Can You Ever Forgive Me?
Can You Ever Forgive Me? comes from a place of understanding and love that few other biopics do, and it makes this difficult character a…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Part II of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018.
A review of three U.S. Dramatic Competition Films from Sundance 2018.
The annual awards from RogerEbert.com are announced.
Reviews from Sundance of two star-studded Premiere titles, "Beatriz at Dinner" starring Salma Hayek and "Wilson" starring Woody Harrelson.
A review of two disappointing competition titles from talented filmmakers.
Roger's Favorites: directors Kasi Lemmons, Patty Jenkins and Kimberly Peirce.
Our contributors share their fondest memories of the bygone era of video stores.
A review of Netflix's "Bloodline" with Kyle Chandler, Ben Mendelsohn, Sissy Spacek, and Sam Shepard.
An excerpt from the book, "Harmony Korine: Interviews by Eric Kohn."
Nude photo hacking is a sex crime; 13 things you never noticed in Wes Anderson films; Lars von Trier's new TV show; Whit Sillman's 'Cosmopolitans'; Patton Oswalt quits Twitter.
Three new or returning shows center on serial killers—"Hannibal", "Bates Motel" and "Those Who Kill"—with varying degrees of success.
Brian De Palma talks about his new film "Passion," his long career and seeing one of his most famous films, "Carrie," get a remake.
Marie writes: what do you get a man with a massive book collection who has artwork by Edward Lear and huge canvases by Gillian Ayres? What would a man with a Pulitzer and a Webby now renowned for the verbosity of his tweeting, like for his birthday? Much pondering went into answering that. Until suddenly a light-bulb went on above my head! (Click image.)Of course! It's so obvious - turn the Grand Poobah into a super hero! Super Critic: battling the forces of bad movies and championing the little guy, while tweeting where no critic has gone before! In the process, we'll get to see him wearing a red cape and blue tights. Perfect.Note: the artwork was done by Dave Fox of INTOON Productions. He makes personalized comic book covers and animation cels. Diane Kremmer, a long time friend and fellow artist, works and lives with Dave on Pender Island (one of the Gulf Islands off the coast of BC near Washington State.) I spent last weekend with them and took advantage of Dave's cartooning skills. I mention this because he did all the work. I just sat there and drank his wine. :-)
Q. I spoke to a Japanese person who saw "Lost in Translation," and she agreed with me that the film took a heavy-handed, anti-Japanese stance. Of course, the story was about two strangers in a strange land who didn't have the ability to plug into the culture, but the movie showed Japan with few, if any, redeeming qualities. From the hotel greeting committee to the talk show host to the prostitute, the film offered us caricatures of Japanese stereotypes, and it was a little hard to watch them -- they distracted from the honesty of the film with their shallow rendering and low humor. Do you think that this was purposeful, or even necessary? (Roy Lambrada, New York NY)
CANNES, France--The Affair of the Brown Bunny, one of the most astonishing episodes in the history of the Cannes Film Festival, took another turn Friday when director Vincent Gallo apologized for his film and said, "It is a disaster and a waste of time."
CANNES, France -- Coming up for air like an exhausted swimmer, the Cannes Film Festival produced two splendid films on Wednesday morning, after a week of the most dismal entries in memory. Denys Arcand's "The Barbarian Invasions," from Quebec, and Errol Morris' documentary "The Fog of War," about Robert McNamara, are in their different ways both masterpieces about old men who find a kind of wisdom.
SANTA MONICA, Calif. - "Election," "Boys Don't Cry" and "Being John Malkovich" were multiple award winners Saturday at the 15th annual Independent Spirit Awards - but 79-year-old Richard Farnsworth stole the show while winning as best male lead for his work in "The Straight Story."
If "The Cider House Rules" wins the Academy Award for best picture next Sunday night, expect the groans to more or less equal the cheers. There are those who sincerely believe it is a good picture, but there are other, perhaps more numerous, who believe "Cider's" seven nominations are less a tribute to the film's greatness than to the well-oiled Miramax Oscar Machine.
Roger Ebert's Best of the 1990s