Blog Posts That Mention Emmanuelle
Tokyo International Film Festival 2024: “Apollon by Day, Athena by Night,” “Underground,” “Emmanuelle”
Katie Rife
Emmanuelle Riva: 1927-2017
Dan Callahan
Interview: Emmanuelle Seigner on Roman Polanski’s “Venus in Fur”
Peter Sobczynski
Emmanuelle Beart in Cannes
Roger Ebert
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
Edward Frumkin
Listening to Each Other: On 1996’s Beyond Silence
Seongyong Cho
Jean-Paul Belmondo: 1933-2021
Dan Callahan
Venice Film Festival 2021: Last Night in Soho, Inferno Rosso
Glenn Kenny
Art Alone Endures: A Parisian’s Take on the 2021 Cannes Film Festival
Lisa Nesselson
Cannes 2021: A Hero, Deception, Petrov’s Flu
Ben Kenigsberg
Introduction to Women Writers Week 2021
Chaz Ebert & Nell Minow
Meet the Writers: Carlos Aguilar
Carlos Aguilar
The Dark Side of Harrison Ford: On the Roles That Led to What Lies Beneath
Robert Daniels
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
Chaz Ebert
A Preview of the 2020 Rendez-Vous With French Cinema
Peter Sobczynski
Sundance 2020: Exil, Jumbo
Nick Allen
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Nick Allen
Venice 2019: Roman Polanski’s J’Accuse
Glenn Kenny
Nelly Kaplan Retrospective at NYC’s Quad Cinema Celebrates Ferocious Filmmaker
Vikram Murthi
Keep the Mission Going with Excellent 4K Releases of First Five Films
Brian Tallerico
A Lit Fuse: The History of the Mission: Impossible Franchise
Peter Sobczynski
Cannes 2018: Ash is Purest White, Girls of the Sun, Girl
Barbara Scharres
Carnal Knowledge: “Story of Sin” Comes to Blu-ray
Michał Oleszczyk
Cannes 2017 Video #5: “The Beguiled,” “Good Time,” “In the Fade” and More
Chaz Ebert
Cannes 2017: “Based on a True Story”
Barbara Scharres
A Preview of the 22nd Annual Rendez-Vous with French Cinema
Peter Sobczynski
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Nick Allen
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Peter Sobczynski
Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
Nick Allen
Thumbnails 10/16/15
Matt Fagerholm
2015 Fall Movie Preview
Nick Allen
Home Entertainment Consumer Guide: July 23, 2015
Brian Tallerico
Cannes 2015: Jacques Audiard’s “Dheepan” wins Palme d’Or
Ben Kenigsberg
Cannes 2015: “Dégradé,” “Marguerite & Julien,” “The Grief of Others,” “Arabian Nights, Volume 2” and a showcase for diversity
Ben Kenigsberg
Cannes 2015: “Mon Roi,” “Zvizdan,” “Louder Than Bombs”
Barbara Scharres
Cannes 2015: “My Golden Days,” “By Sidney Lumet,” “Irrational Man”
Ben Kenigsberg
Cannes 2015: “Standing Tall,” “Our Little Sister,” “Tale of Tales”
Barbara Scharres
Welcome to Cannes 2015
Barbara Scharres
Thumbnails 3/18/15
Matt Fagerholm
Bernadette Lafont: The French New Wave’s First Leading Lady Hardly Ever Played “Lady-like”
Lisa Nesselson
Fur Ever Polanski
Michał Oleszczyk
My revised predictions at about 1:40 pm CST 2/24/2013
Roger Ebert
Second-guessing my Oscar guesses
Roger Ebert
2013 Academy Award nominees
Roger Ebert
A pretty good set of nominees
Roger Ebert
National Society of Film Critics falls for “Amour”
Roger Ebert
Mission accomplished
Roger Ebert
The Best 10 Movies of 1993
Roger Ebert
The Best 10 Movies of 1991
Roger Ebert
The thrill of breaking the 120-minute barrier
Roger Ebert
Love under stormy skies
Barbara Scharres
La Palme d’Or et la Palme d’ Whiskers
Barbara Scharres
Palme d’Or loves “Amour”
Barbara Scharres
The first slice of Cannes 2012
Barbara Scharres
The Cannes winners, as sort of expected
Chaz Ebert
Who will win the Palme d’Or?
Chaz Ebert
Inglourious Basterds: Real or fictitious, it doesn’t matter…
Jim Emerson
The Return of the Autobiographical Dictionary of Film
Jim Emerson
Toronto #1: Good films are back in season
Roger Ebert
Cannes #8: Oh, the days dwindle down, to a precious few…
Roger Ebert
CIFF: All our capsule reviews
Roger Ebert
Toronto #2: ‘Water’ worth the wait
Roger Ebert
Moore takes top award for ‘Fahrenheit 9/11’
Roger Ebert
The business of controversy
Roger Ebert
Cannes Report
Roger Ebert
Fest ends with the best
Roger Ebert
Grant takes place in the sun
Roger Ebert
‘Wild’ theory has merit
Roger Ebert
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