A Time of Destiny
Written by
Thomas
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Thomas Movie Reviews
Blog Posts That Mention Thomas
30 Minutes On: “The Thomas Crown Affair” (1999)
Video Interview: Thomas Jane, Nicole Chamoun, and Candice Fox on Troppo
Keeping with the Beat: Thomasin McKenzie on Last Night in Soho
Getting Away With It: Mads Mikkelsen and Anders Thomas Jensen on Riders of Justice
Mazziks, Mezuzahs, and Mourning: Keith Thomas on The Vigil and Jewish Horror
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Bright Wall/Dark Room March 2020: The Cross Inside Me by Thomas Zak
Paul Thomas Anderson, Thom Yorke Collaborate on Mesmerizing Anima
Amandla Stenberg and George Tillman, Jr. on Bringing Angie Thomas’ The Hate U Give to the Big Screen
Interview: Thomas Haden Church on “Max,” “Killer Joe”
Art as an Afterlife: Thomas Mann, Olivia Cooke and RJ Cyler on “Me & Earl & the Dying Girl”
NYFF 2014: Paul Thomas Anderson’s “Inherent Vice”
Rob Thomas sings “Smooth,” the song from the TV show with Matchbox 20
Dylan Thomas goes not gently
“Thomas Kinkade has won and we, all of us, have lost”
Anna Thomas: Honey, there’s a love in my soup
Interview with Thomas Tryon
60th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2026: “Fjord” wins Palme d’Or
Cannes 2026: The Birthday Party, When the Night Falls
Cannes 2026: Avedon, Visitation
Cannes 2026 Video #5: Festival Dispatch with Ben Kenigsberg
Cannes 2026: Fatherland, Parallel Tales
Prime Video’s “Off Campus” is Big on Romance, Music, and Spice
An Essential Showcase in a Difficult Time: Cannes Film Festival 2026 Preview
How “In a Lonely Place” Changed Noir’s Direction
Volume Six of Netflix’s “Untold” Offers More Digestible Breakdowns of Sports Scandals
Hope-Core: Daniel Pemberton on Composing “Project Hail Mary”
At This Year’s Oscars, The Show Must Go On
If We Picked the Winners: The 98th Academy Awards
Why Ryan Coogler Should Win Best Director for “Sinners”
How “The Testament of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders
Christy Lemire Bids a Fond Farewell to RogerEbert.com
Hulu’s “Paradise” Splits Its Focus And Gets More Frustratingly Unhinged In Season 2
The Belle of Absurdity: Catherine O’Hara (1954-2026)
Sundance 2026: When a Witness Recants, Time and Water, Antiheroine
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
“Sinners” Sets Record with 16 Oscar Nominations
2026 Oscar Nominations Predictions in the Major Categories
Remote-Droppers and Jeff Bridges: Nick Digilio on His Book About 40 Years Reviewing Movies
HBO’s “A Knight of the Seven Kingdoms” Is The Best Fantasy Adaptation of the Decade
“One Battle After Another,” “Hamnet” Win Big at 2026 Golden Globes
“A Thousand Blows” Lands Another One-Two Punch of Victorian Intrigue in Season 2
40 Movies We Can’t Wait to See in 2026
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Craft of 2025
The Great Performances of 2025
“One Battle After Another” Wins Record Number of Chicago Film Critics Association Awards
Two Thumbs Up! The Individual Top Tens of 2025
Sundance Film Festival Announces 2026 Line-Up
“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees
The Ten Best Films of 2025
Palm Springs Film Festival Announces 2026 Lineup
Actors Superbly Channel Siskel and Ebert Onstage in Chicago
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
Siskel & Ebert at the Movies Celebrates its 50th Anniversary
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows
“Slow Horses” Continues to Entertain, Even in a Lesser Season
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
TIFF 2025: Hamnet, Driver’s Ed, EPiC: Elvis Presley in Concert
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Palestine 36, The Choral, Peak Everything
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
Netflix’s “Hostage” Fails to Hold the Audience Captive
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
One Final Look: Terence Stamp (1938-2025)
Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
Meet the Writers: Peyton Robinson
Locarno Film Festival 2025: Preview
SDCC 2025: Celebrating ALL the Popular Arts
From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases
A Dispatch From the Bentonville Film Festival
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
We Relate: Andrew DeYoung on “Friendship”
The 2025 TCM Classic Film Festival
Highlights from the 2025 MUBI Fest Chicago
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Writing Her Way: Marya E. Gates on Her New Book
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
Sundance 2025: Big Swings Pay Off in the Episodic Program
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
Starz’s “The Couple Next Door” Stops Itself From Reaching Great Heights
Dream of Death: Robert Eggers on “Nosferatu”
