In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb wildlife

Wildlife

One never senses judgment from Dano, Kazan, Gyllenhaal, or Mulligan—they recognize that there’s beauty even in the mistakes we make in life. It’s what makes…

Thumb halloween poster

Halloween

Do you know the biggest sin of the new Halloween? It’s just not scary. And that’s one thing you could never say about the original.

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Primary fall awards 2018

How the Fall Festivals Shaped the 2018 Oscar Race

Now that Venice, Telluride, and Toronto have come to a close, it’s time to consider how they’ve shaped the upcoming awards season, launching several frontrunners across multiple categories, while also throwing a few unexpected names into the mix. If you’re unfamiliar with how much these three festivals impact Oscar, consider this: All four of the acting winners last year (Gary Oldman, Frances McDormand, Sam Rockwell, Allison Janney), as well as the winners for Best Picture and Best Director, played at the 2017 Toronto Film Festival. Will the same hold true in 2018? It’s looking very possible that it will.

Advertisement

Probably the biggest contender was a film that played all three fests (always a major sign of quality and a trait held by “The Shape of Water” and “Three Billboards Outside Ebbing, Missouri” last year) this year, Bradley Cooper’s “A Star is Born,” which everyone agrees is a huge player across multiple categories. A very possible, arguably even likely, double-digit nominee, “A Star is Born” feels like it has the most Oscar energy coming out of TIFF. Not only is it the kind of movie that seems likely to be a massive hit, but even cynical critics agreed on both its performance and technical merit. Bradley Cooper could even land a stunning five nominations—Picture (as a producer), Actor, Director, Screenplay, and Song (he co-wrote some with Lady Gaga). At least four of those seem likely (the script is not the film’s strength). And if Most Popular Film was still a category, it would be six potential because this film is going to be popular. It feels like the kind of movie that gets a wave of nominations including Pic, Actor, Actress, Supporting Actor, Director, and 4-5 techs. It could be this year’s most-nominated film and a presumptive frontrunner to win.

If Beale Street Could Talk

There were other widely acclaimed films with roads to Oscar that feel bumpier. Lack of star power could hurt Barry Jenkins’ “If Beale Street Could Talk” and Alfonso Cuaron’s “Roma,” but both earned raves, with the latter even landing the Golden Lion at Venice—the inevitable Best Picture winner last year started collecting its prizes there. Is the Academy ready to embrace a Netflix Original? And could a foreign language film win Best Picture? It feels unlikely but a nomination is almost certain, as are nods for Director and Cinematography. Jenkins’ film will be unfairly compared to “Moonlight” and probably come up short enough to exclude him from Director and maybe even from Picture (even if I loved it). The film’s best shot may be the transcendent performance by Regina King.

Another filmmaker whose last work landed a Best Picture trophy popped up at Toronto with Steve McQueen’s “Widows,” another film that will unfairly be seen as a step down from the one before just because of its "less important" subject matter, but feels like it's still likely to play in multiple categories. With one of the best ensembles of 2018, Viola Davis feels like a near-lock for a nomination, and the supporting cast could include several players, most likely just Elizabeth Debicki, but potentially Brian Tyree Henry, Colin Farrell, Daniel Kaluuya, and Michelle Rodriguez.

Advertisement

Ignore the faux controversy around Damien Chazelle’s “First Man,” another three-fest offering that is locked into several categories, including Picture, Director, and Actor. How far it expands from there will depend on how audiences respond to what is a colder, less crowd-pleasing film than they may be expecting. Could Claire Foy and Chazelle himself land nominations? It’s possible, but not certain yet. It depends on how a few other contenders play out.

There were also a number of films that played the fall fests that will pop in a category or two if not land as multi-category nominees like “A Star is Born” and “First Man.” Praise was unanimous for Melissa McCarthy’s work in “Can You Ever Forgive Me?,” and she may even be joined by co-star Richard E. Grant in Best Supporting Actor. Other categories seem unlikely. “Beautiful Boy” earned praise for its leading men, Timothee Chalamet and Steve Carell, with the former being more likely to land a nod for the second year in a row. “Boy Erased” and “Ben is Back” have performances people will like but feel like they’ll fall short of the top five for Oscar. “The Favourite” bypassed TIFF for NYFF, and it will be interesting to see how it plays in the Big Apple. Those who love it think it could be an Oscar player, but some are far less certain.

Green Book

The biggest surprise contender out of TIFF 18 could be Peter Farrelly’s “Green Book,” a film that feels like it could easily be this year’s “The Blind Side” or “The Help,” a crowdpleaser that gets enough love to drop into the 9th or 10th Best Picture slot and maybe even score a nomination for Mahershala Ali or Viggo Mortensen, although category controversy has already begun (they’re likely to go Viggo for lead and Mahershala for supporting but they’re really co-leads). Could “Green Book” be this year’s “I, Tonya,” a movie that no one saw coming pre-TIFF and turned into an Oscar winner? It stunned everyone on Sunday by beating "Star is Born" to take the Peoples Choice Award, a prize that has gone to films like "Room," "Three Billboards," and "Slumdog Millionaire" in recent years. All Best Picture nominees. 

The season is just getting started…

Predictions as of today, using only things people have seen (so no “Backseat” or “Bohemian Rhapsody” yet): 

BEST PICTURE

Black Panther

BlacKkKlansman

The Favourite

First Man

Green Book

If Beale Street Could Talk

Roma

A Star is Born

Widows

BEST DIRECTOR

Damien Chazelle, First Man

Ryan Coogler, Black Panther

Bradley Cooper, A Star is Born

Alfonso Cuaron, Roma

Spike Lee, BlacKkKlansman

BEST ACTRESS

Glenn Close, The Wife

Viola Davis, Widows

Advertisement

Lady Gaga, A Star is Born

Melissa McCarthy, Can You Ever Forgive Me?

Julia Roberts, Ben is Back

BEST ACTOR

Steve Carell, Beautiful Boy

Bradley Cooper, A Star is Born

Ryan Gosling, First Man

Ethan Hawke, First Reformed

Robert Redford, The Old Man & the Gun

BEST SUPPORTING ACTRESS

Elizabeth Debicki, Widows

Claire Foy, First Man

Nicole Kidman, Boy Erased

Regina King, If Beale Street Could Talk

Emma Stone, The Favourite

BEST SUPPORTING ACTOR

Mahershala Ali, Green Book

Timothee Chalamet, Beautiful Boy

Sam Elliott, A Star is Born

Richard E. Grant, Can You Ever Forgive Me?

Michael B. Jordan, Black Panther

BEST ADAPTED SCREENPLAY

BlacKkKlansman

Can You Ever Forgive Me?

First Man

If Beale Street Could Talk

Widows

BEST ORIGINAL SCREENPLAY

Eighth Grade

The Favourite

First Reformed

Green Book

Roma

 

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Netflix’s Terrifying, Moving The Haunting of Hill House is Essential Viewing

A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.

"It's a Mad, Mad, Mad, Mad World" Gets the Deluxe Treatment from Criterion

An epic essay on an epic comedy of the 1960s, now given deluxe treatment on Blu-ray and DVD by Criterion.

Danson's Racist 'Humor' Appalls Crowd at Roast

NEW YORK It's a tradition of the celebrity roasts at the Friar's Club that everything goes - that no joke is in such ...

Reveal Comments
comments powered by Disqus