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For Women in Film, 2017 Produced a Bloom of Optimism on the Horizon
Has Tarantino produced a “legacy of greatness”?
Cannes 2026 Video #12: Wrapping Up
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
60th Karlovy Vary Film Festival Announces Official Selection and Juries
“For All Mankind” Spinoff “Star City” is One Small Soviet Step Backward
Going the Distance: Seeing “Rocky” in Concert
Ten Great Performances of Cannes 2026
Hearing a Movie: Daniel Roher on “Tuner”
Cannes 2026: The Birthday Party, When the Night Falls
Cannes 2026: The Black Ball, Bitter Christmas
Tatiana Maslany Goes Full Throttle In Apple TV’s Propulsive “Maximum Pleasure Guaranteed”
Cannes 2026 Video #6: Club Kid, Paper Tiger, Clarissa
Cannes 2026: Avedon, Visitation
I’m Trying to Create Visceral Things: Boots Riley on “I Love Boosters”
A Fond Farewell to Our Critic Monica Castillo
A True American Original: Ted Turner (1938-2026)
Peacock Takes Us Back to Miami for “M.I.A” Vice and Vengeance
How “In a Lonely Place” Changed Noir’s Direction
Apple’s Twisted “Widow’s Bay” is Like Nothing Else on Television
“Star Wars” Keeps Its Animation on the Dark Side (Literally) with “Maul – Shadow Lord”
“Help Me To Find Kokumo”: A Guide To Beyond Chicago
Lisa Kudrow Makes An Extremely Welcome “Comeback” to HBO
SXSW 2026: Beyond the Duplex Planet, Cornbread Mafia, My Brother’s Killer
Netflix’s “One Piece” Sails Into the Grand Line with a Swashbuckling Season 2
A Beautiful Day for a Neighbor: Tom Noonan (1951-2026)
The Unloved, Part 147: The House Bunny & Observe and Report
Dwight Cleveland on What Lobby Cards Tell Us About Film History
Milestones of 1956: Looking Back at Hollywood 70 Years Ago
To the Film Industry in Crisis, A Look Back At Hollywood In 1926
Across 50 Seasons, “Survivor” Reflects Evolving Views of American Women
Life Within the Lens Celebrates Black Filmmaking
Short Films in Focus: The 2026 Oscar-Nominated Shorts
Sundance 2026: Knife: The Attempted Murder of Salman Rushdie, To Hold a Mountain, Gail Daughtry and the Celebrity Sex Pass
Sundance 2026: BURN, zi, How to Divorce During the War
Disney+ Brings Back “The Muppet Show” For a Clever, Nostalgic Event Episode
Sundance 2026: The Best Summer, Saccharine, Rock Springs
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
Time is Very Precious: Hlynur Pálmason and Julius Krebs Damsbo on “The Love That Remains”
Sundance 2026: Birds of War, One in a Million, Silenced
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
Cute Chaos: Penny Lane on “Happy And You Know It”
40 Shows We Can’t Wait to Watch in 2026
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
It’s Stephen King’s World: How the Writer Became the King of Hollywood Again in 2025
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The 25 Best TV Shows of 2025
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
Female Filmmakers in Focus: Tamara Kotevska on “The Tale of Silyan”
“Stranger Things” Sets Up Its Endgame with Quartet of New Episodes
Reflections on the 2025 Tailinn Black Nights Film Festival
Actors Superbly Channel Siskel and Ebert Onstage in Chicago
Making Dreams Feel Real: A Memory of Siskel & Ebert
Tokyo Film Festival 2025: “Demon Pond” and Japanese Yokai Culture
From Chicago to the World: On the 50th Anniversary of Siskel & Ebert
Tokyo Film Festival 2025: “Sato and Sato,” “Blue Boy Trial,” “Poca Pon,” “Blonde”
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
A Preview of the 2025 Black Harvest Film Festival
CIFF 2025: The Beauty of the Donkey, The Eyes of Ghana, Below the Clouds
How to Define Freedom: Nia DaCosta on “Hedda”
11 Times That D’Angelo Made a Movie Better with his Music
Criterion’s “The Wes Anderson Archive” is the Blu-ray Box Set of the Year
Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
Hulu’s “Chad Powers” Wastes Talents of Glen Powell
The Golden Boy: 11 of Our Favorite Robert Redford Performances
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
Venice Film Festival 2025: The Biennale College
The Unloved, Part 141: Shattered
How I Spent My Summer Vacation At The Drive-In
Locarno Film Festival 2025 Wrap-up
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
One Final Look: Terence Stamp (1938-2025)
Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Josh Larsen on the Return of Cinema Interruptus
Locarno Film Festival 2025: Preview
Life is Like a Piano: Tom Lehrer (1928-2025)
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Destiny Outreach: Danita E. Patterson Is Making a Midwest Hollywood
Our Minds Have Been Colonized: Ari Aster on “Eddington”
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Introduction to the 59th Karlovy Vary International Film Festival
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
A Chicago Star: A Conversation with Michael Madsen
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
The Unloved, Part 139: Rebel Moon
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Field Notes: Navigating Its First Film Festival
Tribeca Film Festival 2025: The Documentaries
The 20 Best Films of 2025 So Far
Michael Douglas to Present Newly Restored “One Flew Over the Cuckoo’s Nest” at Karlovy Vary International Film Festival
