The Hitman's Bodyguard
While no one is going to mistake The Hitman’s Bodyguard for high art, it will please those in the mood for late-summer fun.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Chaz Ebert reports on "The Meyerowitz Stories (New and Selected)," "The Killing of a Sacred Deer" and more in her fourth video dispatch from Cannes 2017.
Bruno Dumont stages a rock opera about Joan of Arc. An Argentine political thriller has a dash of Hitchcock's "Spellbound."
Brad Jones on "Jesus, Bro!"; Period episode on "Anne With an E"; Perils of writing while female; In defense of radical transparency; Trump praises Rodrigo Duterte.
An article about the reissue of "Two Weeks in the Midday Sun."
The screenings of "De-Lovely," "Pleasantville," "Varieté" and "July and Half of August" at Ebertfest 2017.
The screenings of "Hysteria," "The Handmaiden" and "Elle" at Ebertfest 2017.
The screenings of "Norman Lear: Just Another Version of You," and Ben Lear's "They Call Us Monsters" at Ebertfest 2017.
A preview of the 5th Chicago Critics Film Festival, which runs from May 12-18 at the Music Box Theater.
Reviews and screenings of "Hair" and "Being There" at Ebertfest 2017, and Q&A with producers Michael Butler and Michael Hausman by Michael Phillips, Nate Kohn and Chaz Ebert; and with Oscar-nominated Caleb Deschanel by Simon Kilmurry and Scott Mantz.
Honorees remember Roger Ebert; Watch harder at Ebertfest; Up close and personal with Norman Lear; "Being There" embodies politics, power; Filmmakers embrace critic's sense of empathy.
A look at day three of Ebertfest.
Chaz Ebert provides a preview of the 19th installment of Roger Ebert's Film Festival "Ebertfest" 2017.
A look back at Kasi Lemmons' 1997 film, "Eve's Bayou."
The transcript and video of Roger Ebert's onstage conversation with Donald O'Connor at Ebertfest 2003.
A look at the Ebert Fellows attending Ebertfest 2017 this year.
A brief appreciation.
An article about the commemoration ceremony for Roger Ebert and empathy on the fourth anniversary of his death.
A look at the 13 reviews picked by Roger's fans for today's memorial takeover.
An interview with the director "Baby Boom" and reappreciation of the film on its 30th anniversary.
An article about the April 4th, 2017 commemoration of Roger Ebert in Chicago.
An article announcing the final slate of films scheduled to be screened at Ebertfest 2017.
Three critics reflect on their love for "Ice Castles."
A piece on the prescience and impact of George Orwell's "1984" and the film version, which returns to theaters next week.
An article about various films set to screen at Ebertfest 2017, including the opening night selection, "Hair."
Matt writes: In his list ranking the best films of 1987, Roger Ebert included Taylor Hackford’s “Chuck Berry: Hail! Hail! Rock and Roll!,” calling it “the year's best musical documentary, a rollicking and sometimes revealing record of the attempt by Rolling Stone Keith Richards to stage a 60th birthday concert for Berry, at which the pioneer of rock and roll would at last be accompanied by a well-rehearsed backup band.” After Berry passed away last weekend, our critic Glenn Kenny penned an insightful obituary that paid tribute to Hackford’s film. “Aside from being a superb portrait of Berry—and of Richards, whose intelligence and clear devotion to music here belies his sometime rap as a wizened five-string-zombie,” wrote Kenny, “[it] is one of the great rock and roll documentaries.” And of Berry, Kenny argued, “For all the great things he achieved, he deserves to be the fifth face on Mount Rushmore.”