A Time of Destiny
Written by
Thomas
Thomas Movie Reviews
Blog Posts That Mention Thomas
30 Minutes On: “The Thomas Crown Affair” (1999)
Video Interview: Thomas Jane, Nicole Chamoun, and Candice Fox on Troppo
Keeping with the Beat: Thomasin McKenzie on Last Night in Soho
Getting Away With It: Mads Mikkelsen and Anders Thomas Jensen on Riders of Justice
Mazziks, Mezuzahs, and Mourning: Keith Thomas on The Vigil and Jewish Horror
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Bright Wall/Dark Room March 2020: The Cross Inside Me by Thomas Zak
Paul Thomas Anderson, Thom Yorke Collaborate on Mesmerizing Anima
Amandla Stenberg and George Tillman, Jr. on Bringing Angie Thomas’ The Hate U Give to the Big Screen
Interview: Thomas Haden Church on “Max,” “Killer Joe”
Art as an Afterlife: Thomas Mann, Olivia Cooke and RJ Cyler on “Me & Earl & the Dying Girl”
NYFF 2014: Paul Thomas Anderson’s “Inherent Vice”
Rob Thomas sings “Smooth,” the song from the TV show with Matchbox 20
Dylan Thomas goes not gently
“Thomas Kinkade has won and we, all of us, have lost”
Anna Thomas: Honey, there’s a love in my soup
Interview with Thomas Tryon
Palm Springs Film Festival Announces 2026 Lineup
Actors Superbly Channel Siskel and Ebert Onstage in Chicago
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
Siskel & Ebert at the Movies Celebrates its 50th Anniversary
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows
“Slow Horses” Continues to Entertain, Even in a Lesser Season
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
TIFF 2025: Hamnet, Driver’s Ed, EPiC: Elvis Presley in Concert
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Palestine 36, The Choral, Peak Everything
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
Netflix’s “Hostage” Fails to Hold the Audience Captive
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
One Final Look: Terence Stamp (1938-2025)
Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
Meet the Writers: Peyton Robinson
Locarno Film Festival 2025: Preview
SDCC 2025: Celebrating ALL the Popular Arts
From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases
A Dispatch From the Bentonville Film Festival
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
We Relate: Andrew DeYoung on “Friendship”
The 2025 TCM Classic Film Festival
Highlights from the 2025 MUBI Fest Chicago
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Writing Her Way: Marya E. Gates on Her New Book
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
Sundance 2025: Big Swings Pay Off in the Episodic Program
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
Starz’s “The Couple Next Door” Stops Itself From Reaching Great Heights
Dream of Death: Robert Eggers on “Nosferatu”
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
The Great Craft of 2024
The Great Performances of 2024, Part Two
The 25 Best TV Series of 2024
2025 Sundance Film Festival Announces Ambitious Program
“Arcane” Makes Triumphant Return to Netflix
Let the Game Begin: “Saw” at 20
The Steady, Inevitable Decline: Sideways at 20
“The Last Days of the Space Age” is a Mess of a Missed Opportunity
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Peacock’s “Fight Night” Largely Entertains But Pulls A Few Punches
“The Perfect Couple” Retreads Better Shows About Bad Rich People
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
Home Entertainment Guide: August 2024
Conversation Piece: Phil Donahue (1935-2024)
Shelley Duvall’s Five Best Performances
Time to Bloom: KiKi Layne on Dandelion
KVIFF: Loveable, Tiny Lights, Windless
The 10 Best Fourth of July Releases of the 21st Century
Home Entertainment Guide: June 2024
The Best Films of 2024 So Far
Furiosa Doesn’t Feel Like Any Other Mad Max Film, and That’s What’s Wonderful About It
Have An Original Screenplay? Write it as a Novel!
Living Through Words: Ethan Hawke on His Career, Poetry, and Wildcat
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Jack Flack Always Escapes: Dabney Coleman (1932-2024)
Book Excerpt: Hollywood Pride by Alonso Duralde
The Red Carpets of the 2024 Chicago Critics Film Festival
Netflix’s Dead Boy Detectives Is A Spinoff Stuck In Limbo
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
An Incorrect Image Of Ourselves: Mike Flanagan on the Tenth Anniversary of Oculus
The 10 Best Movies Made for Under $50,000
SXSW 2024: Dandelion, A Nice Indian Boy, I Don’t Understand You, I Love You Forever
Oscars 2024: The View from the Room
A Great Movie Year Deserved a Better Oscars
