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Nicolas Roeg, 1928-2018

There's a moment when you get lost in a memory so intense that when you emerge, you aren't sure if you've been spacing out for a second or a minute. That's where Nicolas Roeg's cinema lived.

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Deep Focus: Freedom of (eye-)movementin eight of the greatest long takes ever

We tend to remember long takes that call attention to themselves as such: the opening shots of "Touch of Evil" or "The Player"; the entrance to the Copacabana in "GoodFellas"; all those shots in Romanian movies, and pictures directed by Bela Tarr and Jia Zhangke... And then there are the ones you barely notice because your eyes have been guided so effortlessly around the frame, or you've been given the freedom to explore it on your own, or you've simply gotten so involved in the rhythms of the scene, the interplay between the characters, that you didn't notice how long the shot had been going on.

For this compilation, "Deep Focus," I've chosen eight shots I treasure (the last two I regard as among the finest in all of cinema). They're not all strictly "deep focus" shots, but they do emphasize three-dimensionality in their compositions. I've presented them with only minimal identifications so you can simply watch them and see what happens without distraction or interruption. Instead, I've decided to write about them below. Feel free to watch the clips and then re-watch (freeze-frame, rewind, replay) the clips to see what you can see. To say they repay re-viewing is an understatement.

May contain spoilers

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Roy Scheider (1932-2008)

View image Roy Scheider in "If I Didn't Care" (2007).

From the Associated Press: Scheider was nominated for a best-supporting actor Oscar in 1971’s “The French Connection” in which he played the police partner of Oscar winner Gene Hackman and for best-actor for 1979’s “All That Jazz,” the autobiographical Bob Fosse film. [...]

“He was a wonderful guy. He was what I call ’a knockaround actor,”’ [Scheider's "Jaws" co-star Richard] Dreyfuss told The Associated Press on Sunday.

“A ’knockaround actor’ to me is a compliment that means a professional that lives the life of a professional actor and doesn't yell and scream at the fates and does his job and does it as well as he can,” he said. [...]

View image A few moments before Scheider utters the now-famous line that he must have known would be quoted in his obituaries.

Dreyfuss recalled Sunday a time during the filming of "Jaws" when Scheider disappeared from the set. As the filming was on hold because of the weather, Scheider “called me up and said, ’You don’t know where I am if they call.’

“He’d gone to get a tan. He was really very tan-addicted. That was due to a childhood affliction where he was in bed for a long time. For him being tan was being healthy,” Dreyfuss said.

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Roy Scheider, 1932-2008

LITTLE ROCK, Ark.---- Roy Scheider, a two-time Oscar nominee best known for his role as a police chief in the blockbuster movie ''Jaws,'' (1975) has died. He was 75.