The film builds its case piece by shattering piece, inspiring levels of shock and outrage that stun the viewer, leaving one shaken and disturbed before…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Meredith Brody recaps the films she saw, of past and present, at the 2016 Telluride Film Festival.
An in-depth preview of the films, including rarities and restorations, playing in the Noir City: Chicago 8 program at the Music Box Theatre.
Sheila writes: The Cannes Film Festival is up and running and Rogerebert.com is there! You can check out Rogerebert.com's full coverage in the Table of Contents for the film festival. That post will be updated as more dispatches come in. There is video footage as well, including a memorable moment when Chaz Ebert asked a question at the "Money Monster" press conference. Finally, "Two Weeks in the Midday Sun," Roger Ebert's 1987 book about the Cannes Film Festival, was re-released in May, just in time for the 2016 festival. The re-release has a foreword written by Martin Scorsese, which you can read here.
A bunch of 2016 Oscar nominees and must-own Criterion releases just hit Blu-ray. Pick your favorite!
An interview with "Cult Movies" author Danny Peary.
An appreciation of the lasting power of Bette Davis.
An interview with director Kent Jones about his documentary "Hitchcock/Truffaut."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Christy Lemire.
An interview with Joe Dante, director of the new Burying the Ex.
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
An interview with Oscar winner Hilary Swank, star of Tommy Lee Jones' "The Homesman."
"Nightcrawler" and the new face of entitlement; "Suffering for their art" films; Fight against TV's "smooth motion" setting; Suicide and silence; Oliver Stone to make Snowden film.
Roderick Heath on "We Are the Best!"; The whiplash of journalism; Hollywood's secret sequel economy; Chatting with Seth Meyers; Kirk Douglas on Lauren Bacall.
An obituary for the legendary Lauren Bacall.
An appreciation of Michael Mann's "The Insider" on its 15th anniversary that connects Michael Mann's film with the westerns of Howard Hawks.
Paul Walker's digital double; Why Godzilla is still king; The legacy of "Mr. Smith Goes to Washington"; Larry Kramer on "The Normal Heart" movie; How internet journalism destroyed Tom Cruise.
Writer Christy Lemire responds to our Movie Love Questionnaire.
Remembrances of Philip Seymour Hoffman.
Writer Peter Sobczynski responds to our Movie Love Questionnaire.
We catch up with Irv Slifkin, the man behind MONDO MEYER, a Philadelphia event celebrating the work of filmmaker Russ Meyer.
Sheila writes: Thank you all for taking the time to answer our survey! We will keep you posted on any changes that may come about. So let's get to the newsletter, shall we? Jack Kerouac famously wrote the majority of "On the Road" on one long scroll of paper. Kerouac found that taking the time to remove the finished pages off of the typewriter and replacing them with a fresh sheet interrupted his flow. California artist Paul Rogers, who has done ten book covers for Random House UK of Hemingway classic, has created an online scroll of beautiful illustrations for Kerouac's novel. Evocative and gritty, they make a great companion piece for "On the Road". You can see more of Paul Rogers' cool work at his site.
With the passing of Andy Williams, I keep imagining his golden tenor singing Henry Mancini's "Moon River." The song talks about crossing life in style. "Breakfast at Tiffany's" is all about fashionable cafe society and love; in an adult fairy tale, you can have both even if you are two drifters.
The director Gregory Nava once commented, "Whenever any question of style or taste in dress comes up, I simply ask myself, 'What would Fred Astaire have done?'" Audrey Hepburn is Astaire's female equivalent: sophistication mixed with fizzy fun.