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Peacock’s Based on a True Story is a Frustrating but Promising True-Crime Parody
Cannes 2017: “Based on a True Story”
Great Comic Book Movies Not Based On Comics
Slutgate: Limbaugh backs wallet-based free speech
Precious Based on the Movie Female Trouble by John Waters
Debate Based on Total Lack of Logic
Impressions Based on the Hype for the Movie Precious Based on the Novel Push by Sapphire
The 20 Best Films of 2025 So Far
Syfy’s “Revival” Resurrects the Small-Town Zombie Craze In Suitably Morbid Fashion
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025: Resurrection, Honey Don’t!
Cannes 2025: Slauson Rec, Dandelion’s Odyssey, Lucky Lu
Cannes 2025: Sentimental Value, Romería, The History of Sound
Cannes 2025: Nouvelle Vague, A Magnificent Life
“Nine Perfect Strangers’” Second Season is Less Insightful, Still Somewhat Fun
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: The Little Sister, The Wave
Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs
Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
The 2025 TCM Classic Film Festival
What to Watch on Netflix: May 2025
Highlights from the 2025 MUBI Fest Chicago
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
“Expedition 33” Is An Exercise In RPG Artistry
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
Defined In Isolation: Ryan Coogler on “Sinners”
There’s No Catharsis: David Cronenberg on “The Shrouds”
The Day James Bond Movies Died
Chicago Critics Film Festival Announces Full Schedule, Special Guests
“The Last of Us” Returns with a Devastating, Riveting Second Season
13 Reviews by Roger Ebert for the 2025 Day4Empathy
“Hacks” Returns at the Peak of Its Comedic Powers
Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival
Divisive “Assassin’s Creed Shadows” Works if You Let It
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Ambient Comedy: Carson Lund on “Eephus”
Finding a Way Home: André Holland Never Rests
SXSW Film Festival 2025: It Ends, The Threesome, Caper
“Out of My Mind” Director Amber Sealey on Casting Authenticity and Breaking Barriers
People Have Theories: “Picnic at Hanging Rock” at 50
Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
A Look at the Rich Tapestry of Films Coming from South Africa
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Will I Ever Take My Kids to the Movies?
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
What to Watch on Netflix: March 2025
A Preview of the 2025 Rendez-Vous with French Cinema
New York International Children’s Film Festival Highlights Original Work From Around the World
Video Interview: Edgar Berger, Ralph Fiennes on “Conclave”
Movies to Watch if You Love Bad Bunny
“Avowed” Brings Personal Characters To An Exciting World
“Anora,” “Shōgun” Win Big with Critics Choice Awards
In Praise of Excess: Queer Maximalism in the Films of Joel Schumacher
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
What to Watch on Netflix: February 2025
Sundance 2025: All That’s Left of You, Magic Farm, Didn’t Die
Sundance 2025: The Librarians, Middletown, Speak.
Sundance 2025: East of Wall, Obex, BLKNWS: Terms and Conditions
“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level
Sundance 2025: Bunnylovr, Atropia, Love, Brooklyn
Ten Shocking Omissions from the 2025 Oscar Nominations
Oscar Nominations Predictions 2025
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Have a Great Day: David Lynch (1946-2025)
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
What’s gone can never be replaced: thoughts on Los Angeles, disasters, and the present moment
Short Films in Focus: My Son Went Quiet
Beachside Mingling at a Poignant Spirit Awards Nominee Brunch
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
14 Underrated Movies of 2024
The Wicked Witch Is Dead: The Double-Bind of the Villainess’s Backstory
The Great Craft of 2024
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers
“Squid Game” Returns with Sharp Filmmaking, New Ideas in a Transitional Season
The Great Performances of 2024, Part Two
The Great Performances of 2024, Part One
The 25 Best TV Series of 2024
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Kyle Mooney and Evan Winter Go Back in Time with “Y2K”
James Gunn Launches His New DCU with Clever “Creature Commandos”
Female Filmmakers in Focus: Marielle Heller on “Nightbitch”
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
Miyazaki, Howl, and Matters of the Heart
Sharp, Propulsive “The Agency” Should Appeal to Fans of Spy Fiction
