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Davis Movie Reviews
Blog Posts That Mention Davis
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
Female Filmmakers in Focus: Bridgett M. Davis
Fare Thee Well: On the Tenth Anniversary of Inside Llewyn Davis
Chicago Style: Andrew Davis on the Making of The Fugitive, Stony Island, and More
Mrs. Davis Overflows with Fascinating Ideas Even as It Struggles to Tie Them Together
A Documentary That Feels Like an ’80s Movie: Davis Guggenheim on STILL: A Michael J. Fox Movie
An American Story: Margaret Brown and Joycelyn Davis on Descendant
People Who You Know: Essie Davis on The Justice of Bunny King and Nitram
30 Things That Gave Me Goosebumps: Questlove, Marilyn McCoo, and Billy Davis, Jr. on Summer of Soul
Geena Davis and Wendy Guerrero Preview the 2021 Bentonville Film Festival, Running August 3-8
Video Interview: Viola Davis and George C. Wolfe on Ma Rainey’s Black Bottom
The Best Films of the 2010s: Inside Llewyn Davis
Art Makes You Evolve: Stanley Nelson on Miles Davis: Birth of the Cool, Opening Friday, October 4th, at Chicago’s Gene Siskel Film Center
Andrew Davis and The Fugitive Return To Chicago
Parental Guidance: Jason Reitman & Mackenzie Davis on ‘Tully’
This is What Democracy Looks Like: Sabaah Folayan & Damon Davis on “Whose Streets?”
DOC10 Festival Runs March 30-April 2 at Davis Theater in Chicago
Video Interview: Denzel Washington and Viola Davis on “Fences”
Bette Davis: Cinematic Medusa
Au Revoir: On Criterion’s Release of “Inside Llewyn Davis”
Like a Raw Nerve: Davis Guggenheim on “He Named Me Malala”
“The Central Park Five”: A Review by Solomon Davis
Video Interview: Oscar Isaac and Carey Mulligan Discuss “Inside Llewyn Davis”
Oscar Isaac Takes the Lead with the Coen Brothers’ “Inside Llewyn Davis”
The trailer for the Coen Brothers’ “Inside Llewyn Davis” about the 1960s folk era in Greenwich Village
Bette Davis at 104: Still smokin’
Ossie Davis: In Memory
‘Tourist’ gives Geena Davis a place in sun
Ossie Davis: That’s What It’s All About
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
The Florida Film Festival: An Oasis for Creative Souls
Doc10 Launches 10th Anniversary Edition with Some of the Best Non-Fiction Films of 2025
Robert Daniels & Odie Henderson Talk Sinners
Chicago Latino Film Festival 2025: Highlights of a Creative Force
Female Filmmakers in Focus: The Films of Euzhan Palcy
“Side Quest” Expands Virtual Universe of One of Apple’s Best Programs
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
Age Has No Expiration When It Comes to Talent
SXSW Film Festival 2025: 42nd Street, The Spies Among Us, Make It Look Real
Looking Back: Highlighting Some Great Pieces by Our Female Critics
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
I Think Of Them As The Work: Gene Hackman (1930-2025)
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
“Suits: LA” Is Dumb, Glossy Nothingness
NBC’s “Grosse Pointe Garden Society” Fails to Grow Much of Interest
Navigating Sundance as a First Timer
Sundance 2025: East of Wall, Obex, BLKNWS: Terms and Conditions
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
Oscar Nominations Predictions 2025
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
10 Holiday Movies That Roger Ebert Loved (and Where to Watch Them)
2025 Sundance Film Festival Announces Ambitious Program
James Gunn Launches His New DCU with Clever “Creature Commandos”
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
André Holland Talks Deleted Scenes from “42”
His Own Way: John Amos (1940-2024)
Home Entertainment Guide: August 2024
“EA Sports College Football 25” is a True Sports Game Phenomenon
A Woman Without Peers: Gena Rowlands (1930-2024)
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
Home Entertainment Guide: June 2024
Marvel’s Black Villain Era
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
Introduction to Black Writers Week 2024
Handmade Magic: Jason and the Argonauts
Home Entertainment Guide: May 2024
Dear Tim Cook: Be a Decent Human Being and Delete this Revolting Apple Ad
Short Films in Focus: Floating Through the Nowhere Stream with Director Luis Grané
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More
When Paul Simon Bombed at the Movies
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Home Entertainment Guide: February 2024
Colman Domingo Delivered the Best Performance of 2023 in Rustin, Will Receive AAFCA Award on February 21st
Our Opinion of Crossroads Hasn’t Changed, Our Feelings About Britney Spears Have
How Will Dakota Johnson Survive Madame Web? The Same Way She Handled Fifty Shades of Grey
The Future of the Movies, Part 2
Sundance 2024: Frida, Lolla: The Story of Lollapalooza, Luther: Never Too Much
Feud: Capote vs. The Swans is a Campy and Heartfelt Delight
Nine Major Omissions from the 2024 Oscar Nominations
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
Oscar Predictions 2024: What Will Be Nominated This Year
Artists We Spoke to in 2023: Some of Our Favorite Interviews
We Loved You Best: Tom Smothers (1937-2023)
Home Entertainment Guide: December 2023
The Great Performances of 2023
Goodbye to a TV Pioneer: Norman Lear (1922-2023)
R.I.P. Icon Norman Lear, Thank You for Your Century of Inspiration
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
