An update of the article dedicating Ebertfest 2018 to Roger Ebert and Mary Frances Fagan. And recognizing Ebertfest Volunteers Leonard Doyle, and Sherren (Sherry) Slade.
An interview with filmmaker and critic Bertrand Tavernier about his new film, "My Journey Through French Cinema."
Matt writes: Movie lovers sorely missing a new book featuring the work of Roger Ebert are now in luck. The fourth installment of Ebert's celebrated book series, The Great Movies, is now on sale, compiling the critic's final 62 essays on indispensable films that he considered truly great.
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
Streaming on Netflix Instant
Sumptuous light, favorably bathed across richly-drawn characters and their worlds, have long been signifiers of a Patrice Leconte film, yet while such environments exist in the auteur's 1996 comedy-drama, "Ridicule," the words produced within them hold much more prominence.
"Of few deaths can it be said that they end an era, but hers does. No other actress commanded more attention for longer, for her work, her beauty, her private life, and a series of health problems that brought her near death more than once." - Roger, from Elizabeth Taylor, a star in her own category
• Bill Stamets and Roger Ebert
The 46th Chicago International Film Festival will play this year at one central location, on the many screens of the AMC River East 21, 322 E. Illinois. A festivalgoers and filmmakers' lounge will be open during festival hours at the Lucky Strike on the second level. Tickets can be ordered online at CIFF's website, which also organizes the films by title, director and country. Tickets also at AMC; sold out films have Rush Lines. More capsules will be added here.
Chicago's biggest annual cinema event boasts 150 films from 50 countries this year. The Chicago International Film Festival opens its 46th season Thursday night as the city's longest-running showcase of dramas, documentaries and shorts.
Everyone seems to believe that Tim Burton and his festival jury did the best they could with slim pickings. The 2010 winners at Cannes were for the most part fair, well-distributed, uncontroversial and safe. You could say the same about the films in the festival.
Last year I left Cannes having seen "Up," "Precious," "Antichrist," "Inglourious Basterds," "Broken Embraces," "A Prophet," "The White Ribbon," "Police, Adjective," "Thirst," and many other good films. Of the first "Antichrist" screening, I wrote: "There's electricity in the air. Every seat is filled, even the little fold-down seats at the end of every row."