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Transcendence

"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.

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Heaven Is for Real

Faith-based film tries reaching past its audience, but falls back on preaching to its own choir way too much.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

The Emmys: Everyone but his parakeet

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Rarely does a TV show arrive with lower expectations than the annual Emmy Awards telecast. It's a given that the thing will suck. Even so, this year's -- the 64th -- managed to come up short and disappoint. And it wasn't one of those "so bad it's good" campy things you can enjoy making fun of, either. It was more like one of those "so bad it's lousy" things that leave you incredulous and drained of the will to live.

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Stars under the stars, for free

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Great movies under the stars for free. The lineup has been released for this summer's 10th annual Chicago Outdoor Film Festival, presented by the Mayor's Office of Special Events and programmed by the Chicago Film Office. In honor of two recently passed movie giants, Paul Newman in "Cat on a Hot Tin Roof" and director Sydney Pollack's "Tootsie" are included. And a John Ford classic will screen in honor of the Abraham Lincoln centenary.

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Jarmusch shows 'the Money'

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He always wanted to work with Bill Murray, Jim Jarmusch said. "He's got a big-brush style where he's a comic genius. But he can also paint with a one-haired brush." That was the Murray that Jarmusch wanted, the one he had seen in "The Razor's Edge," "Mad Dog and Glory," "Ed Wood," "Rushmore" and "Lost in Translation." So it should have been simple. Jarmusch worked on a screenplay for four or five months, went to Cannes in 2002 to raise the money for it, and came home with most of the financing in place.

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Cannes coda: Why it's all worth it

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CANNES, France -- Suddenly calm has descended on Cannes, like a movie without sound. The traffic has returned to sanity. Housewives stroll through the market, filling their wicker baskets with artichokes and lettuces. The awards will be announced tonight, but most of the buyers and sellers and big shots have already flown out of the Nice Airport, and the festival is left in the custody of its most faithful guests: The press, the cineastes, the paparazzi and the fans.

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The Unwritten Rules of Oscar

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Shhhhhh. Don't tell a soul. Close Oscar-watchers (and Academy insiders) know that what you are about to read is true -- but few like to talk about these things. When it comes to picking Oscar winners, you can study the stats of Oscars past in search of patterns and clues, but there are certain influential paradigms that defy and transcend conventional statistical analysis.

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Savoring a century of 'the cinema'

As I now move, graciously, I hope, toward the door marked Exit, it occurs to me that the only thing I ever really liked to do was go to the movies. Naturally, Sex and Art always took precedence over the cinema. Unfortunately, neither ever proved to be as dependable as the filtering of present light through that moving strip of celluloid which projects past images and voices onto a screen.

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Interview with Matt Dillon

SANTA FE, NM - Matt Dillon is improbably handsome, a fact that has been noticed by several million teenage girls. He is the first star in a long time who inspires his fans to squeal aloud, which they are doing right now during his latest hit, "The Outsiders." It must be a little humbling for Francis Ford Coppola (who made "The Godfather" and "Apocalypse Now") to realize that his latest movie is No. 1 on Variety's current list of box office winners primarily because it stars a good-looking 18-year-old kid from Mamaroneck, NY.

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Cannes, 1981: A study in the art of being rude

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For the latest developments in the human art of being rude, no place offers a better opportunity for study than a press conference at the Cannes Film Festival. The very words "press conference" carry a genteel connotation unknown to the packs of scandalmongers and paparazzi who descend upon the movie stars after the screening of major films.

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Jessica Lange: Woman Behind the Ape

"It was just a year ago at this time," Jessica Lange remembered. "The screen tests were on Dec. 17 and 19, and then I went home for Christmas. And I said to my folks, I've got some news for you that you're not going to believe. I'm, ah, I'm going to star in 'King Kong'..."

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