Two Lovers
Written by
Gray
Gray Movie Reviews
Blog Posts That Mention Gray
True To Yourself: James Gray on James Gray’s New York
James Gray on His Personal Vision For “The Immigrant”
Coming to America: A Conversation with James Gray
‘Crash’: Black, white gray
When the Great Gray Cloud comes to call
Interview with Mike Gray
Cannes 2025: Put Your Soul on Your Hand and Walk, Militantropos, Imago
There’s No Catharsis: David Cronenberg on “The Shrouds”
The Day James Bond Movies Died
Paramount+ True Crime Series “Happy Face” Entertains Even as It Loses Direction
Ambient Comedy: Carson Lund on “Eephus”
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
I Think Of Them As The Work: Gene Hackman (1930-2025)
What to Watch on Netflix: March 2025
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Solid Acting Saves the Familiar Premise of “Get Millie Black”
Love Is Political: Payal Kapadia on “All We Imagine as Light”
Tokyo International Film Festival 2024: Godzilla Turns 70
Apple TV’s “Silo” Returns for Daring Second Season
London Film Festival 2024 Preview
Fantastic Fest 2024: Bone Lake, Bring Them Down, What Happened to Dorothy Bell?
A 9/11 Memory: A Historic Day, and Just Another One
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
KVIFF 2024: All We Imagine As Light, Panopticon, Three Days of Fish
Beautiful and Haunted: Jeff Nichols on The Bikeriders
Prime Video’s The Boys Changes Pace, Becomes the Best Version of Itself
House of the Dragon Returns with a Captivating Yet Convoluted Second Season
Fear, Hope, and Joy: Ramata-Toulaye Sy on Banel and Adama
Cannes 2024: Armand, The Kingdom, September Says
Reclamation Through Restoration: Thelma Schoonmaker Talks Michael Powell, Martin Scorsese and Peeping Tom
Cannes 2024: The Substance, Visiting Hours
Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More
The Zellner Brothers Take a Walk in the Woods with Sasquatch Sunset
Giancarlo Esposito Can’t Keep Overcrowded, Rushed Parish on the Road
Trigger Warning: Jessica Hausner Is Going to Keep Asking Uncomfortable Questions
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Nobody Else Is Doing What Emma Stone Is Doing Right Now
Welcome to Chicago, Michał Oleszczyk!
Home Entertainment Guide: February 2024
Streaming Ads Are So Much Worse Than Traditional Ad Breaks
Oscar Predictions 2024: What Will Be Nominated This Year
20 Films We Can’t Wait to See at Sundance 2024
A Miniature Society: İlker Çatak on The Teachers’ Lounge
The 25 Best TV Series of 2023
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Staying Connected: Gelila Bekele and Armani Ortiz on Maxine’s Baby: The Tyler Perry Story
Criterion Launches Excellent Janus Contemporaries Series
CIFF 2023: Robot Dreams, The Crime is Mine, Limbo
CIFF 2023: All of Us Strangers, Poor Things, Saltburn
Bright Wall/Dark Room September 2023: I Used to Float, Now I Just Fall Down by Lindsey Romain
TIFF 2023: After the Fire, Achilles, The Queen of My Dreams
TIFF 2023: Alice & Jack, Expats, Sly
Venice Film Festival 2023: Poor Things, Maestro, The Caine Mutiny Court-Martial, The Killer
Ridiculously Imaginative, Grounded, and Poetic: Director Marc Turtletaub on Jules
Keep These People Alive: David Grann on Killers of the Flower Moon
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
Comic-Con Without the Stars
Rise of the Beats: On Hip-Hop and Hollywood
Tapping Into the Infinite: Alexandre O. Philippe on Lynch/Oz
Cannes 2023: How to Have Sex, Los Delincuentes, The New Boy
The Unloved, Part 114: Ludwig
Cannes 2023: Black Flies, Youth (Spring), Homecoming
Prime Video’s Citadel Traps Priyanka Chopra Jonas and Richard Madden in Played-Out Spy Game
I Was in Bliss: Steve Saklad on Re-Creating 1970 for Are You There God? It’s Me, Margaret.
Apple TV+’s Schmigadoon! Takes on Schmicago! in Snazzy Second Season
Bright Wall/Dark Room March 2023: Something Wild: The Other Half of You by Christian Craig
SXSW 2023: Citizen Sleuth, Last Stop Larrimah, The New Americans: Gaming a Revolution
SXSW 2023: If You Were the Last, Upon Entry, Scrambled
A Spy Among Friends Has Strong Storytelling, But Lacks in Originality
The Stories Behind Martin Scorsese’s Killers of the Flower Moon
Annihilation and the Power of Anxiety
Bright Wall/Dark Room February 2023: The Unflattering Portrait: On Armageddon Time and Failed Solidarity by Nicholas Russell
Love is a Conversation: Michael Jacobs on Maybe I Do
The Stars Shine at the 2023 Critics Choice Awards
15 Films We Can’t Wait to See at Sundance 2023
Book Excerpt: In the Time of Kiarostami: Writings on Iranian Cinema by Godfrey Cheshire
The 25 Best TV Series of 2022
Netflix’s Dull CIA Series The Recruit is More Like Paperwork
Criterion Shines Light on Masterful Daisies
A Night to Remember: FACETS Screen Gems 2022 Benefit
NYFF 2022: Personality Crisis: One Night Only, A Cooler Climate, Is That Black Enough for You?!?
Angela Lansbury (1925-2022)
