The 10th anniversary of the Chicago edition of the traveling Noir City festival runs from August 17 to 23 at the Music Box Theatre.
A video of Bill Paxton's 2001 appearance at Ebertfest, where he discussed "A Simple Plan" with Roger Ebert and composer Brian Tyler.
A piece on the latest and greatest new on Blu-ray and new to Netflix, including "Joe," "Fury," "The Judge," and Criterion editions of "My Winnipeg" and "The Palm Beach Story."
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including "Snowpiercer," "Maleficent," "Nightbreed," "F For Fake" and "La Dolce Vita."
Sheila writes: The New York Film Festival, which ended on October 14, ran a new retrospective of the films of Joseph L. Mankiewicz. In preparation, Adrian Curry (at Mubi) started searching out for cool posters of Mankiewicz's films. Curry writes: "When I started to search for posters for his films I felt a little uninspired myself and wondered whether Mankiewicz’s smart, wordy cinema didn’t really lend itself to inventive visual representation. Some of his best films, like 'The Ghost and Mrs Muir' and 'A Letter to Three Wives', had very mundane American posters. But, digging deeper, I found that there was more than meets the eye, especially among international posters for his films." Go check out the gallery of fantastic posters, one of which, the Japanese poster for "The Barefoot Contessa", is posted below.
Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at io9.com.
When I watched "The Ides of March" (2011) early in this year, it took me back to my memories with Mike Nichols' "Primary Colors" (1998), which already told us almost everything the former wanted to tell. When I watched it in 1999, it looked like a sarcastic story inspired by Bill Clinton's first presidential election campaign in 1992, but now the movie looks more like a timeless political comedy drama which understands a lot about how politicians alternatively dazzle and disappoint us with their better and worse sides.