The Kid Who Would Be King
The Kid Who Would Be King is good where it counts most.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A dispatch from the 2018 Reykjavík International Film Festival, featuring a review of Benedikt Erlingsson’s "Woman at War," coverage of the Jonas Mekas exhibition and an interview with "Phoenix" director Camilla Strøm Henriksen.
A sneak peek at this year's Chicago International Film Festival, which runs from October 10-21.
An update of the article dedicating Ebertfest 2018 to Roger Ebert and Mary Frances Fagan. And recognizing Ebertfest Volunteers Leonard Doyle, and Sherren (Sherry) Slade.
An article about Ebertfest 2018 being dedicated to Roger Ebert and Mary Frances Fagan.
This month's excerpt from online magazine Bright Wall/Dark Room is an essay about home and "Little Women."
An article announcing the 20th Anniversary of Ebertfest April 18-22, 2018 and tickets on sale November 1st.
On three of the best films from this year's Fantasia Festival in Montreal.
An article about Ebertfest, Roger Ebert's Film Festival 2017 passes, which are now on sale.
Stephen Cone on being his own editor; Deniz Gamze Ergüven on "Mustang"; Guy Maddin's "The Forbidden Room"; What causes terrorism against the West; Trusting women to write super-men.
An article on Ebertfest 2016 passes available for purchase on November 2nd.
A video interview with Guy Maddin and Evan Johnson.
A report on the robust "Classics" section of the 2015 Venice Film Festival.
A dispatch from Sundance including new films by Noah Baumbach, Craig Zobel, and Guy Maddin.
Our most anticipated films of the 2015 Sundance Film Festival.
Passes for Ebertfest 2015 will go on sale Saturday, November 1st.
A preview of the 2014 Telluride Film Festival, which runs August 29-September 1, 2014.
Chaz Ebert and Steve James will discuss "Life Itself" at the 2014 Chicago Humanities Festival.
The title of the second episode of NBC's "Dracula" may be called "A Whiff of Sulfur" but the program has a different, stale odor, feeling like the product of inevitability more than creative spark.
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
Yes, but is it Art? Marcell Duchamp's famous "Fountain" aka urinal
"The Off Hours" is now available on most on-demand platforms including Comcast, Verizon, AT&T and most major-cable services. NOTE: The film is not available through DirecTV. It will be released on DVD in January and will premiere on Hulu and Netflix later in 2012.
by Jeff Shannon
There's never been a better time for filmmaking in the Pacific Northwest. Running the entire spectrum from filmgoers and critics to actors, writers and production talent aplenty, the Seattle film community has always been close-knit and cooperative, and its D.I.Y. resourcefulness has resulted in a slow but steady rise of intermingling talent. (Full disclosure: Several of the creative people mentioned below are casual Facebook acquaintances of mine.) Ten years ago and earlier, you were lucky if your micro-budgeted project got finished and accepted by festivals, and for several years it seemed like the Native American drama "Smoke Signals" (written by Northwest author Sherman Alexie and distributed by Miramax in 1998) would be Seattle's only claim to a locally-produced breakout success.
Undeterred, Seattle's film community continued to percolate like the coffee that stereotypically defines "The Emerald City" for most of the outside world. Abundant indie-film projects, and the passions that fueled their creation, have led to a natural progression of experience and expertise, and this year alone the Sundance film festival hosted four films shot in Washington state. When you consider the local history that led us from "Gas City" (an obscure, no-budget 1978 slacker drama shot among the aging motels and nightspots of Seattle's Aurora Avenue) to the international success of director Lynn Shelton's "Humpday" (2009), it's no wonder that Seattle has become the Northwest's answer to Austin, Texas: A film- and music-loving city (per capita, Seattleites are still the nation's #1 moviegoers) where independent filmmakers can find the talent, resources, and community support to foster their projects from start to finish. Indeed, "Start-to-Finish" is the name of an innovative program, introduced by the Northwest Film Forum in 1998, designed to select and co-produce films with the goal of national and global exposure. Canadian alt-auteur Guy Maddin found NWFF so appealing that he came here to shoot his 2006 film "Brand Upon the Brain!," now available on DVD from the Criterion Collection (and photographed by the gifted Benjamin Kasulke -- see below).
The Ebert Club is pleased to share this classic film noir, streaming free. I invite you to join the Club and dive into an eclectic assortment of wonderful and curious finds. Your subscription helps support the Newsletter, the Far-Flung Correspondents and the On-Demanders on my site. - RE
"This movie from Hollywood's poverty row, shot in six days, filled with technical errors and ham-handed narrative, starring a man who can only pout and a woman who can only sneer, should have faded from sight soon after it was released in 1945. And yet it lives on, haunting and creepy, an embodiment of the guilty soul of film noir. No one who has seen it has easily forgotten it." - From my Great Movies review
Detour (1945) Directed by Edgar G. Ulmer. Written by Martin Goldsmith and Martin Mooney. Starring Tom Neal, Ann Savage, Claudia Drake, Edmund MacDonald and Tim Ryan.
Synopsis: Al is a piano player who sets off hitchhiking his way to California to be with his fiancee. Along the way a convertible driven by Charles Haskell Jr. stops to pick him up. Al is driving while Haskell sleeps when a rainstorm begins and Al pulls over to put up the top. Haskell doesn't wake up and falls out onto the pavement, dead. Al dumps the body, takes Haskell's money, clothes and ID, then drives off in Haskell's car. In voice-over, Al tells the audience that he didn't kill Haskell. After spending the night in a motel, Al picks up another hitchhiker. As it happens, Vera had earlier ridden with Haskell and blackmails Al by threatening to turn him in for murder unless he gives her the money. Note: At the age of 86, Ann Savage was cast by director Guy Maddin to play a shrewish mother in the film My Winnipeg (2007).
For more treasures, go here to join the Club.
From the Poobah: Chaz and Roger Ebert wish you Peace in the New Year!
Marie writes: If you're like me, you enjoy the convenience of email while lamenting the lost romance of ink and pen on paper. For while it's possible to attach a drawing, it's not the same thing as receiving hand-drawn artwork in the mail. Especially when it's from Edward Gorey..."Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...", a children's story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey's shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey's drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969."