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Music Movie Reviews
Blog Posts That Mention Music
11 Times That D’Angelo Made a Movie Better with his Music
Ari Aster Talks with Chaz Ebert About “Eddington” at Music Box
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
A (Not So) Brief History of Silent Film Influences on Pop Music
Beyoncé and My Daughter Love Country Music
10 Music Documentaries You Should See After The Greatest Night in Pop
How Martin Scorsese Uses Music to Enhance His Visions
Streetcorner Symphony: The Music of Mean Streets
TIFF 2023: Stop Making Sense, In Restless Dreams: The Music of Paul Simon
Noir City Returns to the Music Box in Chicago
A True Marriage of Picture and Music: Benjamin Millepied on Carmen
New York Philharmonic and Steven Spielberg Celebrate the Music of John Williams
Cinema Femme Short Film Festival to Have First In-Person Screenings at the Music Box Theatre
Music in the Movies at Ebertfest 2023
How the World of Classical Music Has Responded to TÁR
Calling All Youth Music Mixologists from Chicago: Enter the Lyric’s Opera Remix Competition
A Love Letter to Musicals: Schmigadoon!’s Director, Co-Writer, and Cast on the New Musical Series
We Can Sing Again: Nine Movie Musicals Coming Out in 2021
Mr. Soul! Nominated for Three NAACP Image Awards, Debuts Exclusive Music Video for Show Me Your Soul by Robert Glasper and Lalah Hathaway
Netflix’s Musical Series Julie and the Phantoms Infrequently Charms
Revisiting My 2017 Article, My Daughter Loves Country Music, In Light of Mickey Guyton’s song, Black Like Me
Music and Family Combine in Apple TV’s Wonderful Central Park
Ken Burns’ Country Music Series is Thought-Provoking, Joyful
Music Box Memories: A Legendary Theatre Celebrates 90 Years
The Musical History Behind the James Bond Gun Barrel Sequences
Music, Life, and Everything Between: Quincy Jones and Alan Hicks on Quincy
Great Movies Return to the Big Screen at Music Box’s 70mm Film Festival
Star Trek: Discovery Returns to Series’ Musical Roots
Cinepocalypse Comes to the Music Box in Chicago
My Daughter Loves Country Music
The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater
The Heart of the Film: Matt Schrader and Marco Beltrami on “Score: A Film Music Documentary”
Video Interview: George Lepauw on CIMMfest (Music and Movies)
A musical soul: Jonathan Demme, 1944-2017
Stars, Music, Movies and Compassion Converge: Ebertfest 2017 Preview
Death, Sex & Money at the Music Box
Outstanding, Black Music: Raphael Saadiq on “Underground,” “Insecure”
Music is Crucial to Every Film: John Legend on “Southside with You”
Ebertfest, Musicality Honored at HFPA’s Annual Grants Banquet
Mark Caro Presents “Is It Still Funny?” at Chicago’s Music Box Theatre
Chicago International Music and Movies Festival 2016 Preview
“70mm Film Festival: The Ultimate Edition” Arrives at Chicago’s Music Box Theater
The Arrogance Got Eaten Up By The Music: Armen Ra and Matt Huffman on “When My Sorrow Died: The Legend Of Armen Ra And The Theremin”
TIFF 2015: “The Music of Strangers” & “Thru You Princess”
SDCC 2015: Superhero Music Composers at Comic-Con
Painting with sound: the music of James Horner, 1953-2015
Ebertfest 2015 Comes Alive With the Sound of Music
Musical Planned on the Life of Roger Ebert
Music Box Films Releases New Poster For “Beloved Sisters”
It’s Gonna Feel All Right: The Musical and Cinematic Legacy of “A Hard Day’s Night”
News: Music Box Theatre in Chicago Announces “Son of 70MM Film Festival”
Scoring Dystopia: Composer Ryan Amon Discusses His Music for “Elysium”
Psych The Musical: Notes from Comic-Con 2013
February 3, 1959: The day the music died
Jonathan is three and loves great music
♫ Nestor Torres and the spirit in the music
Napoleon conquers Radio City Music Hall
50 greatest music films ever
Catchiest movie theme music of 2009
A contrarian music video
The Monument Valley: Music as film criticism
At least newspapers are more profitable than movies or music!
A Serious Man and His Music
The musician: John Darnielle on criticism
Scorsese and music as storytelling: Shine a Light
Words and music
Dialogue as music
The spheres of the music
What I Know is What I Am: Jimmy Cliff (1944-2025)
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
Swan Song: Udo Kier (1944-2025)
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
Felt More than Heard: Nathan Johnson on Composing his Third “Knives Out” Movie, “Wake Up Dead Man”
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
We Live in Time: Joachim Trier on “Sentimental Value”
It’s Important for a Film to Wake an Audience Up: Ira Sachs on “Peter Hujar’s Day”
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
Adaptation is About Subtraction: James Vanderbilt on “Nuremberg”
Short Films in Focus: 24 Hours After Reading Tuesdays With Morrie (with Scott Tinkham)
A Preview of the 2025 Black Harvest Film Festival
MGM+’s “Robin Hood” Dazzles With Its Craft, Yet Lacks the Allure to Justify Its Creation
The Most Movie Moment: Aiyana-Lee on Getting a Surprise DM from Spike Lee and Filming Her First-Ever Movie Scene with Denzel Washington
CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows
