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John Wick

The film breathes exhilarating life into its tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.

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Low Down

Preiss' movie does a consistently excellent job of explaining the lure of jazz, and the psychology of addicts, their enablers and their children, without explaining…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Toronto #5: Loopers and the looped

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Time travel, as we all know, is (1) impossible in any real-life, non-quantum sense, and (2) irresistible to filmmakers. Rian Johnson's Toronto entry "Looper" asks us to accept it as a premise, and you know what? It's handled more realistically here than anything in the plots of the average superhero movie. One of the strengths of time travel is its demonstration that if we could travel through time and meet our parents or even ourselves at an earlier age, it could be an unbearably emotional experience.

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Sundance #4: 'Nine Lives,' nine films

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PARK CITY, Utah -- I took a day off to cover the Oscars, and I'm nine films behind. That's nine I've seen, not nine I've missed. They are so various and in many cases so good that the problem is to write about them without sounding like a crazed cinemaniac.

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Coppola looks forward to his own films

There is a kind of shyness, a modesty, about Francis Ford Coppola that is so surprising. Here is the director of "The Godfather," and the epic "Apocalypse Now," and the paranoid psychodrama "The Conversation," and he talks about whether he has the right to put his name above the title. Kids out of film school put their names on their first films, and here he is explaining why his movies are called "Mario Puzo's The Godfather" and "Bram Stoker's Dracula" and "John Grisham's The Rainmaker."

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Bleakness infuses films at Sundance

PARK CITY, Utah --The theme song of the opening days of this year's Sundance Film Festival should have been "Get a Job." I've seen six American films so far, all of them about characters mired in aimless unemployment or unsatisfying work. Oh, and I saw a Czech film too: That was about a man in Prague who is kicked out of the philharmonic and reduced to playing his cello at funerals.

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