame Web? The Same Way She Handled Fifty Shades of Grey
The Last of Us, Part II Remastered is a Special Edition Release of Great Game
A Gilded Cage: Studying the Animals of Park Chan-wook’s Stoker
The Underrated Sayles: An Appreciation of Baby It’s You on Its 40th Anniversary
How Stuart Gordon’s Re-Animator Shaped the Horror Landscape
Bright Wall/Dark Room February 2023: The Unflattering Portrait: On Armageddon Time and Failed Solidarity by Nicholas Russell
Create the Legend: Erich von Stroheim’s Foolish Wives
AMC+’s Moonhaven Has Intrigue and Sci-Fi Gobbledygook Galore
Prime Video’s The Terminal List is an Alpha Male Cry for Help
A Song Was Only A Breath Away: Joe Wright on Cyrano
Sundance 2022: 2nd Chance
Bright Wall/Dark Room September 2021: It’s All Happening by Ethan Warren
Showtime’s American Rust is a Lackluster Drama
Bright Wall/Dark Room July 2021: You Were Frameable: American Gigolo and Richard Gere’s Mirrored Sex Appeal by Elizabeth Cantwell
Bright Wall/Dark Room June 2021: When Plans Run Counter to People by Cody Benjamin
Bright Wall/Dark Room April 2021: Why Wouldn’t I Believe You by Sophia Stewart
SXSW 2021: Inbetween Girl, Ayar, Gaia
The Smoke Gets In Your Eyes Cinematic Universe
Sundance 2021: Ma Belle, My Beauty, The Blazing World, and Son of Monarchs
The Individual Top Tens of 2020
The Ten Best Films of 2020
Baz Luhrmann’s Romeo + Juliet is as Irreplaceable as Ever
Six Books That Raise A Five-Alarm Warning Against the President
I Should Feel Something: On Space and the Unknowable Self in Ad Astra
Let’s Tell a Different Story: Nicole Beharie on Miss Juneteenth
Sundance 2020: The Nest, The Father
The Great Performances of 2019
Dark Manipulations: On The Silence of the Lambs and Sicario
Criterion Collection Celebrates Powell & Pressburger’s A Matter of Life and Death
Forever Contemporary: Julie Taymor on the Rerelease of “Across the Universe”
Goodbye to the Sigh Guy: A Tribute to Tab Hunter, 1931-2018
Tom Wolfe: 1931-2018
TIFF 2017: “The Upside,” “The Captain”
Keeping the Elegant End Up: “The Spy Who Loved Me” at 40
Hot Docs 2017: “Playing God,” “Bring the Jews Home,” “Bill Nye: Science Guy,” “PACmen”
Haunting Magic: On “Eve’s Bayou,” 20 Years Later
“Rat Film,” “Whose Streets?”, “The Cinema Travelers” Among Highlights at DOC10 Film Festival
Cannes 2016: Palme d’Or Predictions
Critic’s Notes: Owen Gleiberman on “Movie Freak: My Life Watching Movies”
