Solo: A Star Wars Story
An engaging but unnecessary bit of backstory for one of blockbuster cinema's most beloved characters.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Matt writes: The 2018 SXSW Film Festival just wrapped this past weekend and featured a wide array of enticing titles headed for theaters and streaming platforms this year. Check out our table of contents providing reviews penned by Brian Tallerico and Nick Allen of festival selections such as Andrew Haigh's "Lean on Pete," John Krasinski's "A Quiet Place" and Steven Spielberg's "Ready Player One"
An interview with Frank Oz and Victoria Labalme, director and executive producer of "Muppet Guys Talking."
Roger's Favorites: actors John and Joan Cusack.
Everything that can be said about "I Am Big Bird" in 30 minutes.
A review of ABC's "The Muppets."
A holiday gift guide compiling RogerEbert.com's book excerpts from 2014.
This is a book excerpt from Make Art Make Money: Lessons from Jim Henson on Fueling Your Creative Career by Elizabeth Hyde Stevens.
Every family has that playful uncle loved for his cuddly silliness. He is that uncle who is a few syllables beyond eccentric, who does not quite follow the rules of appropriate conduct. Kids love him while his peers look down on him. For Bollywood cinema, that beloved uncle is one of Bollywood's most loved ensemble pictures, Manmohan Desai's "Amar Akbar Anthony" (1977). It is easily one of the most beloved of all Bollywood films. It is a long melodrama, an action movie, a screwball comedy, a romance, a con film, a religious devotion, and, of course, a musical.
1924: Born April 3, in Omaha, Neb., of Dutch-Irish descent, the youngest of three children of a salesman and an amateur actress. 1938: Enrolls in Libertyville High School as a freshman. 1944: Makes his Broadway debut as the teenage son in the hit "I Remember Mama." 1946: Is named Broadway's most promising actor after he plays a World War II veteran in "Truckline Cafe." 1947: Creates his landmark portrayal of Stanley Kowalski in Tennessee Williams' "A Streetcar Named Desire" on Broadway. 1950: Makes his film debut in Fred Zinnemann's "The Men," as a paralyzed war veteran. 1952: Receives his first Oscar nomination for "A Streetcar Named Desire" (1951). 1955: After losing three consecutive Oscar bids ("Julius Caesar" and "Viva Zapata!"), finally wins for "On the Waterfront" (1954). 1961: Makes his directorial debut on "One-Eyed Jacks," widely regarded as a disaster at the time. 1963: Participates in civil rights march in Washington, D.C., with Charlton Heston, Harry Belafonte, James Baldwin and other luminaries. 1966: Buys a private island off the Pacific coast and lives there off and on for the next three decades. 1972: Is forced to audition for the role of Don Corleone in "The Godfather" because of his diminished reputation in Hollywood. It would become his defining performance. 1973: Rejects the best actor Oscar for "The Godfather" (1972) to protest the treatment of Native Americans and sends Sacheen Littlefeather to the ceremony to make a speech on his behalf.