This is one of the year’s best movies.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A great documentary about a profound and mysterious artist.
An ode to the late Jeanne Moreau.
Dan Callahan pays tribute to the late art-house goddess.
A tribute to the great Mario Bava, whose films will be shown at the Quad starting today.
A preview of Chicago's second-annual DOC10 Film Festival, highlighting eight films including "The Cinema Travelers," "Whose Streets?" and "Rat Film."
A collection of some of our favorite interviews from 2016.
A great collection of new Blu-ray releases, including "Green Room," "Night and Fog," "Everybody Wants Some!!" and "OJ: Made in America."
A preview of the 2016 Chicago International Movies & Music Festival, running from April 13 - 17.
An interview with Don Cheadle, star & director of "Miles Ahead."
An introduction by Publisher Chaz Ebert to our week of content by women writers.
Sheila writes: The great Japanese animator Hayao Miyazaki has enthralled audiences for 40 years with his beautiful and sensitive films, filled with supernatural elements, dream-like images, and a vibrant sense of the small moments that make up human existence. Video-essayist Lewis Bond (you can view more of his work here) created a short documentary about Miyazaki called "Hayao Miyazaki: The Essence of Humanity." Here it is, in full. Enjoy!
A preview of our most anticipated titles at the 2016 Sundance Film Festival.
A NYFF report on Don Cheadle's directorial debut, "Miles Ahead."
A report from NYFF on Robert Zemeckis' "The Walk".
Meryl Streep performances ranked; Malick and the tao of the sojourning soul; Soderbergh and sex at the movies; Resurrection of America's slums; Pleasures of Blumhouse films.
Curtis Mayfield's "Claudine" soundtrack; Women in Noah Baumbach's films; Filming "12 Angry Men Inside Amy Schumer"; Films of Billy Wilder; Chatting with Nathan Silver.
Even the Pope loved Eli Wallach; North Korea threatens war over Seth Rogen movie; Remembering Peter de Rome; Dennis Hopper's lost photography; Richard Linklater on "Boyhood"
Two visions of Metropolis; Movies with women in main roles make more money; Domestic violence in The Long Goodbye; An interview with Thelma Schoonmaker; Dissecting male violence and beginning a conversation that needs to be had.
Sam Fragoso reports on the first day of the Sundance Film Festival.
Scorsese, De Niro reuniting on a new gangster film; Zadie Smith on life, death, Warhol; Spike Lee speaks; our ancestors didn't sleep like us; Van Sant to headline a LGBT film fest in St. Petersburg.
Marie writes: It was my birthday June 25th. Unlike Roger however, I'm a Crab not a Gemini. So to celebrate and with my brother's help (he has a car), I took my inner sea crustacean to Barnet Marine Park on the other side of Burnaby Mountain... and where our adventure begins....
This is a special free sample of the Newsletter members receive weekly. It contains content gathered from several past issues and reflects the diversity of what you'll find inside the Ebert Club. For Roger's invitation to the Club, go HERE.
"There is a stubbornness about me that can never bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me." - Jane Austen, Pride and Prejudice
The Grand Poobah's report from the Michigan woods: I'm still out here flashing back for my memoirs. We drove to nearby Sawyer to load up on groceries for one of my recipes for The Pot; we're having the neighbors in for dinner. It is impossible to visit Sawyer without my assistant, Carol Iwata, visiting the soda fountain at Schlipp's Pharmacy. Here she's just finished slurping up a chocolate milk shake made with chocolate ice cream. If you look hard you can see the pharmacist in the mirror.
(click to enlarge)
Michael Mann is one of those select American directors who has become a brand name -- not by marketing himself, but by making movies so distinctive and with such visual fluency that they are immediately identifiable as Michael Mann films. With the release of the darker-toned feature film version of his candy-colored 1980s television series "Miami Vice," we look back at what Roger Ebert has written about Mann and his movies over the years.
Two images of the Virgin Mary came my way last week. Both of them caused me to think about their messages, which is the purpose of holy images.