The movie is drenched in production value and replete with ravishing shots of sunrises and sunsets, but it’s in the scenes of fleeing, of battle,…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Matt writes: Last week at RogerEbert.com, we celebrated our latest installment of Women Writers Week, featuring essential film reviews, interviews and essays from such insightful voices as Arielle Bernstein, Sasha Kohan, Christy Lemire, Nell Minow, Jana Monji, Christina Newland, Sheila O’Malley, Jessica Ritchey, Justine Smith and Susan Wloszczyna.
A feature article about Netflix's new show, "Julie's Greenroom."
An obituary for actress Mary Tyler Moore.
The work of the late author, writer and director William Peter Blatty will continue to haunt the dreams of readers and moviegoers for generations to come.
A tribute to the late Arthur Hiller, director of classics that include "The Americanization of Emily," "Love Story," "The In-Laws."
A tribute to the late comedy mastermind, Garry Marshall.
For the 30th installment in his series about maligned masterworks, Scout Tafoya examines Hitchcock's dizzying oddities "Torn Curtain" and "Topaz."
A guide to the work of the legendary Max von Sydow, star of more than "Star Wars, Episode VII: The Force Awakens."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Simon Abrams.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Susan Wloszczyna.
An obituary for the legendary Omar Sharif.
A recap of the 2015 TCM Film Festival.
A look at recent releases on Netflix and Blu-ray, including "Life Itself," "Annie," "Into the Woods," "The Lady From Shanghai," and more.
An interview with film critic Matt Fagerholm.
Oscar's idling empathy machine; "Modern Family" episode filmed on smartphones; Madonna is superhuman; The trailer is not the movie; The works of Tyrus Wong.
Oscars saved by the music; Julie Andrews glows in "Sound of Music"; Films of Michael Mann reassessed; Rise of the reactress; Let's get out of here.
A recap of the winners at the 87th Academy Awards ceremony.
An obituary for the legendary James Garner, who has passed away at the age of 86.
Strong female characters and "Trinity Syndrome"; Spielberg's next two films; the ugly aftertaste of Louie Season 4; 'Mad Men' and family relations; Roddy McDowall's home movies.
Recent titles released on Blu-ray.
Writer Simon Abrams responds to our Movie Love Questionnaire.
Writer Susan Wloszczyna responds to our Movie Love Questionnaire.
Contributor Susan Wloszczyna remembers her stepson and the role movies played in her relationship with him.
At their big D23 Expo event, Disney unleashed some stars and a lot of tantalizing info about live action films.
The first time I saw him, he was striding toward me out of the burning Georgia sun, as helicopters landed behind him. His face was tanned a deep brown. He was wearing a combat helmet, an ammo belt, carrying a rifle, had a canteen on his hip, stood six feet four inches. He stuck out his hand and said, "John Wayne." That was not necessary.
Wayne died on June 11, 1979. Stomach cancer. "The Big C," he called it. He had lived for quite a while on one lung, and then the Big C came back. He was near death and he knew it when he walked out on stage at the 1979 Academy Awards to present Best Picture to "The Deer Hunter," a film he wouldn't have made. He looked frail, but he planted himself there and sounded like John Wayne.
John Wayne. When I was a kid, we said it as one word: Johnwayne. Like Marilynmonroe. His name was shorthand for heroism. All of his movies could have been titled "Walking Tall." Yet he wasn't a cruel and violent action hero. He was almost always a man doing his duty. Sometimes he was other than that, and he could be gentle, as in "The Quiet Man," or vulnerable, as in "The Shootist," or lonely and obsessed, as in "The Searchers," or tender with a baby, as in "3 Godfathers."