Poly Styrene: I Am a Cliché
Self
Youth
Youth
Youth Movie Reviews
Blog Posts That Mention Youth
Locarno Film Festival 2024: Youth (Hard Times), Transamazonia, Moon
Cannes 2023 Video #10: Chaz Ebert Interviews Jeffrey Wright, DePaul University/CHA Youth Resident Filmmakers and More
Cannes 2023 Video #4: Ben Kenigsberg on Fallen Leaves, Youth (Spring) and More
Cannes 2023: DePaul University/CHA Youth Resident Filmmakers Isis Gullette, Unique Moore and Christal Westmoreland Arrive in the Riviera
Cannes 2023: Black Flies, Youth (Spring), Homecoming
Black Representation in Youth Dramas – Degrassi Case Study
Cinema/Chicago’s International CineYouth Festival Runs May 6-13
Chicago Public Library’s Summer Learning Challenge Helps Youth Thrive
The Unloved, Part 32: Youth Without Youth
“The Homestretch” Ideal Viewing for National Homeless Youth Awareness Month
TIFF 2015: “Brooklyn,” “Youth”
Video: Chaz Ebert Reports on “Youth,” “Macbeth,” “Chronic,” and More
Cannes 2015: “Youth,” “Madonna,” “The Assassin”
Cannes 2015: “Youth”
The Intersection of Youth and Pop Culture at Sundance
Cannes: “The Kindergarten Teacher,” “Beautiful Youth,” and “It Follows”
I read these in my bedazzed youth. Now it’s the covers I love.
Overlong Summer Romance “Every Year After” Is More Fizzle Than Sizzle
Words Are Also Filters: Marjane Satrapi (1969-2026)
Cannes 2026: La Gradiva, Dora, Gabin
Cannes 2026: Elephants in the Fog, Yesterday, The Eye Didn’t Sleep, A Girl’s Story
Cannes 2026: Iron Boy, Tangles, Lucy Lost
Cannes 2026 Video #6: Club Kid, Paper Tiger, Clarissa
A Fond Farewell to Our Critic Monica Castillo
A True American Original: Ted Turner (1938-2026)
Join Us for the Inaugural FECK Awards Gala This Saturday, April 4th
“Help Me To Find Kokumo”: A Guide To Beyond Chicago
Inaugural FECK Awards to Honor Extraordinary Changemakers in Chicago on April 4th at the Ritz Carlton
SXSW 2026: The Peril at Pincer Point, American Dollhouse, Anima
SXSW 2026: Adam’s Apple, The Dads, Your Attention Please
The Eye of a Camera: Frederick Wiseman (1930-2026)
Sundance 2026: The Best Summer, Saccharine, Rock Springs
Sundance 2026: When a Witness Recants, Time and Water, Antiheroine
Sundance 2026: The Shitheads, The History of Concrete, The Invite
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
Ryan Murphy’s “The Beauty” Gives Excess Sex, Violence, & Half-Baked Ideas
School Spinoff “Star Trek: Starfleet Academy” Boldly Goes Through Growing Pains
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
Craziness and Contradiction: Kirill Serebrennikov on “Limonov: The Ballad”
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
40 Shows We Can’t Wait to Watch in 2026
Sexual Liberation: Brigitte Bardot (1934-2025)
The 25 Best TV Shows of 2025
Sundance Film Festival Announces 2026 Line-Up
Join Chaz Ebert at the Critic’s Cut 2025 Event at FACETS
Palm Springs Film Festival Announces 2026 Lineup
“Stranger Things” Sets Up Its Endgame with Quartet of New Episodes
Tokyo Film Festival 2025: “Demon Pond” and Japanese Yokai Culture
Their Show Cracked Open the World: Siskel & Ebert Memories
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
No Other Land: Surviving a Crushing Machine
TIFF 2025: Mile End Kicks, Maddie’s Secret, Poetic License
TIFF 2025: 20 World Premieres We Can’t Wait to See
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
One of Us: Malcolm-Jamal Warner (1970-2025)
Our Minds Have Been Colonized: Ari Aster on “Eddington”
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
The 10 Best Oasis Needle Drops
Sex and Threads: The Major Works of Takashi Miike
The Light She Left Behind: Ananda Lewis (1973-2025)
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
The Red Carpets of the 2025 Chicago Critics Film Festival
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Defined In Isolation: Ryan Coogler on “Sinners”
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
Ambient Comedy: Carson Lund on “Eephus”
Age Has No Expiration When It Comes to Talent
Women Develop New Models of Heroism in Festival Docs
Will I Ever Take My Kids to the Movies?
Movies to Watch if You Love Bad Bunny
30 Minutes On: “Watership Down”
Pixar’s Charming but Compromised “Win or Lose” Catches A Few Foul Balls
Life, the Movie: Why Documentary Filmmaking Should Return to, You Know, Documenting Stuff
Sundance 2025: The Librarians, Middletown, Speak.
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
