Avengers: Infinity War
A good movie that buckles beneath the weight of its responsibilities to the franchise.
Jessica Lange
-
The Gambler (2014)
—
Roberta
Odie Henderson -
In Secret (2014)
—
Madame Raquin
Odie Henderson -
The Vow (2012)
—
Mrs. Thornton
Roger Ebert -
Don't Come Knocking (2006)
—
Doreen
Roger Ebert -
Broken Flowers (2005)
—
Carmen
Roger Ebert -
Big Fish (2003)
—
Sandra Bloom
Roger Ebert -
Masked and Anonymous (2003)
—
Nina Veronica
Roger Ebert -
Titus (2000)
—
Tamora
Roger Ebert -
Cousin Bette (1998)
—
Cousin Bette
Roger Ebert -
Hush (1998)
—
Martha
Roger Ebert -
A Thousand Acres (1997)
—
Ginny Cook Smith
Roger Ebert -
Rob Roy (1995)
—
Mary
Roger Ebert -
Losing Isaiah (1995)
—
Margaret
Roger Ebert -
Blue Sky (1994)
—
Carly Marshall
Roger Ebert -
Night and the City (1992)
—
Helen
Roger Ebert -
Cape Fear (1991)
—
Leigh Bowden
Roger Ebert -
Men Don't Leave (1990)
—
Beth MacAuley
Roger Ebert -
Music Box (1990)
—
Ann Talbot
Roger Ebert -
Far North (1988)
—
Kate
Roger Ebert -
Everybody's All-American (1988)
—
Babs Rogers Grey
Roger Ebert -
Crimes Of The Heart (1986)
—
Meg Magrath
Roger Ebert -
Sweet Dreams (1985)
—
Patsy Cline
Roger Ebert -
Frances (1983)
—
Frances Farmer
Roger Ebert -
Tootsie (1982)
—
Julie
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
"Three Billboards," "Lady Bird" Win Big at 75th Golden Globes
The winners of the 75th annual Golden Globes.
“The Shape of Water” Leads the 2018 Golden Globe Nominees
An article about the 2018 nominees of the Golden Globe Awards.
Bright Wall/Dark Room August 2017: "And That's How it Happens: Life, Death and 'Big Fish'" by Katherine Webb
An essay about Tim Burton's "Big Fish" from the August 2017 edition of online magazine Bright Wall/Dark Room.
The frontier in his eyes: Sam Shepard, 1943-2017
The great playwright and screen actor leaves behind a legacy of introspective, fascinating work, much of it having to do with America's self-image.
If I Had an Emmy Ballot 2017
The best of the 2016-17 TV season in Emmy ballot form.
Living Truthfully Under Imaginary Circumstances: Sam Schacht on Method Acting
An interview with the legendary Sam Schacht about the art of Method Acting.
Star Power Almost Justifies “Feud: Bette & Joan”
A review of FX's new mini-series, "Feud: Bette & Joan."
Cannes coda: Why it's all worth it
A report from the 2005 Cannes Film Festival.
Cannes, 1981: A study in the art of being rude
A report on the Cannes press conference for Bob Rafelson's "The Postman Always Rings Twice."
FX Hopes You Can Never Leave “American Horror Story: Hotel”
A review of the premiere of "American Horror Story: Hotel."
Rupert Wyatt Bets on a Remake of “The Gambler”
An interview with Rupert Wyatt, director of "The Gambler."
She Holds the Eye: Jessica Lange Accepts the Kirk Douglas Award
"Mountains of the Moon": Bob Rafelson's lost classic
Enter Ryan Murphy’s Three-Ring Circus in “American Horror Story: Freak Show”
"American Horror Story" is back with its 4th outing, "Freak Show."
If I Had An Emmy Ballot 2014
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
The Greatest Living Actress: Author Dan Callahan on the Legacy of Vanessa Redgrave
Cannes Flashback: A Study in the Art of Being Rude
Cannes Flashback #1: A Study in the Art of Being Rude
Meet the Writers: Dan Callahan
Writer Dan Callahan responds to our Movie Love Questionnaire.
The Emmys: Everyone but his parakeet
Rarely does a TV show arrive with lower expectations than the annual Emmy Awards telecast. It's a given that the thing will suck. Even so, this year's -- the 64th -- managed to come up short and disappoint. And it wasn't one of those "so bad it's good" campy things you can enjoy making fun of, either. It was more like one of those "so bad it's lousy" things that leave you incredulous and drained of the will to live.
Stars under the stars, for free
Great movies under the stars for free. The lineup has been released for this summer's 10th annual Chicago Outdoor Film Festival, presented by the Mayor's Office of Special Events and programmed by the Chicago Film Office. In honor of two recently passed movie giants, Paul Newman in "Cat on a Hot Tin Roof" and director Sydney Pollack's "Tootsie" are included. And a John Ford classic will screen in honor of the Abraham Lincoln centenary.
Jarmusch shows 'the Money'
He always wanted to work with Bill Murray, Jim Jarmusch said. "He's got a big-brush style where he's a comic genius. But he can also paint with a one-haired brush." That was the Murray that Jarmusch wanted, the one he had seen in "The Razor's Edge," "Mad Dog and Glory," "Ed Wood," "Rushmore" and "Lost in Translation." So it should have been simple. Jarmusch worked on a screenplay for four or five months, went to Cannes in 2002 to raise the money for it, and came home with most of the financing in place.
Cannes #6: Year of the quiet film
CANNES, France -- Although "Star Wars: Episode III -- Revenge of the Sith" was wall-to-wall action, some of the best films at Cannes this year have been very, very quiet.
The Unwritten Rules of Oscar
Shhhhhh. Don't tell a soul. Close Oscar-watchers (and Academy insiders) know that what you are about to read is true -- but few like to talk about these things. When it comes to picking Oscar winners, you can study the stats of Oscars past in search of patterns and clues, but there are certain influential paradigms that defy and transcend conventional statistical analysis.
Sundance's biggest star
PARK CITY, Utah--"Do you consider yourself a photographer?" asked Tom Bernard. He is the co-honcho of Sony Classics. I held up my camera and shrugged.
Savoring a century of 'the cinema'
As I now move, graciously, I hope, toward the door marked Exit, it occurs to me that the only thing I ever really liked to do was go to the movies. Naturally, Sex and Art always took precedence over the cinema. Unfortunately, neither ever proved to be as dependable as the filtering of present light through that moving strip of celluloid which projects past images and voices onto a screen.
