The Tomorrow Man
Lithgow and Danner show us characters who may qualify for Medicare but are every bit as vulnerable and as eager to matter to someone as…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with special effects maestro Tom Savini, encompassing his filmmaking career.
What our TV critic would nominate for Emmys for the 2017-18 season.
A review of the second season of HBO's great Westworld.
A history of Gary Oldman's performances.
A look at the films starring Liam Neeson in the wake of the success of Taken, and a eulogy for their end.
A report on some good films coming your way from Telluride and Toronto this year.
A preview of the 2017 Toronto International Film Festival, which starts tomorrow.
The 25 films we're most excited to see during the fall of 2017.
A tribute to the late horror filmmaker, George Romero.
Our TV critic picks the best shows of 2016.
An interview with the stars of Warren Beatty's Rules Don't Apply, Alden Ehrenreich and Lily Collins.
An excerpt from the April 2016 issue of Bright Wall/Dark Room about "The Hours."
The Oscar for Best Actor could come down to a battle between actors considered overdue for their first Oscar.
Meryl Streep performances ranked; Malick and the tao of the sojourning soul; Soderbergh and sex at the movies; Resurrection of America's slums; Pleasures of Blumhouse films.
The pink ghetto of social media; Phil Joanou on Ennio Morricone; "Driving Miss Daisy" and "Do the Right Thing"; Memories of "Quick Change"; The Judy Greer effect.
The latest on Netflix and Blu-ray, including "Gett," "Timbuktu," "Wild Tales," "The Fisher King," and "Spirited Away"!
There's nothing selfish about suicide; "Garden State" does not hold up; Looking back at "The Abyss"; America is not for black people; The problem with "Persecuted."
A look at the cinematic and political history that resulted in Bong Joon-Ho's "Snowpiercer."
CalArts, founded by Walt Disney in 1961, remains an incubator for animators, directors, actors and other creative types. That was clear at the 10th annual New Original Works Festival at Disney Hall in downtown Los Angeles.
The new science fiction action film from Bong Joon-ho ("The Host," "Mother") defies the odds by turning yet another dystopian future into something thrilling and distinctive.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Happy New Year from the Ebert Club!TRAILERS
Marie writes: The countdown to Christmas officially begins the day after Halloween, which this year lands on a Wednesday. Come Thursday morning, the shelves will be bare of witches, goblins and ghosts; with snowmen, scented candles and dollar store angel figurines taking their place. That being the case, I thought it better to start celebrating early so we can milk the joy of Halloween for a whole week as opposed to biding adieu to the Great Pumpkin so soon after meeting up again...