The film, while well-made on a technical level, feels more like a collection of moments than a full and satisfying narrative.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report from the Oscar press room at the 91st Academy Awards.
A list of the winners from this year's Academy Awards.
A look back at one of the messiest awards seasons in Oscar history.
Predictions for the craziest Oscars in years.
A full list of the nominations for the 2019 Academy Awards.
What will lead the way tomorrow morning? Let us look into our crystal ball.
Sarah Knight Adamson reports from Santa Monica, CA on the winners and speeches at last weekend's Critics' Choice Awards.
The latest frontrunners for the major category nominations of the Academy Awards.
A complete list of winners from last night's 76th Golden Globe Awards.
A report from this morning's Golden Globes nominations announcement, and a full list of the nominees.
On how the Oscar race gained focus after Venice, Telluride, and TIFF.
On three very different films from TIFF 2018 that fall into one of the most popular categories of this fest every year, the true story.
The 20 films world premiering at the Toronto Film Festival that you can expect to find covered here over the next week, among many others.
Harold Ramis dies at 69; A look at the state of film criticism; Method acting destroying the profession; Meryl Streep and the Oscars; Sex and the City ten years later.
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
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Marie writes: If you're like me, you enjoy the convenience of email while lamenting the lost romance of ink and pen on paper. For while it's possible to attach a drawing, it's not the same thing as receiving hand-drawn artwork in the mail. Especially when it's from Edward Gorey..."Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...", a children's story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey's shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey's drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969."
Actress Jill Clayburgh, whose portrayal of women in the 1970s helped define and and reshape the role of leading lady, died last week of chronic lymphocytic leukemia at her home in Lakeville, Connecticut; she was 66. She's best known for her Academy Award nominated roles in "An Unmarried Woman" (Winner: Best Actress Cannes 1978) and "Starting Over." Roger has remembered her on his site: Jill Clayburgh: In Memory.
Q. Here's an idea for the Oscar show presentation of "Blame Canada" that I only hope the Zanucks will attempt to realize. It could be the best "song" number since Isaac Hayes performed "Shaft!" It should begin with a solo by Anne Murray, who is joined, as the song builds, by other Canadian warblers, one by one: Bryan Adams, Celine Dion, Gordon Lightfoot, and so on, until it reaches a Canadian crescendo. (Jim Emerson, Seattle, WA)
Q. A friend of mine reports a rumor regarding the upcoming "Psycho" remake. She says all the talk about a shot-for-shot remake is just a smoke screen. What Gus Van Sant actually plans to do is copy only the first half of the movie, lure the audience into thinking they're getting a straight remake, and then go off in a completely different direction. I was dubious until she pointed out that's exactly what Hitchcock did with "Psycho," where he suddenly kills off the main character. What do you think? Is there still hope? (Eric Brochu, Regina, Sas.)