Bernie
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Linklater
Linklater
Linklater Movie Reviews
Blog Posts That Mention Linklater
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
KVIFF 2018: Crystal Swan, Moments and Richard Linklater
Roger’s Favorites: Richard Linklater
Sundance 2016: “Richard Linklater: Dream is Destiny”
Film Independent: Richard Linklater
Ordinary F**king People: Modes Of Verisimilitude in “Boyhood” and Richard Linklater’s “Before” Movies
“Boyhood”: Richard Linklater’s Divine Comedy
Interview: Richard Linklater on the 12-year Journey to “Boyhood”
“Don’t be an a–hole”: Richard Linklater talks about “Boyhood,” commitment, justice, and why he let convicted murderer Bernie Tiede live with him
Notes from the Red Carpet of the 2026 Chicago Critics Film Festival
Christy Lemire Bids a Fond Farewell to RogerEbert.com
Sundance 2026: The Weight, The Only Living Pickpocket in New York, See You When I See You
2026 Oscar Nominations Predictions in the Major Categories
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Performances of 2025
The Ten Best Films of 2025
Short Films in Focus: “Stooper” (with Bennett Watanabe)
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Table of Contents
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
Moviehouse on the Edge: IFC Center Picks 20 Films to Commemorate 20 Years in New York
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
Cannes 2025 Video #9: Wrap Up
Cannes 2025 Video #5: Chaz Ebert on “Nouvelle Vague” and “Highest 2 Lowest”; Interviews with Elizabeth Guest and Filmmakers of “Average White Band”; Nicole Kidman on Women in Motion Award
Cannes 2025: Nouvelle Vague, A Magnificent Life
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Colman Domingo Propels Phenomenally Entertaining “The Madness”
A Master of Subtle Function: Cinematographer Dick Pope (1947-2024)
Home Entertainment Guide: September 2024
The State of the 2024 Oscar Race
Prime Video Has What Batman Fans Need in Caped Crusader
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
The Artful Tenderness of A Quiet Place: Day One
The Best Films of 2024 So Far
It’s Too Bad That Audience Pictures Like Ultraman: Rising Will Barely Be Seen in Theaters
Everybody Wants Some!! Told Us Everything We Needed to Know About Glen Powell
At the Movies, It’s Hard Out There for a Hit Man
Cannes 2024: Christmas Eve in Miller’s Point, Eephus, To A Land Unknown
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Keith Law Wants You to Watch Better Baseball Movies
The 10 Best Movies Made for Under $50,000
SXSW 2024: Clemente, Cheech & Chong’s Last Movie, This is a Movie About the Black Keys
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
NYFF 2023: May December, Kidnapped, Close Your Eyes
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
TIFF 2023: Hit Man, Knox Goes Away, Next Goal Wins
Venice Film Festival 2023: Biennale College and Recommended Movies
TIFF 2023: 20 World Premieres We Can’t Wait to See
Joe Dante on The Movie Orgy
Home Entertainment Guide: May 2023
The Authenticity of Wandering Around: Raine Allen-Miller on Rye Lane
Home Entertainment Guide: February 2023
Sundance 2023: Rye Lane, Flora and Son, Talk to Me
Ebertfest Film Festival 2023 Passes On Sale December 12th
Bright Wall/Dark Room September 2022: Stupid Man Suit: On Donnie Darko by Lindsey Romain
The Animal Side of Acting: Shea Whigham on Gaslit
SXSW 2022: The Prank, Apollo 10 ½, Bodies Bodies Bodies
KVIFF 2021: A Conversation with Ethan Hawke
The Meaning of Magic: Carlos López Estrada and Kelly Marie Tran on Summertime
Joy: My Memories of Ebertfest
Simplicity of Narrative, Complexity of Character: Harry Macqueen on Supernova
The Stand is a Hell of a Mixed Bag
AMC’s Soulmates Owes Too Much to Black Mirror
TIFF 2020: The Kid Detective, Holler, Monday
The Mundane Horror in Being Young: Richard Tanne on Chemical Hearts
Bright Wall/Dark Room June 2020: Just in Time: Finding True Companionship Before Sunset by Adam Membrey
Sundance 2020: Summertime, The Painter and the Thief
Home Entertainment Guide: November 27, 2019
The Best Films of the 2010s
Ebertfest Film Festival 2020 Passes On Sale November 1st
Amazon’s Grounded, Fantastical Series Undone Worthy of Deep Examination
Bright Wall/Dark Room July 2019: Only I Know the Secrets: Breaking Down Under the Silver Lake by Ethan Warren
What’s Next: Avengers, MCU, Game of Thrones, and the Content Endgame
Christian Petzold on Transit, Kafka, His Love for Den of Thieves and More
The Big Five-Oh: A Moviegoing Remembrance
The Great Performances of 2018
30 Minutes on: “Mid90s”
The World’s Biggest Elsie Fisher Fan: Bo Burnham on Eighth Grade
KVIFF 2018: Table of Contents
Karlovy Vary International Film Festival 2018 Preview
Terrific New Adaptation of Little Women Reminds Us of This Story’s Greatness
Your Roger Stories: The Critics
SXSW Film Festival 2018: Elizabeth Harvest, Don’t Leave Home
SXSW Film Festival 2018: Thunder Road, Brothers’ Nest, Boundaries
Home Entertainment Consumer Guide: February 1, 2018
The Individual Top Tens of 2017
Epic Scope Blurs the Best Qualities of Netflix’s “Godless”
Highlights from the 2017 Los Cabos Film Festival
Flashes of Kindness: Ideological Ambivalence in the “The Last Detail” and “Last Flag Flying”
Deadline’s The Contenders 2017 Kicks Off Oscar Season
