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A Letter to Momo

Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…

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Cannibal

Visually striking and confident but frustratingly hollow in terms of character and narrative.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#175, July 10, 2013

Marie writes: I've been watching a lot of old movies lately, dissatisfied in general with the poverty of imagination currently on display at local cinemas. As anyone can blow something up with CGI - it takes no skill whatsoever and imo, is the default mode of every hack working in Hollywood these days. Whereas making a funny political satire in the United States about a Russian submarine running aground on a sandbank near a small island town off the coast of New England in 1966 during the height of the Cold War - and having local townsfolk help them escape in the end via a convoy of small boats, thereby protecting them from US Navy planes until they're safely out to sea? Now that's creative and in a wonderfully subversive way....

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The best films of 2009

Since Moses brought the tablets down from the mountain, lists have come in tens, not that we couldn't have done with several more commandments. Who says a year has Ten Best Films, anyway? Nobody but readers, editors, and most other movie critics. There was hell to pay last year when I published my list of Twenty Best. You'd have thought I belched at a funeral. So this year I have devoutly limited myself to exactly ten films.

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Think beyond the top layer

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Q: Please provide a definition for the "hyperlink film," to which you have made reference in prior reviews. There is a now widespread belief that such films need international flair (as in "Syriana," "Traffic" or "Babel") and multiple languages. Would you agree, or need the parameters be broader so that the earlier works can be included in the definition (as suggested in your review of "Cape of Good Hope")? How many storylines do you need/how connected need they be to constitute a hyperlink film?

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High fidelity? Fan thinks not

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Q. You mentioned it's difficult to imagine anyone other than Jimmy Fallon as the Red Sox baseball fan in "Fever Pitch" (2005). For me, I'm having a hard time imagining anyone other than Colin Firth as the long-suffering Arsenal soccer fan in "Fever Pitch" (1997).

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