Can You Ever Forgive Me?
Can You Ever Forgive Me? comes from a place of understanding and love that few other biopics do, and it makes this difficult character a…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the Sony PS4 exclusive Detroit: Become Human.
A review of season three of Showtime's great Billions.
A review of the newest "Mass Effect" game and a brief history of the series.
A preview of dozens of films coming out this summer.
"I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." - from LIFE ITSELF
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Marie writes: Ever since he was a boy, photographer John Hallmén has been fascinated by insects. And he's become well-known for photographing the creatures he finds in the Nackareservatet nature reserve not far from his home in Stockholm, Sweden. Hallmén uses various methods to capture his subjects and the results are remarkable. Bugs can be creepy, to be sure, but they can also be astonishingly beautiful...
Blue Damsel Fly [click to enlarge photos]
This is a special free sample of the Newsletter members receive weekly. It contains content gathered from several past issues and reflects the diversity of what you'll find inside the Ebert Club. For Roger's invitation to the Club, go HERE.
"There is a stubbornness about me that can never bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me." - Jane Austen, Pride and Prejudice
Michigan postcard from the Grand Poobah: Entrenched here in the Michigan woods, I forge ahead on my memoirs. Occasionally I lift my eyes to watch raindrops falling on leaves. Every evening I put on a DVD. Tonight's showing: Antonioni's "Eclipse."
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Q. Answer Man, demand a recount! In Entertainment Weekly's list of the "100 Greatest Film soundtracks ever," they have omitted Anton Karas' score to "The Third Man!" (Matt Jaycox, Chicago)