Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel Peter Sobczynski
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside” Richard Roeper
Tokyo Film Festival 2025: “Mother Bhumi,” “Morte Cucina,” “We Are the Fruits of the First,” “Tunnels: Sun in the Dark” Katie Rife
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug Chase Hutchinson
Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You” Katie Rife
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More Brian Tallerico
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues” Nell Minow
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante Glenn Kenny
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons” Isaac Feldberg
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass” Robert Daniels
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion” Robert Daniels
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More Brian Tallerico
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy Isaac Feldberg
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women Isaac Feldberg