Desert One
Director
Barbara Kopple
Barbara Kopple Movie Reviews
Blog Posts That Mention Barbara Kopple
Ebertfest Adds Barbara Kopple’s Academy Award Winner “Harlan County U.S.A.”
Starting Over Every Single Time: Barbara Kopple on “Miss Sharon Jones!”
Your Guide to Ebertfest 2025: Day 2, April 24th
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival
Nashville Film Festival 2021 Preview: Invisible, Clara Sola and Four More Highlights
Thumbnails Special Edition: Gregory Nava’s Selena
Life in the Frame: Michael Apted: 1941-2021
TIFF 2019: The Kingmaker, Desert One, Collective
Steve James Named 2018 Guggenheim Honoree by American Film Institute
Remember the risks: Filmmaker Ira Sachs talks about the lessons he learned from his debut feature “The Delta”
Hot Docs 2017: “Bee Nation,” “Communion,” “Tiger Spirit”
Deconstructing Woody: A Year with a Filmmaker
Sundance 2017 Announces Premieres, Midnight Films and More
No Home Video: On Women-Directed Films
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film (Updated)
New Directors/New Films 2016: The Power of Understated Feminism
Documentary, Democracy, and Beyond: Kartemquin Films Celebrates 50 Years
If You Don’t Read This Interview, We’ll Kill This Dog
TIFF 2015: “Our Last Tango,” “Hitchcock/Truffaut,” “Miss Sharon Jones!”
AFI Docs 2015: Table of Contents
AFI Docs 2015: Stanley Nelson, “Prophet’s Prey,” “Hot Type: 150 Years of The Nation”
AFI Docs 2015: An Introduction
8 things about Albert Maysles
From the archives: “Cameras Keep Rolling at Maysles Films”
Championing Independent Film: Gregory Nava on Roger Ebert
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film
Eight Films for which Roger’s Reviews Made the Difference
Sundance Institute Honors Roger Ebert and Filmmaker Ryan Coogler
The Best 10 Movies of 1992
A Guidebook to People Power
Who do you read? Good Roger, or Bad Roger?
The great American documentary
Sundance #7: A bus to the best
Impressive range of films shown– strange, touching, charming
