The Man Who Knew Infinity
An account of a remarkable person should strive to be as equally remarkable as its subject, not the timid and tidy boilerplate special of a…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An appreciation of the lasting power of Bette Davis.
An interview with director Kent Jones about his documentary "Hitchcock/Truffaut."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Christy Lemire.
An interview with Joe Dante, director of the new Burying the Ex.
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
An interview with Oscar winner Hilary Swank, star of Tommy Lee Jones' "The Homesman."
"Nightcrawler" and the new face of entitlement; "Suffering for their art" films; Fight against TV's "smooth motion" setting; Suicide and silence; Oliver Stone to make Snowden film.
Roderick Heath on "We Are the Best!"; The whiplash of journalism; Hollywood's secret sequel economy; Chatting with Seth Meyers; Kirk Douglas on Lauren Bacall.
An obituary for the legendary Lauren Bacall.
An appreciation of Michael Mann's "The Insider" on its 15th anniversary that connects Michael Mann's film with the westerns of Howard Hawks.
Paul Walker's digital double; Why Godzilla is still king; The legacy of "Mr. Smith Goes to Washington"; Larry Kramer on "The Normal Heart" movie; How internet journalism destroyed Tom Cruise.
Writer Christy Lemire responds to our Movie Love Questionnaire.
Remembrances of Philip Seymour Hoffman.
Writer Peter Sobczynski responds to our Movie Love Questionnaire.
We catch up with Irv Slifkin, the man behind MONDO MEYER, a Philadelphia event celebrating the work of filmmaker Russ Meyer.
Sheila writes: Thank you all for taking the time to answer our survey! We will keep you posted on any changes that may come about. So let's get to the newsletter, shall we? Jack Kerouac famously wrote the majority of "On the Road" on one long scroll of paper. Kerouac found that taking the time to remove the finished pages off of the typewriter and replacing them with a fresh sheet interrupted his flow. California artist Paul Rogers, who has done ten book covers for Random House UK of Hemingway classic, has created an online scroll of beautiful illustrations for Kerouac's novel. Evocative and gritty, they make a great companion piece for "On the Road". You can see more of Paul Rogers' cool work at his site.
With the passing of Andy Williams, I keep imagining his golden tenor singing Henry Mancini's "Moon River." The song talks about crossing life in style. "Breakfast at Tiffany's" is all about fashionable cafe society and love; in an adult fairy tale, you can have both even if you are two drifters.
The director Gregory Nava once commented, "Whenever any question of style or taste in dress comes up, I simply ask myself, 'What would Fred Astaire have done?'" Audrey Hepburn is Astaire's female equivalent: sophistication mixed with fizzy fun.
Marie writes: the ever intrepid Sandy Khan recently sent me a link to ArtDaily where I discovered "Hollywood Unseen" - a new book of photographs featuring some of Hollywood's biggest stars, to published November 16, 2012."Gathered together for the first time, Hollywood Unseen presents photographs that seemingly show the 'ordinary lives' of tinseltown's biggest stars, including Rita Hayworth, Gary Cooper, Humphrey Bogart and Marilyn Monroe. In reality, these "candid' images were as carefully constructed and prepared as any classic portrait or scene-still. The actors and actresses were portrayed exactly as the studios wanted them to be seen, whether in swim suits or on the golf course, as golden youth or magic stars of Hollywood."You can freely view a large selection of images from the book by visiting Getty Images Gallery: Hollywood Unseen which is exhibiting them online.
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Marie writes: As I'm sure readers are aware, the 2012 Summer Olympics in London are now underway! Meanwhile, the opening ceremony by Danny Boyle continues to solicit comments; both for against. (Click image to enlarge.)
Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as one of the most beautiful pieces of architecture I have ever seen. I adore this building and always will; it's the stuff of dreams. (Click photo to enlarge.)
Go here to explore a 360 panoramic view of the grand staircase!
The Ebert Club is pleased to share the following Film Noir cult classic, streaming free. I invite you to join the Club and dive into an eclectic assortment of wonderful and curious finds. Your subscription helps support the Newsletter, the Far-Flung Correspondents and the On-Demanders on my site. - RE"The movie has above all effortless charm. Once we catch on that nothing much is going to happen, we can relax and share the amusement of the actors, who are essentially being asked to share their playfulness. There is a scene on a veranda overlooking the sea, where Bogart and Jones play out their first flirtation, and by the end of their dialogue you can see they're all but cracking up; Bogart grins during the dissolve. The whole movie feels that way. Now that movies have become fearsome engines designed to hammer us with entertainment, it is nice to recall those that simply wanted to be witty company." - Roger, from his Great Movies review of "Beat the Devil".Beat The Devil (1953) Directed by John Huston. Co-written by John Huston and Truman Capote. Loosely based upon a novel of the same name by British journalist and critic Claud Cockburn; pseudonym James Helvick. Starring Humphrey Bogart, Jennifer Jones, Gina Lollobrigida, Peter Lorre, Robert Morley, Edward Underdown, Ivor Barnard, Marco Tulli, Bernard Lee and Saro Urzì.Synopsis: A quartet of international crooks - Peterson, O'Hara, Ross and Ravello - is stranded in Italy while their steamer is being repaired. With them are the Dannreuthers. The six are headed for Africa, presumably to sell vacuum cleaners but actually to buy land supposedly loaded with uranium. They're joined by others who apparently have similar designs. It was intended by Huston as a tongue-in-cheek spoof of his earlier masterpiece, "The Maltese Falcon" and the noir genre in general.
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Marie writes: some of you may recall reading about the Capilano Suspension Bridge in North Vancouver, British Columbia Canada. (Click to enlarge.)
From the Poobah: Chaz and Roger Ebert wish you Peace in the New Year!