Leonard Cohen: Bird on a Wire
Palmer's film is that rare concert doc that isn't for established fans only.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to the late, great Abbas Kiarostami.
An interview with filmmaker Lars von Trier at the Cannes Film Festival.
The latest and greatest on Blu-ray and DVD, including Room, The Big Short, Carol, and many more.
A tribute to the late Jacques Rivette.
An interview with experimental filmmaker Mark Rappaport.
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
An interview with director Kent Jones about his documentary "Hitchcock/Truffaut."
A review of Kent Jones' "Hitchcock/Truffaut" from the Telluride Film Festival.
The latest on Blu-ray/DVD, including "The Knick," "Day For Night," and "Unfriended."
On the wealth of new books and materials about Orson Welles on his 100th birthday.
An interview with "Goodbye to Language" actress Héloïse Godet from the 17th annual Ebertfest.
Scout Tafoya analyzes the unique narrative of "Jauja" with Viggo Mortensen.
Donald Liebenson chats with actor/comedian/writer Patton Oswalt about his new book "Silver Screen Fiend: Learning About Life From an Addiction to Film."
A supporting actress smackdown; 25 essential short films; Scorsese on story vs. plot; "Guardians" needs more faith in itself; Warren, Jerry & Carlos Danger.
An FFC shares memories of the Los Angeles Theater scene.
Cohen Media Group has made a name for itself as a boutique DVD and Blu-ray label, bringing overlooked and under-appreciated works of cinema to new audiences.
An exhaustive list of Top 10s by RogerEbert.com contributors.
Video essays on Wes Anderson, including all seven chapters of "The Wes Anderson Collection" and all five chapters of "Wes Anderson: The Substance of Style."
Sheila writes: BAFTA-award winning "Pitch Black Heist" is a 13-minute film directed and written by John Maclean, starring Michael Fassbender and Liam Cunningham (reunited after their 28-minute one-take scene in Steve McQueen's 2008 film "Hunger"). Here, they play two criminals hired to crack a safe. The only catch is that they must do their work in the dark: any light at all will trigger the alarm. Elegantly filmed in black-and-white, it's a taut fun little thriller with a twist ending. In case the video doesn't work here, you can also view it at Cinephilia and Beyond.
For the second in his ongoing series, filmmaker and blogger Scout Tafoya looks at the remarkable Cannes Film Festival of 1968, when the festival came to a screeching halt in the face of real-world upheaval. (Check out his amazing look at Cannes 1960 here.)The complete transcripts:Part 1
UPDATED (08/01/12): Scroll to the bottom of this entry to see my first impressions of the newly announced critics' and directors' poll results.
Vittorio De Sica's "Bicycle Thieves" (1948) topped the first Sight & Sound critics' poll in 1952, only four years after it was first released, dropped to #7 in 1962, and then disappeared from the top ten never to be seen again. (In 2002 only five of the 145 participating critics voted for it.) Orson Welles' "Citizen Kane" (1941) flopped in its initial release but was rediscovered in the 1950s after RKO licensed its films to television in 1956. From 1962 to 2002 "Kane" has remained at the top of the poll (46 critics voted for it last time). This year, a whopping 846 top-ten ballots (mentioning 2,045 different titles) were counted, solicited from international "critics, programmers, academics, distributors, writers and other cinephiles" -- including bloggers and other online-only writers. Sight & Sound has announced it will live-tweet the 2012 "Top 50 Greatest Films of All Time" (@SightSoundmag #sightsoundpoll) August 1, and as I write this the night before, I of course don't know the results. But, for now at least, I'm more interested in the process.
Given the much wider and younger selection of voters in 2012, ist-watchers have been speculating: Will another movie (leading candidate: Alfred Hitchcock's "Vertigo," number 2 in 2002) supplant "Kane" at the top of the list? Will there be any silent films in the top 10? (Eisenstein's "Battleship Potemkin" and Murnau's "Sunrise" tied for #7 on the 2002 list, but the latter was released in 1927 with a Fox Movietone sound-on-film musical score and sound effects.)
Though there's been no rule about how much time should pass between a film's initial release and its eligibility (the Library of Congress's National Film Registry requires that selections be at least ten years old), most of the selections ten to have stood the test of time for at least a decade or two. The newest film on the 2002 list was the combination of "The Godfather" (1972) and "The Godfather, Part II" (1974) -- but they won't be allowed to count as one title for 2012.
Andrew Sarris, who loved movies, is dead at 83. He was the most influential American film critic of his time, and one of the jolliest. More than anyone else, he was responsible for introducing Americans to the Auteur Theory, the belief that the true author of a film is its director. Largely because of him, many moviegoers today think of films in terms of their directors.
When it comes to "Making of" documentaries, I put one above all others. It is "Hearts of Darkness: A Filmmaker's Apocalypse" (1991), a full-length feature about the filming of Francis Coppola's "Apocalypse Now". Nothing quite illustrates its impact like Francois Truffaut's statement: "I demand that a film express either the joy of making cinema or the agony of making cinema. I am not interested in anything in between." That the pain it captures eventually translated into cinematic greatness only serves to make it more compelling.
Marie writes: I've always found the ocean more interesting than space and for invariably containing more delights and surprises. Case in point, discovering the existence of an extraordinary underwater museum...
Marie writes: Allow me to introduce you to Bill and Cheryl. I went to Art school with Bill and met his significant other Cheryl while attending the graduation party; we've been pals ever since. None of which is even remotely interesting until you see where they live and their remarkable and eclectic collection of finds. (click to enlarge images.)