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Gray Movie Reviews
Blog Posts That Mention Gray
True To Yourself: James Gray on James Gray’s New York
James Gray on His Personal Vision For “The Immigrant”
Coming to America: A Conversation with James Gray
‘Crash’: Black, white gray
When the Great Gray Cloud comes to call
Interview with Mike Gray
Uncomfortable Truths: “Set It Off,” “Girl 6,” and “Naked Acts” at 30
“Lego Batman: Legacy of the Dark Knight” is a Joyously Clever Romp
Cannes 2026 Video #7: Festival Dispatch with Jason Gorber
Cannes 2026 Video #6: Club Kid, Paper Tiger, Clarissa
Cannes 2026: Paper Tiger, Sheep in the Box
Cannes 2026: Fatherland, Parallel Tales
A Fond Farewell to Our Critic Monica Castillo
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
A True American Original: Ted Turner (1938-2026)
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
Cannes Announces 2026 Program with New Films by Pedro Almodovar, Hirokazu Kore-eda, Asghar Farhadi, More
“Star Wars” Keeps Its Animation on the Dark Side (Literally) with “Maul – Shadow Lord”
Full Schedule for Ebertfest 2026 Released and Individual Tickets Now On Sale
Ebertfest Announces Expanded Lineup, Special Guests, and Final Festival Programming for “The Last Dance” Edition
Monstrous Women: From Medusa to the Bride and Rumi Too
Long Live Bonnie Bennett, the Real Star of “The Vampire Diaries”
Sundance 2026: When a Witness Recants, Time and Water, Antiheroine
Sundance 2026: The Shitheads, The History of Concrete, The Invite
A Great Sophie Turner Carries Prime Video’s “Steal” Over its Cliches
40 Movies We Can’t Wait to See in 2026
Tokyo Film Festival 2025: “Demon Pond” and Japanese Yokai Culture
It’s The Funniest Shit: Hikari on ‘Rental Family’
Tokyo Film Festival 2025: “Sato and Sato,” “Blue Boy Trial,” “Poca Pon,” “Blonde”
The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)
TIFF 2025: Scarlet, Arco, Little Amélie or the Character of Rain
Moviehouse on the Edge: IFC Center Picks 20 Films to Commemorate 20 Years in New York
One Final Look: Terence Stamp (1938-2025)
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
The Rite to Save a Life
Cannes 2025: Put Your Soul on Your Hand and Walk, Militantropos, Imago
There’s No Catharsis: David Cronenberg on “The Shrouds”
The Day James Bond Movies Died
Paramount+ True Crime Series “Happy Face” Entertains Even as It Loses Direction
Ambient Comedy: Carson Lund on “Eephus”
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
I Think Of Them As The Work: Gene Hackman (1930-2025)
What to Watch on Netflix: March 2025
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Solid Acting Saves the Familiar Premise of “Get Millie Black”
Love Is Political: Payal Kapadia on “All We Imagine as Light”
Tokyo International Film Festival 2024: Godzilla Turns 70
Apple TV’s “Silo” Returns for Daring Second Season
London Film Festival 2024 Preview
Fantastic Fest 2024: Bone Lake, Bring Them Down, What Happened to Dorothy Bell?
A 9/11 Memory: A Historic Day, and Just Another One
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
KVIFF 2024: All We Imagine As Light, Panopticon, Three Days of Fish
Beautiful and Haunted: Jeff Nichols on The Bikeriders
Prime Video’s The Boys Changes Pace, Becomes the Best Version of Itself
House of the Dragon Returns with a Captivating Yet Convoluted Second Season
Fear, Hope, and Joy: Ramata-Toulaye Sy on Banel and Adama
Cannes 2024: Armand, The Kingdom, September Says
Reclamation Through Restoration: Thelma Schoonmaker Talks Michael Powell, Martin Scorsese and Peeping Tom
Cannes 2024: The Substance, Visiting Hours
Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More
The Zellner Brothers Take a Walk in the Woods with Sasquatch Sunset
Giancarlo Esposito Can’t Keep Overcrowded, Rushed Parish on the Road
Trigger Warning: Jessica Hausner Is Going to Keep Asking Uncomfortable Questions
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Nobody Else Is Doing What Emma Stone Is Doing Right Now
Welcome to Chicago, Michał Oleszczyk!
Home Entertainment Guide: February 2024
Streaming Ads Are So Much Worse Than Traditional Ad Breaks
Oscar Predictions 2024: What Will Be Nominated This Year
20 Films We Can’t Wait to See at Sundance 2024
A Miniature Society: İlker Çatak on The Teachers’ Lounge
The 25 Best TV Series of 2023
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
