This is rare, nuanced storytelling, anchored by one of Brad Pitt’s career-best performances and remarkable technical elements on every level. It’s a special film.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the third season of Netflix's GLOW.
A look back at the 2019 Bentonville Film Festival, including Ophelia, Blinded by the Light and The Garden Left Behind.
On the poem Wild Geese by Mary Oliver and how it relates to Women Writers Week.
A tribute to the late Penny Marshall, TV star and trailblazing director of Big, A League of Their Own and more.
A special edition of Thumbnails celebrating National Disability Employment Awareness Month.
A look back at the 1988 Best Picture-nominated comedy, "Working Girl."
Writer/director Michael Almereyda on adapting the sci-fi play "Marjorie Prime" for his latest idiosyncratic project.
A celebration of Penny Marshall's "A League of Their Own," which turns 25 this month.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
A look at FOX's new remake series, "Lethal Weapon" and "The Exorcist."
A chat between our three female film critics about the lasting power of "Thelma and Louise" on its 25th anniversary.
A piece on how Deadpool could bring back the R-rated blockbuster and when it really mattered.
The state of female directors in Hollywood; Legacy of "Goodfellas"; "Year of women" at box office; What Dogme 95 did for women directors; Chuck Norris vs. Communism.
Women taking action in Hollywood; Contrasting "Safe" and "Still Alice"; Bridge between love and lipstick; Adrià Julià on Rocky Ascending; What "American Sniper" says about America.
David Cronenberg's "The Fly" (1986) is among a very few movies that give me a sense of hesitation as soon as the credits appear. I've owned a couple of home video versions since its release twenty some years ago, according to the technology in favor, but I doubt I've played them more than a handful of times (including that for the purpose of this review). For such a well made and entertaining movie this is particularly odd but among the great horror flicks (it certainly fits the bill) this one hits you a little bit below the belt for enjoyment's sake."The Fly" deals with Seth Brundle (Jeff Goldblum), an eccentric inventor who meets reporter Veronica Quaife (Geena Davis) at a science convention and (somewhat unwillingly) spills the beans about his latest creation, one that will "change the world as we know it". The contraption in question is a teleportation system for inanimate objects, which is basically the same concept used for getting characters on and off the Starship Enterprise in "Star Trek". With Veronica alongside him to document his progress Seth is able to take the next step, giving his invention the ability to transport live beings. After a failed attempt (that's putting it mildly!) with a baboon that should have given him some pause, Seth unwisely decides to rush testing the system with himself as passenger, unaware that a seemingly innocent house fly has hitched a ride alongside him (at least they weren't joined by that other baboon!). After the initial apparent success, an oblivious Seth will find himself gaining incredible agility and strength but will progressively become a mean, selfish, stench-filled and tragic individual, illustrating in the process the nature of those insects in much higher detail than we would ever want to learn. By film's end we'll end up seeing these creatures in a very different light and Seth will not be able to regret enough the fact that he did not provide his device with an UNDO command.Much like he previously did in "The Dead Zone" (1983), Cronenberg creates a very convincing couple for the audience to identify with before tragedy strikes. The difference in "The Fly" is that he doesn't show them the slightest bit of mercy (the fates of Christopher Walken and Brooke Adams in "The Dead Zone" amounted to a happy ending in comparison). This doesn't necessarily make one movie better than the other (though "The Dead Zone"'s conclusion is truly sublime). Both entries were treated correctly according to their very different subjects but the ending in "The Fly" is not quite as easy to appreciate. The audience here is even taunted for a while with the possibility that the experiment's results are going to be for the best and that makes the lead's fate all the more painful. What can you say about a movie in which the villain of the piece (Davis' egotistical and sexist boss played by John Getz) suddenly finds himself becoming the hero? Perhaps that Getz' initial evil was no match for the enormity and wrongness of the situations in this movie."The Exorcist" (1973) aside, I can't think of another horror film as
More debate about the future of U.S. healthcare reform; Twitch Film apologizes to director Sono Sion; friends don't let friends remake "Ben-Hur"; how television does better by women than movies do; deconstructing a "Carlito's Way" scene.
Marie writes: Ever since he was a boy, photographer John Hallmén has been fascinated by insects. And he's become well-known for photographing the creatures he finds in the Nackareservatet nature reserve not far from his home in Stockholm, Sweden. Hallmén uses various methods to capture his subjects and the results are remarkable. Bugs can be creepy, to be sure, but they can also be astonishingly beautiful...
Blue Damsel Fly [click to enlarge photos]
When I observed the lifestyle of Ryan Bingham in Jason Reitman's wonderful movie "Up in the Air" early in this year, Lawrence Kasdan's 1988 movie "The Accidental Tourist" came to my mind. Like Ryan, Macon Leary (William Hurt) knows a lot about traveling around by plane. He can tell you how to pack your bag as small as possible.
Press Release From: www.DadsandDaughters.org
Q. I was watching "Godfather II" the other day and remembered that the scene with Vito sitting on the steps with his family, after he has killed Fannuci, was originally intended to lead into an intermission, which was scrapped somewhere along the way. I'm pretty sure James Cameron never intended on having an intermission for "Titanic," but let's pretend the studio asked you, an up and coming editor, to find a place to insert one. Even though you know it was wrong and that Cameron would surely kill you, where would you have put an intermission? (Frank Mendez, Dallas, TX.)
NEW YORK -- "Speechless" is a movie about two political consultants for different parties, who fall in love. So I'm talking with Michael Keaton, the star of the movie, and I say, "I gather this screenplay was written before Mary Matalin and James Carville became a couple."
Q. The other night I watched "48 Hours," and one of the subjects they covered was Sean Young. Apparently people who work with her consider her to be trouble. After watching the interview, I tend to agree with those who work with her. My question is this: Why is it that most talented artists appear to be "head cases?" --James R. Tappe
The ballots by now have been received, and the members of the Academy of Motion Picture Arts and Sciences have presumably closeted themselves with their consciences and their memories to nominate the best work in the films of 1991.
Ebert's Best Film Lists 1967 - present
Bill Murray dribbled into the hotel suite and sank the basketball in a chair in the corner. He was wearing your average after-school jock's uniform of jeans, a T-shirt, and designer running shoes, and he said he needed a shave. He disappeared into the bathroom and then stuck his face out again, covered with lather, and asked, "How do you plan to explain your one-star review of 'Scrooged'?"