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Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

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Annie

The new version of "Annie" is fashionably artificial and not very well directed, but its unabashed good cheer is very welcome.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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How "Maleficent" subverts Christian symbolism; A crash course in diva; Anne de Mare and Kirsten Kelly on "The Homestretch"; "Sports Night" was Aaron Sorkin at his best; Peter Erskine on "Whiplash."

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#230 August 6, 2014

Sheila writes: Nelson Carvajal and Jed Mayer, over at Press Play, present a video and an essay about the "scary summer" of 1979. It's a beautiful blend of autobiography and cultural and film memories from that particular summer. Jed Mayer writes: "As tag-lines go, George Romero’s Dawn of the Dead sports a pretty good one: 'When there’s no more room in Hell, the dead will walk the earth.' I stared for weeks at the lurid poster bearing these ominous words. It hung in the front windows of the Maplewood Mall multiplex. Looking back, I think a more fitting tag-line might have come from a speech given by President Jimmy Carter later that same summer: 'Often you see paralysis and stagnation and drift. What can we do?'" Well worth a look!

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Moi, misérable: Fermer le trou à tarte

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Another brawl in the square Another stink in the air! Was there a witness to this? Well, let him speak to Javert! -- Javert, a character in the musical "Les Misérables"

I was an eyewitness to "Les Misérables."

After repeated exposure to that dreadful theatrical trailer-cum-featurette about how the singing is all done live on camera! -- It's live! It's Live! IT'S LIVE! -- I had no intention of seeing Tom "The King's Speech" Hooper's film version of the 1980s stage musical. But when it finally came out, some of the reviews were so bad that part of me wanted to see what the stink was all about. Still, I'm not a masochist; I don't enjoy going to movies I know I'm probably predisposed to dislike just so I can dump on them. On the other hand, there's nothing better than having your low expectations upended. I did enjoy that Susan Boyle YouTube video back in 2009, but that was all I knew about the musical. I remained curious but skeptical. And then ...

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#90 November 23, 2011

Marie writes: club member Sandy Kahn has submitted the following and I salute her web skills for having found it. Namely, an upcoming auction of film memorabilia the likes of which you rarely if ever see...

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