The Tailor of Panama
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Boorman
Boorman Movie Reviews
Blog Posts That Mention Boorman
Cannes: John Boorman’s “Queen and Country” and Xavier Dolan’s “Mommy”
The Unloved, Part 126: Zardoz
Meanwhile in France…Cannes to Be Specific
He Did It All: William Friedkin (1935-2023)
Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023
Where the Action Is: Oliver Wood, 1942-2023
Willow Reboot on Disney Plus Makes for a Surprisingly Fun Ride
The 10 Best Films for National Paranormal Day
Bonded and Unbound: Sean Connery, 1930-2020
Music Box Memories: A Legendary Theatre Celebrates 90 Years
Cannes 2018: Scorsese Honored at 50th Directors’ Fortnight; Rafiki, a Banned Kenyan Film, Screens
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Powers Boothe: 1948-2017
Confusion and carnage: an interview with film critic Adam Nayman about the films of Ben Wheatley
45 Years and More with Charlotte Rampling
30 Minutes on: “The Limey”
The Young Person’s Guide To Max Von Sydow, Part Two
Who’s Who In Reviews: Godfrey Cheshire
Three-and-a-Half-Star Reviews of 2015
A Single Consciousness: The Cinema of Terence Davies
Why my video essay about “All that Jazz” is not on the Criterion blu-ray
Cannes Wrap-Up: All of Our 2014 Coverage
Cannes 2014 Coverage: Table of Contents
Thumbnails 8/3/2013
Awake in the Dark: Best of Ebert
The horror and the terror
50 greatest music films ever
Inglourious Basterds: Real or fictitious, it doesn’t matter…
TIFF: Matters of Life and Death
Tracing the image #2: The rebirth of ‘The Descent’
Bill Forsyth: “Great”-ness
Slapped by the Hand of Mother Nature
Who do you read? Good Roger, or Bad Roger?
The greatest movies ever made
Bill Forsyth: “Great”-ness
Controversial films test limits
Toronto’s vast film buffet serves fare for all tastes
Telluride clears perspective
The year nobody deserved to win
Telluride focuses on ’28 classics, guest favorites
Telluride winners – and sinners
Cannes all winners
The Rocky Mountain High of Telluride Film Festival
Bill Paxton doesn’t monkey around
Metropolis, lost and found
Would it kill a studio to reveal the names of actors?
Movie Answer Man (08/01/1999)
