A Time of Destiny
Written by
Thomas
Thomas Movie Reviews
Blog Posts That Mention Thomas
30 Minutes On: “The Thomas Crown Affair” (1999)
Video Interview: Thomas Jane, Nicole Chamoun, and Candice Fox on Troppo
Keeping with the Beat: Thomasin McKenzie on Last Night in Soho
Getting Away With It: Mads Mikkelsen and Anders Thomas Jensen on Riders of Justice
Mazziks, Mezuzahs, and Mourning: Keith Thomas on The Vigil and Jewish Horror
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Bright Wall/Dark Room March 2020: The Cross Inside Me by Thomas Zak
Paul Thomas Anderson, Thom Yorke Collaborate on Mesmerizing Anima
Amandla Stenberg and George Tillman, Jr. on Bringing Angie Thomas’ The Hate U Give to the Big Screen
Interview: Thomas Haden Church on “Max,” “Killer Joe”
Art as an Afterlife: Thomas Mann, Olivia Cooke and RJ Cyler on “Me & Earl & the Dying Girl”
NYFF 2014: Paul Thomas Anderson’s “Inherent Vice”
Rob Thomas sings “Smooth,” the song from the TV show with Matchbox 20
Dylan Thomas goes not gently
“Thomas Kinkade has won and we, all of us, have lost”
Anna Thomas: Honey, there’s a love in my soup
Interview with Thomas Tryon
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
We Relate: Andrew DeYoung on “Friendship”
The 2025 TCM Classic Film Festival
Highlights from the 2025 MUBI Fest Chicago
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Writing Her Way: Marya E. Gates on Her New Book
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
Sundance 2025: Big Swings Pay Off in the Episodic Program
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
Starz’s “The Couple Next Door” Stops Itself From Reaching Great Heights
Dream of Death: Robert Eggers on “Nosferatu”
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
The Great Craft of 2024
The Great Performances of 2024, Part Two
The 25 Best TV Series of 2024
2025 Sundance Film Festival Announces Ambitious Program
“Arcane” Makes Triumphant Return to Netflix
Let the Game Begin: “Saw” at 20
The Steady, Inevitable Decline: Sideways at 20
“The Last Days of the Space Age” is a Mess of a Missed Opportunity
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Peacock’s “Fight Night” Largely Entertains But Pulls A Few Punches
“The Perfect Couple” Retreads Better Shows About Bad Rich People
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
Home Entertainment Guide: August 2024
Conversation Piece: Phil Donahue (1935-2024)
Shelley Duvall’s Five Best Performances
Time to Bloom: KiKi Layne on Dandelion
KVIFF: Loveable, Tiny Lights, Windless
The 10 Best Fourth of July Releases of the 21st Century
Home Entertainment Guide: June 2024
The Best Films of 2024 So Far
Furiosa Doesn’t Feel Like Any Other Mad Max Film, and That’s What’s Wonderful About It
Have An Original Screenplay? Write it as a Novel!
Living Through Words: Ethan Hawke on His Career, Poetry, and Wildcat
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Jack Flack Always Escapes: Dabney Coleman (1932-2024)
Book Excerpt: Hollywood Pride by Alonso Duralde
The Red Carpets of the 2024 Chicago Critics Film Festival
Netflix’s Dead Boy Detectives Is A Spinoff Stuck In Limbo
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
An Incorrect Image Of Ourselves: Mike Flanagan on the Tenth Anniversary of Oculus
The 10 Best Movies Made for Under $50,000
SXSW 2024: Dandelion, A Nice Indian Boy, I Don’t Understand You, I Love You Forever
Oscars 2024: The View from the Room
A Great Movie Year Deserved a Better Oscars
A (Not So) Brief History of Silent Film Influences on Pop Music
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
A Preview of the 2024 Rendez-Vous with French Cinema
Home Entertainment Guide: February 2024
The Internet Will Never Let Russell Crowe Forget Les Miserables
Spirit Awards 2024: A Platform for Essential Independent Films
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
“He Stood on a Firm Piece of Earth”: John Patrick Shanley on Moonstruck director Norman Jewison
2023: The Year of the Teacher
At the Movies: Clarenfreud
The List is Life: On the 30th Anniversary of Schindler’s List
Always the Right Actor: Tom Wilkinson (1948-2023)
The Return of 70MM
Goodbye to a TV Pioneer: Norman Lear (1922-2023)
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
The Henry Ford Carver-Carson Moveable Feast Dinner Launches School Lunch Initiative
TIFF 2023: The Beast, Evil Does Not Exist, Shoshana, Green Border
TIFF 2023: Seven Veils, Do Not Expect Too Much of the End of the World, The Convert
TIFF 2023: Woman of the Hour, Daddio, The New Boy
TIFF 2023: Hit Man, Knox Goes Away, Next Goal Wins
TIFF 2023: Backspot, Nyad, Lee
TIFF 2023: His Three Daughters, North Star
