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The Do-Over

At one point, I checked the time code on Netflix and saw that the movie had over forty minutes to go. I visibly winced.

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Of Men and War

Bécue-Renard brings his own brutality to the topic of PTSD, by putting us at odds with feeling his subjects' pain, or only studying it.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#276 May 17, 2016

Sheila writes: The Cannes Film Festival is up and running and Rogerebert.com is there! You can check out Rogerebert.com's full coverage in the Table of Contents for the film festival. That post will be updated as more dispatches come in. There is video footage as well, including a memorable moment when Chaz Ebert asked a question at the "Money Monster" press conference. Finally, "Two Weeks in the Midday Sun," Roger Ebert's 1987 book about the Cannes Film Festival, was re-released in May, just in time for the 2016 festival. The re-release has a foreword written by Martin Scorsese, which you can read here.

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#274 April 8, 2016

Sheila writes: As I'm sure most of you know, April 4th marked the 3rd anniversary of Roger Ebert's death. There have been various tributes to him all week on Rogerebert.com, including an ongoing series called "Roger's Favorites." Throughout his career as a critic, Roger often championed actors and filmmakers, sometimes pointing them out to his audience before the wider culture had caught on. The editors at Rogerebert.com wrote essays on some of these favorites, and it's already become a rich archive. You can check out the full list here: Roger's Favorites: A Table of Contents.

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