Bombshell
Bombshell is both light on its feet and a punch in the gut.
Bertrand Tavernier
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My Journey Through French Cinema (2017)
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Director, Writer
Godfrey Cheshire -
The French Minister (2014)
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Writer, Director
Susan Wloszczyna -
Safe Conduct (2003)
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Directed by
Roger Ebert -
It All Starts Today (2001)
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Directed by
Roger Ebert -
Daddy Nostalgia (1991)
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Directed by
Roger Ebert -
Beatrice (1988)
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Directed by
Roger Ebert -
'Round Midnight (1986)
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Directed by
Roger Ebert -
Coup de Torchon (1983)
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Directed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Honoring Alain Delon in Cannes Was The Right Thing To Do, Here's Why
An op-ed on the Cannes controversy surrounding Alain Delon.
Toronto #7: One T-shirt after another
Pierre Rissient passed away on May 6th, 2018 at the age of 81. We send our condolences to his friends and family and reprint this article by Roger in his memory.
Celebration of Life for Mary Frances Fagan to be Held April 14th
An update of the article dedicating Ebertfest 2018 to Roger Ebert and Mary Frances Fagan. And recognizing Ebertfest Volunteers Leonard Doyle, and Sherren (Sherry) Slade.
Ebertfest 2018 Will Be Dedicated to Roger Ebert and Mary Frances Fagan
An article about Ebertfest 2018 being dedicated to Roger Ebert and Mary Frances Fagan.
Home Entertainment Consumer Guide: June 22, 2017
The newest and greatest on Blu-ray and streaming services, including "John Wick: Chapter 2," "The LEGO Batman Movie," and three Criterion releases!
The Passenger: Bertrand Tavernier on "My Journey Through French Cinema"
An interview with filmmaker and critic Bertrand Tavernier about his new film, "My Journey Through French Cinema."
#287 October 18, 2016
Matt writes: Movie lovers sorely missing a new book featuring the work of Roger Ebert are now in luck. The fourth installment of Ebert's celebrated book series, The Great Movies, is now on sale, compiling the critic's final 62 essays on indispensable films that he considered truly great.
Telluride 2016: A Cinematic High
Meredith Brody recaps the films she saw, of past and present, at the 2016 Telluride Film Festival.
Preview of the 43rd Telluride Film Festival
A preview of the films playing at the 2016 Telluride Film Festival.
Jacques Rivette: 1928-2016
A tribute to the late Jacques Rivette.
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
Venice Film Festival 2015: Discovery and Rediscovery
A report on the robust "Classics" section of the 2015 Venice Film Festival.
Home Entertainment Consumer Guide: May 21, 2015
A guide to the latest Blu-ray, VOD, and streaming options, including "Fifty Shades of Grey," "American Sniper," and "Blackhat".
Cannes 2015: Let There Be Lumière
A report on the Lumière presentation from this year's Cannes Film Festival.
From "Tales of Hoffmann" to "Taxi Driver": An Interview with Thelma Schoonmaker
An interview with the legendary Thelma Schoonmaker.
The Decorated Phrase Above All Else
Streaming on Netflix Instant
Sumptuous light, favorably bathed across richly-drawn characters and their worlds, have long been signifiers of a Patrice Leconte film, yet while such environments exist in the auteur's 1996 comedy-drama, "Ridicule," the words produced within them hold much more prominence.
#56 March 30, 2011
"Of few deaths can it be said that they end an era, but hers does. No other actress commanded more attention for longer, for her work, her beauty, her private life, and a series of health problems that brought her near death more than once." - Roger, from Elizabeth Taylor, a star in her own category
CIFF 2010: Our capsule reviews
• Bill Stamets and Roger Ebert
The 46th Chicago International Film Festival will play this year at one central location, on the many screens of the AMC River East 21, 322 E. Illinois. A festivalgoers and filmmakers' lounge will be open during festival hours at the Lucky Strike on the second level. Tickets can be ordered online at CIFF's website, which also organizes the films by title, director and country. Tickets also at AMC; sold out films have Rush Lines. More capsules will be added here.
Take 46: CIFF brings the world of film to town
Chicago's biggest annual cinema event boasts 150 films from 50 countries this year. The Chicago International Film Festival opens its 46th season Thursday night as the city's longest-running showcase of dramas, documentaries and shorts.
Cannes postmortem. Is that the wrong word?
Everyone seems to believe that Tim Burton and his festival jury did the best they could with slim pickings. The 2010 winners at Cannes were for the most part fair, well-distributed, uncontroversial and safe. You could say the same about the films in the festival.
Last year I left Cannes having seen "Up," "Precious," "Antichrist," "Inglourious Basterds," "Broken Embraces," "A Prophet," "The White Ribbon," "Police, Adjective," "Thirst," and many other good films. Of the first "Antichrist" screening, I wrote: "There's electricity in the air. Every seat is filled, even the little fold-down seats at the end of every row."
Overturning expectations: The ups and downs
May 16 -- Sunday was a day of highs and lows, of new discoveries and dashed hopes. Bertrand Tavernier and Takeshi Kitano, two directors whose films I had most anticipated here, did not live up to my expectations with "The Princess of Montpensier" and "Outrage," respectively. Hungarian Agnes Kocsis, a director who had only made one previous feature in 2006, blew me away with her insightful "Adrienn Pal."
Cannes #1: On a darkling plain
Fifty years ago, the Palme d'Or winner at Cannes was Fellini's "La Dolce Vita." More every year I realize that it was the film of my lifetime. But indulge me while I list some more titles.
The other entries in the official competition included "Ballad of a Soldier," by Grigori Chukhrai; "Lady with a Dog," by Iosif Kheifits; "Home from the Hill," by Vincente Minnelli; "The Virgin Spring," by Ingmar Bergman;" "Kagi," by Kon Ichikawa; "L'Avventura," by Michelangelo Antonioni; "Le Trou," by Jacques Becker; "Never on Sunday," by Jules Dassin; "Sons and Lovers," by Jack Cardiff; "The Savage Innocents," by Nicholas Ray, and "The Young One," by Luis Bunuel.
And many more. But I am not here at the 2010 Cannes Film Festival to mourn the present and praise the past.
Name That Director!
Click above to REALLY enlarge...
UPDATED 01/28/10: 2:25 p.m. PST -- COMPLETED!: Thanks for all the detective work -- and special thanks to Christopher Stangl and Srikanth Srinivasan himself for their comprehensive efforts at filling the last few holes! Now I have to go read about who some of these experimental filmmakers are. I did find some Craig Baldwin movies on Netflix, actually...
Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art. I don't remember how I happened upon it last week, but wow am I glad I did. Dig into his exploration of connections between Quentin Tarantino's "Inglourious Basterds" and Jean-Luc Godard's "History of Cinema." Or check out his piece on James Benning's 1986 "Landscape Suicide." There's a lot to look through, divided into sections for Hollywood and World Cinema.
In the section called "The Cinemaniac... I found the above collage (mosaic?) of mostly-famous faces belonging to film directors, which Srikanth says he assembled from thumbnails at Senses of Cinema. Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from 1994 to 1998, first on disc, then also on the web. (Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard.)
Hey, Dude: Jeff Dowd downloads on the Sparo-at-the Yarrow
Dirt! The Movie" for practical and personally rewarding solutions
Dusty Cohl: In Memory
Nobody ever seemed to know what Dusty Cohl did for a living. He was a lawyer, and it was said he was "in real estate," but in over 30 years I never heard him say one word about business. His full-time occupation was being a friend, and he was one of the best I've ever made.
