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Kelly Movie Reviews
Blog Posts That Mention Kelly
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
I Believe in Me: Alex Thompson and Kelly O’Sullivan on Ghostlight
Bright Wall/Dark Room January 2024: Making Peace With Our Distractions: On Kelly Reichardt’s Showing Up
Quietly Revolutionary: Abby Ryder Fortson and Kelly Fremon Craig on Are You There God? It’s Me, Margaret.
Female Filmmakers in Focus: Kelly Reichardt on Showing Up
Live at Mister Kelly’s to Have American Premiere at the Gene Siskel Film Center
The Meaning of Magic: Carlos López Estrada and Kelly Marie Tran on Summertime
Live at Mister Kelly’s Documentary to Have Sneak Preview on WTTW This Thursday, May 27th
Bright Wall/Dark Room February 2021: Who Could Ask for Anything More?: Watching Gene Kelly From a Child’s-Eye View by Ethan Warren
Book Excerpt: Roads to nowhere: Kelly Reichardt’s broken American Dreams
The Strongest Person in the Room: George MacKay on True History of the Kelly Gang
Just in the Minuscule Things That Happen in a Day: Kelly Reichardt on First Cow
Jay Roach on Bombshell, the Appeal of Polarizing Figures, Turning Charlize Theron into Megyn Kelly and More
TIFF 2019: Jungleland, True History of the Kelly Gang
Where the Scene Lives: Alex Thompson and Kelly O’Sullivan on Saint Frances
Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
His own man: Jim Kelly, 1946-2013
Kelly Made a Lasting Splash
The 20 Best Films of 2025 So Far
Dancing With Death: Mike Flanagan on “The Life of Chuck”
Cannes 2025 Video #7: Critics’ Roundtable
Excellent Cast Struggles to Hold Together Plodding “Dept. Q”
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: The Mastermind, Young Mothers
Cannes 2025: Un Poeta, Teste O Croce?
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Lookin’s Free: Joe Don Baker (1936-2025)
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
“North of North” Carefully Balances Darkness and Charm
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender
SXSW Film Festival 2025: Forge, Slanted, The True Beauty of Being Bitten by a Tick
Women Writers Week 2025: Table of Contents
The Idealist’s Journey
Intro to Women Writers Week
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
10 Great Performances from Sundance 2025
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
14 Underrated Movies of 2024
The Great Craft of 2024
The Great Performances of 2024, Part Two
The Great Performances of 2024, Part One
My Night at the Critics Choice Celebration of Black Cinema and Television
Two Thumbs Up! The Individual Top Tens of 2024
2025 Sundance Film Festival Announces Ambitious Program
Don’t Miss IndieCollect’s RescueFest This Weekend
Female Filmmakers in Focus: Hannah Peterson on “The Graduates”
Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”
Silence As Salvation: The Quiet Femmes of Modern Horror
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
Subjective Reality: Larry Fessenden on Crumb Catcher, Blackout, and Glass Eye Pix
On the Trail: India Donaldson on Good One
All About Suspense: Damian Mc Carthy on Oddity
Some Material May Be Inappropriate: The PG-13 Rating at 40
Catherine Breillat Wants You to Think About (Movie) Sex Differently
The Best Films of 2024 So Far
Donald Sutherland: The Consummate Character Actor
Black Writers Week 2024: Table of Contents
Introduction to Black Writers Week 2024
Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot
The Red Carpets of the 2024 Chicago Critics Film Festival
Driven By Love and Necessity: An Interview With Lily Gladstone
The Movies That Underwent Major Changes After Their Festival Premiere
The Overlook Film Festival Highlights, Part 2: The Hands of Orlac, Kill Your Lover, Dead Mail, Red Rooms
Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More
Criterion Celebrates the Films That Forever Shifted Our Perception of Kristen Stewart
The Estate of George Carlin Destroys AI George Carlin in Victory for Copyright Protection (and Basic Decency)
2023: The Year The World Finally Recognized The Brilliance Of Lily Gladstone
Stay Vigilant: Directors Camille Hardman and Gary Lane on Still Working 9 to 5
In Memoriam: The 10 Great Movies That Were Forgotten This Oscar Season
A Farewell from Our Literary Editor, Matt Fagerholm
How Will Dakota Johnson Survive Madame Web? The Same Way She Handled Fifty Shades of Grey
Home Entertainment Guide: January 2024
Sundance 2024: Ghostlight, Rob Peace, Winner
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
2023: The Year of the Teacher
Spit On A Griddle: The Return of Francis Ford Coppola’s One from the Heart
The 29th Critics Choice Awards Honor a Wide Variety of Film and TV
The Great Performances of 2023
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
The Ten Best Films of 2023
Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Jackie Chan: Emergence of a Superstar is Essential For Fans of the Legendary Star
Mortal Kombat 1 Continues Legacy of Landmark Fighting Game
Bright Wall/Dark Room September 2023: I Used to Float, Now I Just Fall Down by Lindsey Romain
Judy Garland’s Last Film at MGM: Interview with Author David Fantle
Apple TV+’s The Changeling Lets Down Its Flawless, Profound Performances
