O
Written by
Based
Based Movie Reviews
Blog Posts That Mention Based
Peacock’s Based on a True Story is a Frustrating but Promising True-Crime Parody
Cannes 2017: “Based on a True Story”
Great Comic Book Movies Not Based On Comics
Slutgate: Limbaugh backs wallet-based free speech
Precious Based on the Movie Female Trouble by John Waters
Debate Based on Total Lack of Logic
Impressions Based on the Hype for the Movie Precious Based on the Novel Push by Sapphire
HBO’s “Heated Rivalry” is the Sexiest and Most Significant Queer Show of the Year
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
“Call of Duty: Black Ops 7” Signals a Franchise in Stasis
“Dispatch” is a Superhero Drama Equally Mighty and Emotional
My Dinner with Gene & Roger
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
Making Dreams Feel Real: A Memory of Siskel & Ebert
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
From Chicago to the World: On the 50th Anniversary of Siskel & Ebert
We Live in Time: Joachim Trier on “Sentimental Value”
It’s Important for a Film to Wake an Audience Up: Ira Sachs on “Peter Hujar’s Day”
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
Tokyo Film Festival 2025: “Sato and Sato,” “Blue Boy Trial,” “Poca Pon,” “Blonde”
A Duo Unlike Any Other: On the Fiftieth Anniversary of “Siskel & Ebert”
Tokyo Film Festival 2025: “Mother Bhumi,” “Morte Cucina,” “We Are the Fruits of the First,” “Tunnels: Sun in the Dark”
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
Adaptation is About Subtraction: James Vanderbilt on “Nuremberg”
Flying with Her Angels: Diane Ladd (1935-2025)
“Pokemon: Legends Z-A” is Several Steps Forward, Several Steps Back
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
CIFF 2025: “Wind, Talk to Me,” “Brand New Landscape,” “The Girl in the Snow”
CIFF 2025: Silent Friend, Calle Malaga, Belén
How to Define Freedom: Nia DaCosta on “Hedda”
The 11 Best Body-Swap Movies, Ranked
“Battlefield 6” Seeks to Reclaim the Front Line of Multiplayer Shooters
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
CBS Wants Your Sitcom Time to Be Spent at the “DMV”
The Darkest Samurai Film Ever Made: Toshio Matsumoto’s “Shura”
Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”
Netflix’s “Boots” is a Trite Coming-of-Age Tale with a Hollow Corps
NYFF 2025: Late Fame, What Does That Nature Say to You, Barrio Triste
“The Ghost of Yōtei” is One of the Most Cinematic Games of the Year
What Really Matters is What You Like: “High Fidelity” at 25
Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Why “I’m Still Here” Will Always Be a Powerful Watch
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
“Borderlands 4” Invites Gamers to Spend Months in Its Chaotic World
Hotel Costiera Serves Up a Cozy, Slightly Watered Down Heist Cocktail
“Slow Horses” Continues to Entertain, Even in a Lesser Season
Sterlin Harjo Aims High, Does Not Miss with FX’s “The Lowdown”
Fantastic Fest 2025: Primate, Bride of Re-Animator
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
The Golden Boy: 11 of Our Favorite Robert Redford Performances
11 Baseball Movies that Hit it Out of the Park from Make Me Commissioner’s Jane Leavy
TIFF 2025: Scarlet, Arco, Little Amélie or the Character of Rain
TIFF 2025: Dust Bunny, The Furious, Normal
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Christy, Couture, Steal Away
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Obsession, Honey Bunch, Whitetail
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Palestine 36, The Choral, Peak Everything
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
TIFF 2025: 20 World Premieres We Can’t Wait to See
Short Films in Focus: Joe Hunting on “The Reality of Hope”
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
The Most Significant Movie Ever Made
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Second Season of “Sausage Party: Foodtopia” is Much Tastier Than the First
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
Josh Larsen on the Return of Cinema Interruptus
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
San Diego Comic-Con 2025: Aliens and Activations
Second Season of Peacock’s “Twisted Metal” is Faster and Funnier
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
SDCC 2025: Celebrating ALL the Popular Arts
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
“The Hunting Wives” Takes No Chances
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
Everywhere You Go Has Valet: “Clueless” at 30 (Or Whatever)
Meet the Writers: Cortlyn Kelly
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
30 Minutes On: “Nashville”
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
