After Everything
As long as the focus is on Mia and Elliot, the film is involving and moving.
Lake Bell
-
Home Again (2017)
—
Zoey
Susan Wloszczyna -
I Do... Until I Don't (2017)
—
Alice, Director, Writer
Nick Allen -
Shot Caller (2017)
—
Kate
Vikram Murthi -
The Secret Life of Pets (2016)
—
Chloe
Brian Tallerico -
Man Up (2015)
—
Nancy
Christy Lemire -
No Escape (2015)
—
Annie Dwyer
Peter Sobczynski -
Million Dollar Arm (2014)
—
Brenda Paauwe
Susan Wloszczyna -
In a World... (2013)
—
Carol, Director, Writer
Odie Henderson -
A Good Old-Fashioned Orgy (2011)
—
Allison
Roger Ebert -
No Strings Attached (2011)
—
Lucy
Roger Ebert -
It's Complicated (2009)
—
Agness
Roger Ebert -
Over Her Dead Body (2008)
—
Ashley
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
#306 July 11, 2017
Matt writes: One of the most acclaimed films of 2017 thus far is Edgar Wright's "Baby Driver," a cinematic adrenaline rush for the ages. It's the best fusion of ingenious car chases and equally imaginative song choices I've seen since "The Blues Brothers," and at RogerEbert.com, we have provided in-depth coverage of the picture, beginning with Brian Tallerico's three-and-a-half star review. Nell Minow conducted a terrific interview with Wright, Nick Allen analyzed Wright's rarely seen first feature ("A Fistful of Fingers") and Diana Drumm explored Wright's identity as "a true cinephile."
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
A preview of dozens of films coming out this summer.
It's Not the Violence: The Dowdle Brothers on "No Escape"
An interview with John Erick Dowdle and Drew Dowdle, directors of "No Escape."
Infectious Ridiculousness of “Wet Hot American Summer: First Day of Camp”
A review of Netflix's totally ridiculous but kind of amazing "Wet Hot American Summer: First Day of Camp."
Beautiful Funny Women Aren’t Impossible To Find. They’re Impossible To Miss
An FFC on recent comments by Michael Eisner.
#172 June 19, 2013
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
# 73 July 27, 2011
"I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." - Alex Steinweiss
#45 January 12, 2011
Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...
Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)
#44 January 5, 2011
Roger and Chaz outside the CBC Studios. They were recently featured on CBS News Sunday Morning to discuss the launch of their new show "Ebert Presents At The Movies".
#36 November 10, 2010
Actress Jill Clayburgh, whose portrayal of women in the 1970s helped define and and reshape the role of leading lady, died last week of chronic lymphocytic leukemia at her home in Lakeville, Connecticut; she was 66. She's best known for her Academy Award nominated roles in "An Unmarried Woman" (Winner: Best Actress Cannes 1978) and "Starting Over." Roger has remembered her on his site: Jill Clayburgh: In Memory.
