A look at the history of films like Jawbreaker, Heathers, Poison Ivy, Wild Things, and more.
The book encompasses both sharp analysis and detailed accounts of what Robert Warshow would call her direct experiences of film.
A look at the entire career of Daniel Day-Lewis and how his work in "Phantom Thread" feels like the perfect finale.
A critic considers the death of his father in light of cinema's handling of the end of life.
Writer/director Michael Almereyda on adapting the sci-fi play "Marjorie Prime" for his latest idiosyncratic project.
The best of the 2016-17 TV season in Emmy ballot form.
A TV critic's picks for the best TV of 2015-16.
Why "The Revenant" was hard for me; Joanna Coates and Daniel Metz on "Amorous"; Scorsese's "The Age of Innocence"; Horror films are scarier than in the past; Teaching VR filmmaking.
A chronological commentary celebrating the performances of Gena Rowlands.
Moira Walley-Beckett’s dreary STARZ series borrows many of its melodramatic clichés from Darren Aronofsky’s “Black Swan.”
A review of HBO's "Show Me a Hero" with Oscar Isaac, Catherine Keener, Alfred Molina, Winona Ryder, Bob Balaban, and Jon Bernthal.
An essay on the "Before" series; Quality undistributed films; Art that defines generations; Negative reviews of best pictures nominees; The failings of RoboCop.
As Roger Ebert noted in February, film festivals have become so ubiquitous that there's almost certainly one within driving distance of most film fans in the US. And lots of them are sprouting world-wide. Three years ago, I'd pitched Roger with an "FFC" piece on the Santa Barbara International Film Festival. He advised that I provide a sense of the town and its atmosphere, the people, as well as what the festival itself was like.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
(click to enlarge.)
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