Say Amen, Somebody
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George Movie Reviews
Blog Posts That Mention George
The Estate of George Carlin Destroys AI George Carlin in Victory for Copyright Protection (and Basic Decency)
Laugh-In Creator George Schlatter Socks it To Me with New Memoir
A Gold Mine of Material: George Griffith on From the Head and Twin Peaks: The Return
Amir George Named as First Black Artistic Director of Kartemquin Films
Unboxing the Artist: Suzanne Desrocher-Romero on Restoring George A. Romero’s The Amusement Park
George Segal: 1934-2021
Video Interview: Viola Davis and George C. Wolfe on Ma Rainey’s Black Bottom
By George: The Hollywood Stories of George Anthony
Cannes Flashback: Chaz Ebert Asks George Clooney About Trump
The Strongest Person in the Room: George MacKay on True History of the Kelly Gang
This Incredible, Unusual, Really Unique Sort of Hook: Writer/Director George Nolfi on The Banker
A Choreographed Dance: Sam Mendes, Krysty Wilson-Cairns, George MacKay and Dean-Charles Chapman on 1917
John Hughes Meets George A. Romero in Netflix’s Daybreak
Thank You, George Cukor and Mitchell Leisen – With Props to Ryan Coogler
Syfy’s George R. R. Martin Series Nightflyers is a High-Budget Misfire
Amandla Stenberg and George Tillman, Jr. on Bringing Angie Thomas’ The Hate U Give to the Big Screen
Bright Wall/Dark Room March 2018: Soderbergh’s Limey’s by George Hardy
A Lasting Bite: The RogerEbert.com Staff Remembers George Romero
George Romero: 1940-2017
Video Interview: George Lepauw on CIMMfest (Music and Movies)
Video: Cannes Interviews with Joel Edgerton, George Miller and More
Video: Chaz Ebert Asks George Clooney About Trump
Video Interview: George Clooney, Channing Tatum and Josh Brolin on “Hail, Caesar!”
Video Interview: George Miller
Mark Harris Talks About His Book “Five Came Back” and the way World War II changed Frank Capra, John Ford, John Huston, George Stevens and William Wyler
Profiling, Fireworks, and Skittles: TV covers the George Zimmerman trial
This ‘George’ is for kids
Study: George W. Bush was not unintelligent
George Lucas: Low-Budget Eye-Candy
George Lucas: Give it up
George C. Scott watches the Jack and Jill Trailer
Hurt Locker: Georges Bataille and the visceral cinema of Kathryn Bigelow
The People vs. George Lucas
George C. Scott: In Memoriam
George Lucas is a techie at heart
Interview with George Romero
Interview with George Burns
George Cukor on stage
Interview with George Kennedy
Interview with George Peppard
Tribeca Film Festival 2025: The Narrative Features
Tribeca Film Festival 2025: The Documentaries
Cannes 2025 Video #9: Wrap Up
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
What to Watch on Netflix: June 2025
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Lookin’s Free: Joe Don Baker (1936-2025)
Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Cannes Film Festival 2025: A Look at the Cannes Classics Program
The 2025 TCM Classic Film Festival
What to Watch on Netflix: May 2025
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
The Day James Bond Movies Died
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
I Think Of Them As The Work: Gene Hackman (1930-2025)
What to Watch on Netflix: February 2025
Sundance 2025: All That’s Left of You, Magic Farm, Didn’t Die
The Great Craft of 2024
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers
The Great Performances of 2024, Part One
The 10 Best Horror Films of 2024
2025 Sundance Film Festival Announces Ambitious Program
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
The Best Films of 2024
“She Just Had an Accident”: “Seed of Chucky” at 20
A Voice from the Great Unconscious: Tony Todd (1954-2024)
The Private is Public: On the 10th Anniversary of “Nightcrawler”
10 Great Horror Films from 2024 (and Where to Watch Them)
Home Entertainment Guide: October 2024
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
Criterion Adds Val Lewton Double Feature to the Collection
“The Last Days of the Space Age” is a Mess of a Missed Opportunity
The State of the 2024 Oscar Race
TIFF 2024: Emilia Pérez, The End
Telluride Film Festival 2024: Memoir of a Snail, Better Man, The White House Effect
TIFF 2024: 20 World Premieres We Can’t Wait to See
Experience the Star Trek Movies in 70mm at Out of this World L.A. Event
Home Entertainment Guide: August 2024
Venice Film Festival 2024: Prepping for the Biennale
The Texture of Night: How Collateral Revolutionized Movies
SDCC 2024: A New Normal?
Home Entertainment Guide: July 2024
The Future Was Now Warps Through the Seminal Sci-Fi Summer of 1982
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Bright Wall/Dark Room July 2024: No, Captain, My Captain: Crimson Tide and the Perils of Mutiny by Bryan Miller
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
There Will be No Questions: The Parallax View, the Ultimate Conspiracy Thriller, Turns 50
Netflix’s “Receiver” Should Work for NFL Fans Despite a Predictable Playbook
