Don’t Breathe gets a little less interesting as it proceeds to its inevitable conclusion, but it works so well up to that point that your…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The first films announced for the 2016 Toronto International Film Festival.
A review of the two new Amazon pilots: "The Interestings" & "The Last Tycoon."
An interview with "James White" director Josh Mond and star Christopher Abbott.
A preview of the Chicago Critics Film Festival, featuring "The End of the Tour," "Me & Earl & the Dying Girl," "The Overnight," "Digging For Fire," "Results," and much more!
A Sundance dispatch on "I Am Michael," "True Story," "Mississippi Grind" and "Digging For Fire".
A review of the new HBO mini-series "Olive Kitteridge" with Frances McDormand and Richard Jenkins.
Sam Fragoso talks to Lynn Shelton about improvisation, her first time directing a script written by someone else
For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That's what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They're romantic and comedic without ever being formulaic.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
(Click to enlarge)
Marie writes: It's no secret that most Corporations are evil - or at the very least, suck big time. And while I have no actual proof, I'm fairly certain there is a special level of Dante's Hell reserved just for them. (Map of Dante's Hell.)That being the case, when my younger brother Paul wrote me about a cool project sponsored by Volkswagen, I was understandably wary and ready to denounce it sight-unseen as self-serving Corporate shyte. As luck would have it however, I was blessed at birth with curiosity and which got the better of me and why I took a look. For what I found was nothing less than extraordinary....
Marie writes: As some of you may know, it was Roger's 70th birthday on June 18 and while I wasn't able to give the Grand Poobah what I suspect he'd enjoy most...
Siskel & Ebert fight over a toy train (1988)
Marie writes: Recently, a fellow artist and friend sent me the following photos featuring amazing glass mosaics. She didn't know who the artists were however - and which set me off on a journey to find out! I confess, the stairs currently continue to thwart me and thus remain a mystery, but I did uncover who created the "glass bottle doorway" and was surprised to learn both its location and the inspiration behind it. (click image.)
Marie writes: Intrepid club member Sandy Kahn discovered the following Danish designers "Monstrum" who make extraordinary playgrounds for children. I think they're the stuff of dreams, whatever your age. Indeed; behold the Rahbek kindergarten in Frederiksberg, Denmark, and Monstrum's first playground...
The Rocket and The Princess Tower! "Just like a set design, a playground must have an inspiring front that attracts children, and a functional backside with climbing, sliding and relaxing options. The idea of the playground is to combine a girl's mind with a boy's approach into one big common playground. The princess tower consists of three floors, and the rocket has two floors. From the top floor of the Rocket, you can slide down the 6 m long double slide together with an astronaut friend." (click to enlarge.)
Marie writes: I recently heard from an ex-coworker named Athena aka the production manager on an animated series I'd painted digital backgrounds for. She sent me some great photos she'd found on various sites. More than few made me smile and thus inspired, I thought I'd share them with club members. I've added captions for fun but if you can come up with something better, feel free to submit your wit by way of posted comment. Note: I don't know who the photographers are; doesn't say. (Click pics to enlarge.)
"I want a peanut for every photo you took of me..."
Marie writes: I've always found the ocean more interesting than space and for invariably containing more delights and surprises. Case in point, discovering the existence of an extraordinary underwater museum...
The Grand Poobah writes: Here's a behind the scenes lookinside our control room! This is where the magic happens.
From the Grand Poobah: Time passes twice now, first as real time, then as remembrance of things past, as I search my memory for my memoir. As my eyes lift up from my keyboard, they stare sightlessly straight ahead and old faces and places pass in review. So I take a photo of where I'm looking, in order to record what I see. When the picture was taken, Gene and I were in the Brown Derby at Disney World while taping an Oscar special; I'd like to say I have no idea of who came up with the idea for that composition, but I do, and it was yours faithfully, the Poobah.
(click to enlarge and read book spines; smile.)
Roger Ebert's best movie lists from 1967-present
His code name is Deep Vote. He reads the mind of the Academy. He will reveal to me the names of this year's nominees. Our annual rendezvous is in the Anime section of a small Blockbuster in an obscure Midwestern city. He pulls on latex gloves and uses a fingernail knife to slit open a fresh pack of 3X5 cards. He writes down his predictions.
by Roger Ebert