A stunning, enrapturing film, a crowning work by one of the American cinema’s most essential artists.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The irony of being destroyed by the thing you helped create would not have been lost on a studio responsible for some of the finest film versions of Frankenstein.
An in-depth look at an ambitious retrospective at NYC's Film Society of Lincoln Center that celebrates one of cinema's greatest years.
Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidency.
A look at highlights from the career of the great Peter Cushing.
A comparison of lightsaber duels from the original "Star Wars" trilogy to the prequels.
Eight films to check out before Guillermo Del Toro's "Crimson Peak" comes out Friday.
An appreciation of Richard Lester as a retrospective of his work is about to unfold in New York City.
Sheila writes: I came across an amusing item in T-Magazine recently and wanted to share it with you all. Claudia Ficca and Davide Luciano are a collaborative team who have come up with a culinary/artistic project called "All Food No Play." The duo have designed food items inspired by Stanley Kubrick's "The Shining." Here is a small gallery of their work. My personal favorite is the Grady twins cupcakes, but all are quite creative and entertaining - and, hopefully, delicious!
25 indie directors to know; RIP Kirk Kerkorian; Designs of "Dick Tracy"; Tim Burton pays tribute to Christopher Lee; Preview of BAMcinemaFest.
An obituary for the great Christopher Lee.
Eskil Vogt's "Blind"; Reflections on "Ex Machina"; Evangelicals open door to debate on gay rights; How "Jaws" misrepresented the great white; Cara Seymour interviews Mary Harron.
A recap and guide to the most interesting Blu-rays of 2014.
An appreciation of Nastassja Kinski, on the occasion of a tribute to her at the Film Society at Lincoln Center from November 27-December 3, 2014.
An appreciation of "1941" and interview with Bob Gale.
Glenn Kenny highlights the picks of Blu-ray releases for the month of November
Bob Calhoun muses on the deleted scenes from "The Wicker Man," now restored in a new version.
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
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Marie writes: Behold a living jewel; a dragonfly covered in dew as seen through the macro-lens of French photographer David Chambon. And who has shot a stunning series of photos featuring insects covered in tiny water droplets. To view others in addition to these, visit here.
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Marie writes: It's no secret that most Corporations are evil - or at the very least, suck big time. And while I have no actual proof, I'm fairly certain there is a special level of Dante's Hell reserved just for them. (Map of Dante's Hell.)That being the case, when my younger brother Paul wrote me about a cool project sponsored by Volkswagen, I was understandably wary and ready to denounce it sight-unseen as self-serving Corporate shyte. As luck would have it however, I was blessed at birth with curiosity and which got the better of me and why I took a look. For what I found was nothing less than extraordinary....
Marie writes: At long last, after two years of mediocre weather compounded by bad timing, the planets managed to align themselves again in my favor and I was finally able to return to Pender Island and where my tale begins....
Marie writes: behold the power of words, the pen mightier than the sword.
Marie writes: Belgium club member Koen Van Loocke has submitted the following and it's so awesome, I have no words. But first, background..The Cinematic Orchestra is led by composer/programmer/multi-instrumentalist Jason Swinscoe, who formed his first group "Crabladder" in 1990 while a Fine Arts student at Cardiff College. The group's fusion of jazz and hardcore punk elements with experimental rhythms, inspired Swinscoe to further explore the musical possibilites and by the time the group disbanded in the mid-'90s, he was playing DJ at various clubs and pirate radio stations in and around London.
There's nothing quite like the movies if you want to learn what people's hopes and dreams were during the period in which they were made. Take for instance the recent "Up in the Air". In the present when air travel has turned into something to be endured, George Clooney's Ryan Bingham showed us how it can become an enticing way of life. The same subject was also portrayed extensively, under a very different light, some forty years as the "Airport" movies dealt with our fears of dying in new and horrible ways, while glamorizing our dreams of flying first-class, surrounded by a movie star in every seat. As the trailer for one of these features once put it: "on board, a collection of the rich and the beautiful!" They also marked the advent of a new genre (the Disaster Film) as well as the "Ark movie" which Ebert's Little Movie Glossary defines as "mixed bag of characters trapped in a colorful mode of transportation". How many films can claim to this kind of impact?
"Of few deaths can it be said that they end an era, but hers does. No other actress commanded more attention for longer, for her work, her beauty, her private life, and a series of health problems that brought her near death more than once." - Roger, from Elizabeth Taylor, a star in her own category
Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...
Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)